1,793 stories from Theater News Online
Mike Bartlett s audacious verse drama appropriates the style of Shakespeare.
James Earl Jones and Cicely Tyson are still at the top of their game.
There’s plenty of passion but little spark in this reboot of Sam Shepard’s 1983 psychodrama.
Harold Pinter’s gripping 1971 drama still cuts with force, drawing new blood.
This stunning production features a number of deaf performers, with hearing actors providing their singing voices.
The Mint Theater Company is persistent in its mission to uncover obscure plays from the past.
The Acting Company’s evening of adaptations is satisfying in small, intense doses.
This unnecessary musical is marked by clunky plot twists, one-dimensional characters and bad songs.
Philip Ridley’s post-apocalyptic play paints a nightmarish picture but fails to make the characters relatable.
Lin-Manuel Miranda has built a monument by combing hip-hop with American history.
Annie Baker s latest is more ruminative, less compelling than her previous work.
Lin-Manuel Miranda accomplishes quite the feat with his hip-hop portrayal of the life and times of Alexander Hamilton.
Lin-Manuel Miranda accomplishes quite the feat with his hip-hop portrayal of the life and times of Alexander Hamilton.
An all-Asian cast gives Clifford Odets’ 1935 family drama a host of truthful performances.
Shakespeare fans were given a unique opportunity to see the four history plays presented as a coherent, extended narrative.
Some of Broadway s musicals actually sound better on the album, while others aren t captured quite as well.
A delicate Ariel salvages a night of skimpy stage magic.
The layered and dynamic new musical transfers to Broadway and continues to soar.
Harvey Weinstein has given the musical an overhaul that appeals to the lowest common denominator.
This musical comedy bypasses a regional run and jumps right to the Great White Way.
This year s Tony Awards was overflowing with talent and tough decisions.
For better or worse, this Larry David vehicle gives you a lot of Larry David and not much else.
A weak premise is stretched very thinly over 90 minutes.
This modern adaptation leans more toward the comedy and comes up short on the more dramatic aspects.
A trip to Broadway this season can leave you soaring or soured, depending on which play you pick.
