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38,483 stories from The New York Times

'The Wild Party' Is a Vivacious Play That Started as a Scandalous Poem by Maya Phillips

One hundred years after it was banned for its depiction of hedonism, the rhythmic, jazz-soaked poetry of Joseph Moncure March continues to find new life.

SOURCE: The New York Times Subscription at 5:02am on March 29, 2026

James Tolkan, a Tough-Talking Actor in 'Back to the Future' and 'Top Gun,' Dies at 94 by Aimee Ortiz

Mr. Tolkan's career spanned decades but his breakout roles came as an authority figure in two popular films of the mid-1980s.

SOURCE: The New York Times Subscription at 3:57pm on March 28, 2026

Jon Bernthal and Ebon Moss-Bachrach on Bringing 'Dog Day Afternoon' to Broadway by Melena Ryzik

Jon Bernthal and Ebon Moss-Bachrach are both making their Broadway debut in a high-stakes adaptation of the beloved 1975 film "Dog Day Afternoon."

SOURCE: The New York Times Subscription at 12:36am on March 28, 2026

Outside Kennedy Center, Jane Fonda and Joan Baez Raise Voices in Protest by Sopan Deb

The pair joined in a gathering of artists and others who denounced censorship and faulted President Trump's growing influence over the nation's cultural life.

SOURCE: The New York Times Subscription at 4:58pm on March 27, 2026

New York City Ballet Pulls Out of Kennedy Center Performances by Adam Nagourney and Julia Jacobs

The decision by the company, one of the most prestigious in the country, is the latest in a wave of high-profile cancellations at the center.

SOURCE: The New York Times Subscription at 4:55pm on March 27, 2026

Don't Let the Name Harry Hole Fool You. The Important One Is Jo Nesbo. by Elisabeth Vincentelli

After a disappointing movie adaptation, the Norwegian author took the reins as showrunner in a new Netflix series based on his Detective Hole books.

SOURCE: The New York Times Subscription at 5:02am on March 27, 2026

Theater Tickets Are Cheaper in London Than New York. What Gives? by Michael Paulson and Alex Marshall

For half the price of a great seat at a Broadway show, you can see "Paddington" in the West End (if you can find a ticket) and snack on a marmalade sandwich.

SOURCE: The New York Times Subscription at 12:32am on March 27, 2026

Robert Fox, Acclaimed Producer in Britain and on Broadway, Dies at 73 by Richard Sandomir

A favorite of actors like Maggie Smith, he produced dozens of plays, including "The Audience," about Queen Elizabeth II, which was made into the Netflix show "The Crown."

SOURCE: The New York Times Subscription at 4:24pm on March 26, 2026

'Teeth 'n' Smiles': A Pop Diva and a Flamed-Out Rock Music Revolution by Houman Barekat

The singer Self Esteem, aka Rebecca Lucy Taylor, is an incarnation of late 1960s counterculture in a new London production of David Hare's "Teeth 'n' Smiles."

SOURCE: The New York Times Subscription at 12:12pm on March 26, 2026

'Public Charge' Review: The World Is Messy. Being a Force for Good Is, Too. by Laura Collins-hughes

A new play at the Public Theater written by Michael J. Chepiga and the former ambassador Julissa Reynoso is a diplomatic memoir of sorts, and a meditation on loving one's country.

SOURCE: The New York Times Subscription at 12:12pm on March 26, 2026

The Kennedy Center Is Giving Bill Maher the Mark Twain Prize by Ben Sisario

The annual award that recognizes merit in humor is going to the satirist and talk show host who has been critical of President Trump and political correctness.

SOURCE: The New York Times Subscription at 9:30am on March 26, 2026

Mearns and Melnick, Dance Stars Who Choose Each Other by Gia Kourlas and Vincent Alban

In "Superbloom," the latest work by the ballet dancer Sara Mearns and the postmodern choreographer Jodi Melnick, women are at the forefront.

