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2,260 stories from Chicago Theater Beat

Review: Zürich (Steep Theatre) by Lauren Emily Whalen

Zürich's five vignettes are all set in hotel rooms on the fortieth floor. In one room, a man sings with his penis out. In another, two children left alone make a horrifying discovery in the…

SOURCE: Chicago Theater Beat at 7:18pm on October 10, 2018[SHARE]

Review: The Artificial Jungle (Hell in a Handbag) by Lauren Emily Whalen

Celebrated campmaster Charles Ludlam's final play, The Artificial Jungle, is chock full of brutality " death by piranha, daily rat deliveries, hair that is almost offensively big " and thank…

SOURCE: Chicago Theater Beat at 7:06pm on October 8, 2018[SHARE]

Review: Indecent (Victory Gardens Theater) by Lauren Emily Whalen

Hope - Playwright Paula Vogel's genius is contained in her ability to bring it to every story. The characters in Indecent persist, making the ultimate sacrifices to experience the tiny momen…

SOURCE: Chicago Theater Beat at 6:36pm on October 5, 2018[SHARE]

Review: Phoebe in Winter (Facility Theatre) by Lauren Emily Whalen

Director Dado is known throughout the city for her unconventional style. She's a perfect fit for Jen Silverman's postwar fable, where childhood impulses insert themselves into very adult iss…

SOURCE: Chicago Theater Beat at 5:12pm on October 3, 2018[SHARE]

Review: Tootsie the Musical (Broadway in Chicago) by Lauren Emily Whalen

This is one world-premiere that satisfyingly defies the odds. The powers that be behind this pre-Broadway tryout made a wise move in hiring bookwriter Robert Horn to adapt the hit Dustin Hof…

SOURCE: Chicago Theater Beat at 6:48pm on October 1, 2018[SHARE]

Review: Frankenstein (Lifeline Theatre) by Lauren Emily Whalen

Lifeline Theatre's Frankenstein, a world premiere adapted by Robert Kauzlaric and directed by Paul S. Holmquist, boils down the war of human versus monster in a way that's deceptively simple…

SOURCE: Chicago Theater Beat at 7:18pm on September 23, 2018[SHARE]

Review: Crime and Punishment (Shattered Globe Theatre) by Lauren Emily Whalen

Audiences may very well love Crime and Punishment. Shattered Globe's production of Chris Hannan's new adaptation boasts impeccable production values and fascinating movement design. However,…

SOURCE: Chicago Theater Beat at 7:12pm on September 22, 2018[SHARE]

Review: The Shipment (Red Tape Theatre) by Duane Barnes

I saw Red Tape Theatre's The Shipment with two companions and we left the theater asking each other, What was the author saying?" This play, written by Young Jean Lee, a Korean-American play…

SOURCE: Chicago Theater Beat at 5:48pm on September 20, 2018[SHARE]

Review: These Shining Lives (Three Crows Theatre) by Lauren Emily Whalen

With better direction and an improved script, Melanie Marnich's These Shining Lives could have been snappier and punchier in the beginning, slowly growing sadder and more poignant as injurie…

SOURCE: Chicago Theater Beat at 8:54pm on September 18, 2018[SHARE]

Review: Borealis (The House Theatre) by Lauren Emily Whalen

Bennett Fisher's new play Borealis has the type of premise " sci-fi adventure that's also a takedown of corporate culture " that will be either an epic success or an epic failure. Thankfully…

SOURCE: Chicago Theater Beat at 6:32pm on September 15, 2018[SHARE]

Review: El Grande de Coca-Cola (Waterfront Cafe & Summer Stages) by Lauren Emily Whalen

El Grande de Coca-Cola is 80 minutes of awkward, hilarious glory, with a cast as adept at physical comedy as they are at fast-paced banter, operatic vocal stylings and giving the audience th…

SOURCE: Chicago Theater Beat at 5:42pm on September 5, 2018[SHARE]

Review: A Shayna Maidel (TimeLine Theatre) by Lauren Emily Whalen

A Shayna Maidel is a story of the Holocaust, immigration and survival, but most of all it's a story of sisters. Rose (Bri Sudia) and Lusia (Emily Berman) have lived incredibly different live…

SOURCE: Chicago Theater Beat at 4:54pm on September 2, 2018[SHARE]

Review: Heartbreak Hotel (Broadway in Chicago) by Johanna Dalton

With Broadway in Chicago's presentation of Heartbreak Hotel, being dubbed as the pre-quel to Million Dollar Quartet, the audience is on their feet as the cast takes their bows, and the 20 mi…

