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35,882 stories from The Stage

Fairview playwright Jackie Sibblies Drury wins 2019 Susan Smith Blackburn Prize by Giverny Masso

American playwright Jackie Sibblies Drury has been announced as the winner of the Susan Smith Blackburn Prize 2019. Sibblies Dury won the

SOURCE: The Stage Registration at 3:01pm on March 4, 2019☆⚑

Floating suitcases, flying canes and 'frissons of magic' " illusions that thrill West End audiences by Nick Smurthwaite

Whether propelling a cane across the stage or teaching Mark Rylance the three-card monte, magic consultants add spectacle to stage and screen

SOURCE: The Stage Registration at 12:00pm on March 4, 2019☆⚑

Jason Manford to host 2019 Olivier Awards by Georgia Snow

Jason Manford has been announced as the host of this year's Olivier Awards, which take place next month at the Royal Albert

SOURCE: The Stage Registration at 11:51am on March 4, 2019☆⚑

ENO to scale back on surtitles to appease 'distracted' audiences by Matthew Hemley

English National opera is dropping surtitles for one performance per production in its forthcoming season. The opera company said the move had

SOURCE: The Stage Registration at 11:19am on March 4, 2019☆⚑

We're Staying Right Here review at Park Theatre, London " 'powerful and vicious' by Sally Hales

With the cultural narrative swirling around how men control and coerce women, Henry Devas' well-timed debut tackles another side of toxic masculinity:

SOURCE: The Stage Registration at 10:43am on March 4, 2019☆⚑

Actor Emma McDonald: 'After he saw me in a school play, Michael Frayn set me up with an agent' by Giverny Masso

She got into acting after playwright Michael Frayn saw her in a school play by chance and was so impressed that he

SOURCE: The Stage Registration at 10:00am on March 4, 2019☆⚑

My Brother's Keeper review at Playground Theatre, London " 'impeccable staging' by Paul Vale

Award-winning playwright and novelist Nigel Williams wrote My Brother's Keeper in the mid-1980s, not long after his own father had died of

SOURCE: The Stage Registration at 9:17am on March 4, 2019☆⚑

Richard Alston review at Sadler's Wells, London " 'inspired and intricate' by Anna Winter

Richard Alston has been making dance for 50 years; half of that time for his own company. Yet this celebratory programme, which

SOURCE: The Stage Registration at 7:05am on March 4, 2019☆⚑

Poll: Which is your favourite song from Joseph and the Amazing Technicolor Dreamcoat? by The Stage

As Andrew Lloyd Webber and Tim Rice's musical celebrates its 50th anniversary, and Sheridan Smith becomes the first lead cast member to

SOURCE: The Stage Registration at 7:04am on March 4, 2019☆⚑

Sarah Frankcom: 'I will find radical ways to make drama training more relevant' by Matthew Hemley

Sarah Frankcom has called for "galvanised change" to make theatre more diverse and accessible, claiming drama schools should be the "engine room"

SOURCE: The Stage Registration at 6:50am on March 4, 2019☆⚑

Catherine Zeta-Jones funds scholarship at Royal Welsh College by Georgia Snow

Catherine Zeta-Jones has established a new scholarship at the Royal Welsh College of Music and Drama to support young talent from Wales

SOURCE: The Stage Registration at 6:42am on March 4, 2019☆⚑

Elizabeth I review at Hackney Empire, London " 'Rossini's opera is delivered with style and clarity' by George Hall

Rossini's 1815 opera marked his debut in Naples, where he was to remain for eight years, turning the San Carlo Theatre into

SOURCE: The Stage Registration at 6:12am on March 4, 2019☆⚑

Roberto Devereux review at Wales Millennium Centre, Cardiff " 'heart-stopping performance' by Steph Power

At his best, Donizetti is a wonderful exponent of the romanticism that emerged in early-1800s Italy, a particularly febrile period in operatic

SOURCE: The Stage Registration at 6:08am on March 4, 2019☆⚑

Agreed review at Glyndebourne " 'Community opera proves worthwhile' by George Hall

Every couple of years Glyndebourne stages a new work involving its youth wing and other non-professionals, who combine with professional principals, band

SOURCE: The Stage Registration at 6:00am on March 4, 2019☆⚑

The Merry Widow review at the London Coliseum " 'much-loved operetta misfires' by George Hall

Operetta is the trickiest of all genres: its performers have to be able to sing with operatic skill, put over reams of

SOURCE: The Stage Registration at 5:02am on March 4, 2019☆⚑

Stephanie Street: The emotional cost of rejection is big, but actors keep on regardless by Stephanie Street

Samuel Beckett would love me right now. For the past few months, I have been the talking, walking embodiment of his adage:

SOURCE: The Stage Registration at 2:00am on March 4, 2019☆⚑

Top 5 theatre shows to see this week (March 4-10) by Natasha Tripney

Inside Bitch " Royal Court, London Conceived by Deborah Pearson and Stacey Gregg, this Clean Break co-production is a devised ensemble performance created

SOURCE: The Stage Registration at 2:00am on March 4, 2019☆⚑

WhatsOnStage Awards 2019: the winners in full by Georgia Snow

Aidan Turner, Sophie Okonedo, Carrie Hope Fletcher and Jamael Westman are among the winners of this year's WhatsOnStage Awards, presented in London

SOURCE: The Stage Registration at 4:36pm on March 3, 2019☆⚑

Production news round-up: Sheridan Smith cast in West End Joseph revival and Alex Kingston to star in gender-swapped Ibsen play by The Stage

Updates from this week include the news that Sheridan Smith will star as the narrator in Joseph and the Amazing Technicolor Dreamcoat

SOURCE: The Stage Registration at 12:29pm on March 1, 2019☆⚑

Matthew Bourne to he honoured with special award at this year's Oliviers by Matthew Hemley

Matthew Bourne is to be honoured with a special award for his "extraordinary achievements in dance". The prize will be his eighth

SOURCE: The Stage Registration at 11:12am on March 1, 2019☆⚑

Metamorphosis review at Old Rep Theatre, Birmingham " 'impressive physicality' by Charlotte Vickers

Franz Kafka's 1915 novella about a man who turns into a beetle is primarily a story of failed communication. This is also

SOURCE: The Stage Registration at 11:06am on March 1, 2019☆⚑

Cuckoo review at Campo, Ghent " 'stylishly staged performance lecture about South Korea' by Fergus Morgan

A Cuckoo, in South Korea, is a pressure cooker for preparing rice. In Amsterdam-based artist Jaha Koo's solo performance-lecture, visiting Ghent's Same

SOURCE: The Stage Registration at 10:56am on March 1, 2019☆⚑

US productions of To Kill a Mockingbird cancelled as rights clash with Broadway producer intensifies by Georgia Snow

Further productions of To Kill a Mockingbird have reportedly been shut down after legal threats by producer Scott Rudin over the rights

SOURCE: The Stage Registration at 10:45am on March 1, 2019☆⚑

Madrid takes centre stage at the Cervantes Theatre by Promoted Content

This March, a new series of shows at the Cervantes Theatre will showcase female theatremakers from Madrid under the title Madrid Is

SOURCE: The Stage Registration at 8:52am on March 1, 2019☆⚑

Tesseract review at Barbican Theatre, London " 'an onslaught of self-indulgence ' by Anna Winter

This theoretically involved but theatrically impotent creation is the result of a collaboration between filmmaker Charles Atlas and choreographers Rashaun Mitchell and

SOURCE: The Stage Registration at 8:35am on March 1, 2019☆⚑
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