SOURCE: The New York Times Subscription at 5:01am on March 26, 2026

'Dog Day Afternoon' Playwright Briefly Kept Out of Broadway Rehearsals by Michael Paulson

A week before opening night, tensions spilled over offstage, with the show's producing team temporarily prohibiting Stephen Adly Guirgis from entering the theater.

SOURCE: The New York Times Subscription at 8:12am on March 25, 2026

Larry Reed, Master of Shadow Puppetry, Dies at 81 by Richard Sandomir

Entranced by traditional Balinese puppet theater, he developed a modern, multicultural version that he performed around the world.

SOURCE: The New York Times Subscription at 5:54am on March 25, 2026

'Bait' Review: Bond. Shahjehan Bond. by Mike Hale

Riz Ahmed imagines the dark side of being a 007 candidate (a position he knows something about) in his Prime Video comedy series.

SOURCE: The New York Times Subscription at 5:02am on March 25, 2026

Late Night Questions the 'Very Big Present' Trump Got From Iran by Trish Bendix

Josh Johnson was puzzled by what kind of gift the president could have received "from the people you are currently at war with."

SOURCE: The New York Times Subscription at 1:46am on March 25, 2026

Comedy's Most Manipulative Shot … and Its Greatest Weapon by Jason Zinoman

Audience reactions are a staple of standup specials. But they're a strange device when you take a closer look.

SOURCE: The New York Times Subscription at 5:00am on March 24, 2026

Tango Therapy: How the Dance of Passion Is Helping Parkinson's Patients by Magalí Druscovich and Pam Belluck

Once a week, patients in an Argentine hospital with Parkinson's disease use the movements of tango to help address issues of balance, stiffness and coordination.

SOURCE: The New York Times Subscription at 3:00am on March 24, 2026

John Lithgow as Roald Dahl in 'Giant': A Study in Monstrosity by Helen Shaw

In Mark Rosenblatt's play, a powerful portrayal of the beloved children's book author who almost gleefully exposes his bigotry.

SOURCE: The New York Times Subscription at 11:32pm on March 23, 2026

Valerie Perrine, Screen Siren Who Won Critical Acclaim, Dies at 82 by Alex Williams

Known early on for skin-baring temptress roles, she later earned rave reviews, a Cannes award and an Oscar nomination for her performance in the Lenny Bruce biopic "Lenny."

SOURCE: The New York Times Subscription at 7:08pm on March 23, 2026

Two Choreographers, Two Visions of Philadelphia Freedom by Brian Seibert

Rennie Harris's "Losing My Religion" and a Matthew Neenan program from BalletX were signs of health in two of the city's most important dance institutions.

SOURCE: The New York Times Subscription at 12:17pm on March 23, 2026

New Yorkers, Have You Found Your Microscene? by Kate Guadagnino, Nick Haramis and Jennifer Livingston

A sampling of the city's creative cohorts and the places where they gather, from the Tompkins Square Park monkey bars to a hair salon that doubles as an art gallery.

SOURCE: The New York Times Subscription at 5:32am on March 23, 2026

The Man Who Taught Boy Bands How to Move by Brian Seibert

A new tour featuring New Edition and Boyz II Men is also a showcase for the influential work of their longtime choreographer, Brooke Payne.

SOURCE: The New York Times Subscription at 5:00am on March 23, 2026

For 'Buffy' Fans, Nicholas Brendon's Xander Was a Complicated Everyman by Derrick Bryson Taylor

The actor, who died on Friday, was a fan favorite on "Buffy the Vampire Slayer," even as his character mixed quiet heroism with hostility toward the show's women.

SOURCE: The New York Times Subscription at 5:28pm on March 22, 2026

Why Are We Obsessed With Antigone? by Helen Shaw, Léo Hamelin and Laura Salaberry

Antigone, an ancient Greek play, is being adapted in several theaters across New York City. Our critic Helen Shaw explains why Sophocles's anti-heroine is such a relevant figure today.

SOURCE: The New York Times Subscription at 12:32am on March 22, 2026
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