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35,882 stories from The Stage

Come From Away review at Phoenix Theatre, London " 'moving, uplifting and life-affirming' by Tim Bano

Before jet engines, aircraft travelling across the Atlantic from Europe had to stop for fuel on Newfoundland, an island on Canada's most

SOURCE: The Stage Registration at 6:14pm on February 18, 2019☆⚑

Un Ballo in Maschera review at Wales Millennium Centre, Cardiff " 'spectacular, ghoulish flair' by Steph Power

When censors forbade the onstage depiction of regicide, Verdi was forced to relocate his 1859 Un Ballo in Maschera (A Masked Ball)

SOURCE: The Stage Registration at 12:37pm on February 18, 2019☆⚑

Props maker Andy Bubble on the ice cream van he built Julie Hesmondhalgh for Mother Courage by Chris Bartlett

He started out creating fireballs, now he's designed a moving ice-cream van for Mother Courage. Royal Exchange props expert Andy Bubble tells

SOURCE: The Stage Registration at 12:00pm on February 18, 2019☆⚑

Miss Julie review at Perth Theatre " 'power and precision' by David Pollock

Directed by up-and-coming young Scottish-based director Shilpa T-Hyland, who is under 30 and engaged on the project through winning Perth Theatre's first

SOURCE: The Stage Registration at 11:48am on February 18, 2019☆⚑

9 to 5 writer Patricia Resnick: 'The musical has been called a period piece " but it's more relevant now than ever' by Matthew Hemley

9 to 5 creator Patricia Resnick has claimed the musical has more "resonance" post #MeToo, claiming the production had been considered a

SOURCE: The Stage Registration at 11:48am on February 18, 2019☆⚑

West End Come from Away cast: 'Politicians should see our show' by Georgia Snow

Rachel Tucker and other cast members from the musical Come from Away have appealed to politicians to attend the show, arguing that

SOURCE: The Stage Registration at 11:48am on February 18, 2019☆⚑

Stage managers' working conditions to be reviewed in effort to prevent 'serious and chronic injury' by Giverny Masso

Stage managers have complained of back issues and having to twist around 'like contortionists' to do their job at prompt desks, leading

SOURCE: The Stage Registration at 11:48am on February 18, 2019☆⚑

The Magic Flute review at Wales Millennium Centre, Cardiff " 'moralising and mirth' by Steph Power

Only Mozart could so deftly have celebrated the Age of Enlightenment through an opera spanning moral philosophy, high drama, fairytale romance "

SOURCE: The Stage Registration at 11:26am on February 18, 2019☆⚑

Playwright Madeline Gould: 'I urge all creatives to investigate rural touring' by Giverny Masso

With two shows at Vault Festival in London this year, writer Madeline Gould tells Giverny Masso about her passion for rural touring

SOURCE: The Stage Registration at 11:01am on February 18, 2019☆⚑

[Title of Show] review at Above the Stag, London " 'warm, witty meta-musical' by Paul Vale

Hunter Bell and Jeff Bowen's autobiographical musical gains perspective with age. Originally written in 2004, it’s a quirky, navel-gazing piece that touched

SOURCE: The Stage Registration at 9:36am on February 18, 2019☆⚑

Mydidae review at Hope Mill Theatre, Manchester " 'captivating performances' by Natalie Douglas

David and Marian's bathroom is spacious and sumptuous. His and hers sinks and a roll-top bath hint at the couple's outward prosperity.

SOURCE: The Stage Registration at 8:01am on February 18, 2019☆⚑

Much Ado About Nothing review at New Vic Theatre, Newcastle-under-Lyme " 'a delicious battle of wits' by Natalie Douglas

In Much Ado About Nothing, Beatrice and Benedick are at "merry war". Director Conrad Nelson takes the concept of wartime amusement and

SOURCE: The Stage Registration at 7:44am on February 18, 2019☆⚑

Government to continue funding for Creative Europe projects in no-deal Brexit scenario by Georgia Snow

Projects funded by Creative Europe will continue to receive support from the government if the UK leaves the EU without a deal

SOURCE: The Stage Registration at 7:32am on February 18, 2019☆⚑

Amber Davies: '9 to 5 proves I am a talent and not just a Love Island star' by Matthew Hemley

9 to 5 star Amber Davies has said she hopes her performance in the musical will prove her talent and help shake

SOURCE: The Stage Registration at 7:32am on February 18, 2019☆⚑

Disused 2,500-seat theatre in Eccles to be turned into flats by Giverny Masso

A disused 2,500-seat theatre in Salford is to be redeveloped into flats. The grade II-listed Crown Theatre in Eccles, which was built

SOURCE: The Stage Registration at 7:32am on February 18, 2019☆⚑

Come from Away writers Irene Sankoff and David Hein: 'Truth is not only stranger than fiction, it's better' by Mark Shenton

The events of September 11, 2001 shook the world, but had a particular effect on husband and wife Irene Sankoff and David

SOURCE: The Stage Registration at 7:30am on February 18, 2019☆⚑

Don Quixote review at Royal Opera House, London " 'a joyful experience' by Anna Winter

Cervantes' nudnik knight-errant is back. Carlos Acosta's 2013 production of Don Quixote for the Royal Ballet is a big, bold, irresistible gift

SOURCE: The Stage Registration at 7:08am on February 18, 2019☆⚑

Poll: Do you think it's fair for actors to be asked about their social media following during the casting process? by Matthew Hemley

Last week, The Stage reported on the rise of castings based on performers' social media followings, with many claiming the move is

SOURCE: The Stage Registration at 7:05am on February 18, 2019☆⚑

Princess and the Hustler review at Bristol Old Vic " 'heartfelt and timely' by Ben Kulvichit

Set against the backdrop of the Bristol bus boycott in 1963, this homegrown play from Bristol playwright Chinonyerem Odimba is the second

SOURCE: The Stage Registration at 6:03am on February 18, 2019☆⚑

Further casting announced for The Light in the Piazza by Georgia Snow

Further casting for the forthcoming London production of The Light in the Piazza has been announced, with performers including Rob Houchen and

SOURCE: The Stage Registration at 4:12am on February 18, 2019☆⚑

Lyn Gardner: Context is key to good theatre criticism by Lyn Gardner

All theatre has a context. The shows of Kneehigh mean something different when they play to a local audience in Cornwall than when

SOURCE: The Stage Registration at 2:00am on February 18, 2019☆⚑

Top 5 theatre shows to see this week (February 18-24) by Natasha Tripney

Come from Away " Phoenix Theatre, London Irene Sankoff and David Hein's "daring and original" new musical based on a heartwarming true story

SOURCE: The Stage Registration at 2:00am on February 18, 2019☆⚑

Matt Trueman: C Venues isn't just a villain of the fringe " it's also a victim by Matt Trueman

Allow me, momentarily, to hold a candle for C Venues. Last week, the Scotsman revealed that the Edinburgh Festival Fringe operator had

SOURCE: The Stage Registration at 2:00am on February 18, 2019☆⚑

9 to 5 the Musical review at Savoy Theatre, London " 'Dolly Parton's gaudy, but fun musical' by Tim Bano

The beloved 1980 film, starring Dolly Parton, Lily Tomlin and Jane Fonda, was a pioneering moment in feminist cinema. When she came

SOURCE: The Stage Registration at 6:00pm on February 17, 2019☆⚑

Bottled review at the Vaults, London " 'promising, powerful new writing' by Natasha Tripney

Hayley Wareham's debut play Bottled initially comes across as a familiar coming of age story. Katie is about to turn 15 and is

SOURCE: The Stage Registration at 10:33am on February 17, 2019☆⚑
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