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4,220 stories from Broad Street Review

The education of Toby Zinman by Nathan Skethway

American Theater Magazine recently named the Inquirer's Toby Zinman one of the nation's 12 most influential theater critics. How did she reach that lofty plateau? And how did a gentle academ…

SOURCE: Broad Street Review at 6:02pm on March 7, 2013

Schulner's 'Infinite Ache' at Theatre Horizon by Steve Cohen

David Schulner's An Infinite Ache speeds us through the lives of a man and woman from their first date to their old age in 90 minutes.

SOURCE: Broad Street Review at 5:50am on February 11, 2013

McDonagh's 'Beauty Queen of Leenane' at the Lantern by Marshall A. Ledger

What is it about modern Ireland that produces so many playwrights intent on cutting through that charming Gaelic sentimentality to expose the human brutality underneath?

SOURCE: Broad Street Review at 10:20am on January 23, 2013

Leslye Headland's 'Assistance' at the Wilma by Steve Cohen

Working for a tyrannical boss is no fun. Neither is Leslye Headland's tired attempt to wring comedy from the situation.

SOURCE: Broad Street Review at 10:19am on January 23, 2013

Review: 'Freud's Last Session' at the Arden by Steve Cohen

When the Christian polemicist C.S. Lewis meets Sigmund Freud" who considered God an illusion" whom do you root for? Mark St. Germain's imagined meeting between two brilliant men crackles wit…

SOURCE: Broad Street Review at 6:05am on November 5, 2012

Review: PTC's 'Stars of David' at the Suzanne Roberts (2nd review) by Dan Rottenberg

Jews comprise a large segment of urban theater audiences, so any show with a Jewish theme enjoys a good head start. But even discriminating Jewish theatergoers may gag on this musical celebr…

SOURCE: Broad Street Review at 11:08am on October 31, 2012

Review: PTC's 'Stars of David' at the Suzanne Roberts (1st review) by Steve Cohen

Having grown up ambivalently Jewish, Abigail Pogrebin embarked on an intriguing project: to interview famous Jews about their Jewishness. The new musical based on her book is equally intrigu…

SOURCE: Broad Street Review at 11:07am on October 31, 2012

Review: Carson Kreitzer's 'Behind the Eye' by Dan Rottenberg

The beautiful and talented American model and photographer Lee Miller constantly reinvented herself throughout a long and tumultuous life, while repeatedly wangling her way onto the world's …

SOURCE: Broad Street Review at 11:06am on October 31, 2012

Lantern's 'The Island' by Alaina Mabaso

When The Island was first performed in South Africa in 1973, it represented a courageous attempt to capture the inhumanity of Apartheid. It's still compelling from the relative comfort of a …

SOURCE: Broad Street Review at 9:48am on May 28, 2012

Gore Vidal's The Best Man Review by Thom Geier

Even more than half a century after its Broadway debut, Gore Vidal's The Best Man still has a timely pull. And it's hard not tease out modern resonances in this old-fashioned political drama…

SOURCE: Entertainment Weekly at 7:26am on April 2, 2012

A few words about ladies' restrooms by Alaina Mabaso

It's time for somebody to say publicly what Philadelphia women have been muttering to each other in the line for years: The ladies' rooms at many Philadelphia theaters are deplorable. Join m…

SOURCE: Broad Street Review at 6:08am on April 2, 2012

Painting Churches Review | EW.com by Lisa Schwarzbaum

Keen Company's Off Broadway revival of Painting Churches, Tina Howe's critically esteemed portrait of an artist and her aging parents, is as relevant today as it was when the award-winning p…

SOURCE: Entertainment Weekly at 3:19pm on March 7, 2012

'Gruesome Playground Injuries' by Theatre Exile by Gresham Riley

Gruesome Playground Injuries is a small play with a large theme: Nietzsche's notion that "Whatever doesn't kill me makes me stronger." It's an edgy and ambitious two-person play that ultimat…

SOURCE: Broad Street Review at 7:00am on November 23, 2011

My Mormon problem, and yours by Dan Rottenberg

Why is The Book of Mormon sold out for the next two years? For the same reason, I suspect, that Americans have spent two centuries wondering whether Mormons are harmless children or a threat…

SOURCE: Broad Street Review at 6:59am on November 23, 2011

An encouraging trend: Theater for grownups by Jim Rutter

Until recently Philadelphia's theater community seemed mired in edgy plays about alienated 30-somethings in dysfunctional families. But four recent productions" all intelligent, challenging,…

SOURCE: Broad Street Review at 5:51am on November 17, 2011

John Logan's 'Red' at Suzanne Roberts (2nd review) by Steve Cohen

John Logan's Red dramatizes the ageless tension between art and commerce. Yet not every artist was as angry and even paranoiac as Mark Rothko.

SOURCE: Broad Street Review at 5:56am on October 24, 2011

John Logan's 'Red' at Suzanne Roberts (1st review) by Dan Rottenberg

What's a brilliant Abstract Expressionist like Mark Rothko to do in an art world overrun by Philistines and pop culture? John Logan's Red, for all its dramatic shortcomings, provides rich an…

SOURCE: Broad Street Review at 5:54am on October 24, 2011

EgoPo's 'Diary of Anne Frank' by Steve Cohen

This adaptation of The Diary of Anne Frank is different from" and better than" the 1955 version you grew up with. Among other things, it's less squeamish about Anne's adolescent awkwardness …

SOURCE: Broad Street Review at 5:53am on October 24, 2011

Hiring local actors: triumph or calamity? by Jim Rutter

Philadelphia's Arden and Wilma theaters open their seasons this month with large-cast plays populated by local actors. That's a tribute to the growing wealth of local talent available" and a…

SOURCE: Broad Street Review at 5:52am on October 24, 2011

Philadelphia's aging theater audience by Jackie Atkins

As a frequent theatergoer, I find it amusing and vaguely annoying when the only young people in a theater can be found on the stage. But it's no joke: This age disparity is responsible for t…

SOURCE: Broad Street Review at 5:50am on October 24, 2011

Stage Review: FREUD'S LAST SESSION by Melissa Rose Bernardo

"Freud's Last Session" " which recently moved to Off Broadway's New World Stages " is spirited, witty, and eminently engaging.

SOURCE: Entertainment Weekly at 2:32pm on October 20, 2011

Lantern Theater's 'New Jerusalem' by Robert Zaller

How much freedom is too much? For the great Baruch Spinoza, there could be no limit; but for the community that judged him, there had to be. The lantern Theater's production does full justic…

SOURCE: Broad Street Review at 5:51am on October 17, 2011

The real deal about Osage County by Steve Cohen

Unlike its earlier productions, here the harsh words of August: Osage County derive less from anger than desperation; the worst of the characters come across as victims, not monsters. The Ar…

SOURCE: Broad Street Review at 6:05am on October 10, 2011

Dreams of Flying Dreams of Falling Review by Aubry D'arminio

It usually takes a hard heart and a strong stomach to sit through a play written by Adam Rapp. He's as cynical as he is prolific, and as explicit as he is insightful. The yuck factor is alwa…

SOURCE: Entertainment Weekly at 9:54am on October 9, 2011

12 Actors' Most Embarrassing Moments On Stage | Photo 1 of 12 | EW.com by Aubry D'arminio

John Larroquette, Kelsey Grammer, Sutton Foster, and more at the Tonys 'fessed up to the gaffes they'll never forget

SOURCE: Entertainment Weekly at 7:56am on June 18, 2011
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