SOURCE: Chicago Theater Beat at 4:04pm on August 31, 2018[SHARE]

Review: Tres Bandidos (Agency Theater Collective) by Lauren Emily Whalen

The climactic moment of Tres Bandidos is tense and anxiety-inducing. A major secret has just been revealed. There's more than one gun. It's very, very likely that at least one of the three c…

SOURCE: Chicago Theater Beat at 5:24pm on August 26, 2018[SHARE]

Review: Haymarket (Underscore Theatre) by Lauren Emily Whalen

The anarchists profiled in Underscore Theatre's smash hit Haymarket were hardworking immigrants, who just wanted a fair wage and time to call their own. As a folk-musical concept album or co…

SOURCE: Chicago Theater Beat at 6:42pm on August 20, 2018[SHARE]

Review: Avenue Q (Mercury Theater, 2018) by Lauren Emily Whalen

Clearly, Avenue Q is making money for Mercury Theater, especially as it's now been extended by over 3 months. And of course a theater company must consider what will draw audiences. As a pro…

SOURCE: Chicago Theater Beat at 8:36pm on August 16, 2018[SHARE]

Review: Holding the Man (Pride Films and Plays) by Lauren Emily Whalen

Pride Films and Plays' stellar production of Holding the Man by Tommy Murphy chronicles a forbidden teenage romance that became a life partnership cut short, calling back to a time when life…

SOURCE: Chicago Theater Beat at 8:54pm on August 8, 2018[SHARE]

Review: Hurricane Damage (Pride Films and Plays) by Lauren Emily Whalen

If nothing else, Hurricane Damage is an alternative to the Dead Gay Narrative. It's a survivors' story - longtime partners Oscar and Dennis have been together for decades, and have seen coun…

SOURCE: Chicago Theater Beat at 6:06pm on August 5, 2018[SHARE]

Review: Defacing Michael Jackson (Flying Elephant Productions) by Lauren Whalen

With Flying Elephant Productions' Defacing Michael Jackson, playwright Aurin Squire has a terrific, multifaceted story on his hands - a group of kids in middle-of-nowhere 1980s Florida form …

SOURCE: Chicago Theater Beat at 5:32pm on July 30, 2018[SHARE]

Review: Everybody (Brown Paper Box Co.) by Lauren Whalen

Playwright Branden Jacobs-Jenkins thrives on keeping an audience on their toes. He pulled it off successfully in Goodman Theatre's Gloria, with a shocking plot twist at the end of the play's…

SOURCE: Chicago Theater Beat at 6:12pm on July 29, 2018[SHARE]

Review: The Golden Girls"The Lost Episodes, Vol. 2 (Hell in a Handbag Productions) by Lauren Whalen

Hell in Handbag Production's The Golden Girls--The Lost Episodes, Volume 2 is an incredibly entertaining evening for fans of a different Fab Four - Rose, Blanche, Dorothy and Sophia. Three o…

SOURCE: Chicago Theater Beat at 4:12pm on July 16, 2018[SHARE]

Review: Sickle (Red Theater Chicago) by Duane Barnes

Abbey Fenbert's play Sickle at Red Theater is important as it brings to light another horror of a different kind of war, an unwanted assimilation of an entire country's population and produc…

SOURCE: Chicago Theater Beat at 6:04pm on July 15, 2018[SHARE]

Review: Support Group for Men (Goodman Theatre) by Johanna Dalton

The topics covered in Goodman's Support Group for Men are exactly the conversations that we need right now, and in this marvelously comic work, playwright Ellen Fairey has hit the proverbial…

SOURCE: Chicago Theater Beat at 7:04pm on July 11, 2018[SHARE]

Rew: Tilikum (Sideshow Theatre) by Lauren Whalen

Tilikum, an allegory of slavery with the best of intentions. has a unique setting and an even more unique way of telling its story, incorporating dance, percussion and one heck of a projecti…

SOURCE: Chicago Theater Beat at 10:24pm on July 5, 2018[SHARE]

Review: The View Upstairs (Circle Theatre) by Lauren Whalen

The View UpStairs, a musical about the last night of the UpStairs Lounge that, before an arsonist set the gay bar ablaze (killing 32 people in the process), premiered off-Broadway in Februar…

SOURCE: Chicago Theater Beat at 10:36pm on June 29, 2018[SHARE]
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