Zürich's five vignettes are all set in hotel rooms on the fortieth floor. In one room, a man sings with his penis out. In another, two children left alone make a horrifying discovery in their father's suitcase. The first three vignettes of Zürich are darkly funny and fascinating, the fourth passable, the fifth and final so utterly ridiculous that the final blackout was a blessing. When Amelia Roper's writing and Br…
SOURCE: Chicago Theater Beat at 07:18PM on October 10, 2018