4,600 stories from Toronto Star
Serious Money still packs a punch, while Age of Arousal is ultimately unmoving
The magic of the Lincoln Center's acclaimed production transfers perfectly to the Four Seasons Centre stage
Thom Southerland's versatile new production of the 1997 musical at the Princess of Wales reveals itself capable of stirring heart and mind simultaneously.
Jonathan Goad takes up the gauntlet in Stratford Festival version opening May 25. A look at others who played the melancholy Dane.
Interim CEO Mark Hammond pushes Front St. theatre into its next phase
Mirvish Productions brings Titanic the Musical, to Toronto's Princess of Wales Theatre through June 21
Soulpepper's The Dybbuk is the most exciting, thought-provoking and morally challenging show you're likely to see in Toronto this year.
Longtime actress says she cherishes the range of emotions she got to express as Carol in I'll See You in My Dreams.
Lata Pada's latest work inspired by music of Anil Srinivasan and Sikkil Gurucharan.
The story of a young Jewish bride possessed by a demon continues to resonate.
Antony and Cleopatra had its problems when it opened at Stratford last August, but Barry Avrich's cinematic version overcomes much of the awkward staging.
"It's exactly where things are darkest that drag should thrive," says Nir Paldi, creator of the show opening Tuesday at Toronto's Theatre Centre.
Strong performance by Kyle Blair and sleek design not enough to compensate for curious casting choice for female lead and other cardboard performances.
Peter and the Starcatcher weaves a magic web of silliness and sentiment that may endear parents even more than their children.
In Morro and Jasp: 9-5, pair make their case as one of Toronto theatre's best feminist teams
Performance by Moya O'Connell is even worth the drive down the QEW on a crowded weekend.
Under Louis Robitaille, company maintains its energy while risking works by up-and-coming choreographers.
Peter Millard, Tara Rosling and Julia Course have lightness and charm, but after that things go off wildly in several directions.
Musical creator and Talking Heads co-founder brings his music-colour guard mashup, Contemporary Color, to Luminato.
In search of another Stratford Festival hit, Feore insists there's a side of the saccharin musical that audiences haven't heard before.
Play has its problems, but even misfiring Stoppard is better than most other plays.
Anne Washburn's Simpsons-related play is big, bold, weird, charming, funny, sad and smart (S-M-R-T!)
Contemporary Bharatanatyam work, which is a highlight of the fourth Toronto Festival of Literature and the Arts, draws inspiration from 3,000 years' worth of South Asian texts
Married couple to appear in dark comedy Domesticated by Bruce Norris, opening Nov. 17.
One of the major problems with the performance is that almost everyone overplays every aspect of their characters and it is shout, shout, shout.
