A FRESH CLASSIC
Bartlett Sher s staging is a delectable feast for the eyes, ears and heart.
Bartlett Sher s staging is a delectable feast for the eyes, ears and heart.
With no clear favorite in some big categories, it s anyone s guess who will take home Tony Awards this year.
Making a big-budget, large-scale musical based on a classic novel by no means guarantees success.
With no clear favorite in some big categories, it s anyone s guess who will take home Tony Awards this year.
This dance-infused fantasy, as reimagined, delves deeper than the original.
Although curious choices guide this revival, the score of the musical lives on.
Austin Pendleton s production takes some serious liberties, some of which will confuse the audience.
Lisa D’Amour’s new play is a welter of empty talk and patronizing clichés about the ennobled underclass.
This smart, irreverent new comedy makes Broadway a more exciting, youth-friendly place.
Singer-dancer-actress Chita Rivera can still command a stage at 82.
Inter-religious marriage may have been a fertile topic for drama in the 1920s. Now, not so much.
Predictable as it may be, Joe DiPietro’s boulevard comedy sparkles with good-natured humor.
Now in its fourth Broadway revival, the Rodgers and Hammerstein classic speaks in a universal language.
This period epic gives several twists to history, with a complex hero at the center.
We see in these characters some of the frailties, missteps and small victories that make up our lives.
Jeffrey Hatcher s modernized version of Mark Twain’s classic novel is purposely laced with anachronisms and pop-culture references.
Helen Mirren shines at the center of this play about Queen Elizabeth II s relationship with prime ministers.
It s taken almost four decades for this screwball musical comedy to get revived on Broadway.
Wendy Wasserstein’s Pulitzer Prize-winning play looks back at the struggles women have faced in recent history.
Joel Drake Johnson s sharp examination of office tension tackles race and complex interpersonal dynamics.
Bradley Cooper brings to life the play he s been fascinated by since a young age.
Nothing sells tickets like a star. Emma Stone takes over Cabaret , and Sting makes an appearance in The Last Ship .
This classic musical has come a long way since its genesis, and has only grown richer through its evolution.
Despite an excellent performance by Bradley Cooper, the pace drags and the transitions are bumpy.
This larger-than-life magic show may drag at times, but it is full of fascinating feats and jaw-dropping moments.