Playwright Branden Jacobs-Jenkins thrives on keeping an audience on their toes. He pulled it off successfully in Goodman Theatre's Gloria, with a shocking plot twist at the end of the play's first half. In Brown Paper Box's Everybody, Jacobs-Jenkins attempts to do the same, planting actors in the crowd and constantly changing the play's format. The difference is, while Gloria was fascinating and well-thought out, Ev…
SOURCE: Chicago Theater Beat at 06:12PM on July 29, 2018