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35,882 stories from The Stage

Turtle Company at Edinburgh Fringe: The South Koreans creating 'analogue' theatre by Nick Awde

Nick Awde speaks to Turtle Company's British co-director Stevan Mijailovic about bringing its children's show Joyce to the Edinburgh Fringe South Korea's

SOURCE: The Stage Registration at 4:00am on August 13, 2019☆⚑

One Two One Two theatre company: 'The language and the nationality of our audience doesn't matter' by Nick Awde

A growing genre across Continental Europe, music theatre is an alien concept in the UK. Nick Awde meets Zoe Ní Riordáin and

SOURCE: The Stage Registration at 4:00am on August 13, 2019☆⚑

Lung theatre company: 'The fringe is a space where people believe in theatre's impact' by Natasha Tripney

Touring theatre company Lung makes work that blurs the line between art and activism. Co-artistic directors Helen Monks and Matt Woodhead tell

SOURCE: The Stage Registration at 3:00am on August 13, 2019☆⚑

Catherine Kodicek: Costume workers should lead the way in talking about menopause by Catherine Kodicek

There is a stereotype in theatre that describes certain types of older women with authority in costume. They are criticised for being

SOURCE: The Stage Registration at 2:00am on August 13, 2019☆⚑

Lyn Gardner: Don't contribute to Edinburgh Fringe's 'unlovely' winners and losers divide by Lyn Gardner

If you felt annoyed by your neighbours would you write something down and pop it through their letter box, and also the

SOURCE: The Stage Registration at 2:00am on August 13, 2019☆⚑

The Accident Did Not Take Place review at the Pleasance, Edinburgh " 'clever questioning of truth' by Tim Bano

Alongside Emma, Tilda and John is a different guest performer each day for this thrilling new show from YesYesNoNo. The guest's job

SOURCE: The Stage Registration at 12:55pm on August 12, 2019☆⚑

The Last of the Pelican Daughters review at Pleasance Courtyard, Edinburgh " 'moving, devised play' by Natasha Tripney

On the eve of their late mother's birthday the Pelican sisters " Joy, Storm, Sage and Maya " return to the family

SOURCE: The Stage Registration at 12:15pm on August 12, 2019☆⚑

Spiegelworld at Edinburgh Fringe: The $5m Las Vegas circus show opening with a fringe tryout by Tim Bano

With its latest offering a raunchy, late-night blend of cabaret and circus, Spiegelworld's founder tells Tim Bano why Edinburgh Festival Fringe is

SOURCE: The Stage Registration at 12:00pm on August 12, 2019☆⚑

Shit review at Summerhall, Edinburgh " 'riveting performances' by Nicole Serratore

Getting a brief glimpse of the shattered, abused child within the aggressive adult woman standing before us is a remarkable achievement of

SOURCE: The Stage Registration at 11:51am on August 12, 2019☆⚑

Poll: Should producers and promoters be expected to pay for their own tickets at the Edinburgh Fringe? by The Stage

At this year's Edinburgh Fringe, a group of companies and theatremakers have launched the #PayIfYouCan initiative, urging established producers, promoters and companies

SOURCE: The Stage Registration at 11:18am on August 12, 2019☆⚑

Bristol hospital trust to develop arts programme to offer alternative patient care by Georgia Snow

An NHS trust in Bristol has become the latest organisation to commit to using an arts programme to benefit the health and

SOURCE: The Stage Registration at 11:18am on August 12, 2019☆⚑

Anguis review at Gilded Balloon Teviot, Edinburgh " 'Quirky debut play by Sheila Atim' by Tim Bano

Because winning an Olivier award, being cast in the Game of Thrones prequel series, composing incidental music for theatre, dabbling in a

SOURCE: The Stage Registration at 10:46am on August 12, 2019☆⚑

The Incident Room review at the Pleasance, Edinburgh " 'intelligent and compelling' by Fergus Morgan

Peter William Sutcliffe. The Yorkshire Ripper. The man who murdered 13 women in Yorkshire and Greater Manchester in the late 1970s. The

SOURCE: The Stage Registration at 10:30am on August 12, 2019☆⚑

Dance artist, writer and curator Amy Bell " 'I wanted to do something positive' by Giverny Masso

Amy Bell is at this year's Edinburgh Fringe with a show that explores the lack of visibility for queer women in dance.

SOURCE: The Stage Registration at 10:00am on August 12, 2019☆⚑

Fishbowl review at Pleasance Grand, Edinburgh " 'acutely observed physical theatre' by Paul Vale

Pierre Guillois is on to a winner with his new play Fishbowl. Not only did it win France's Molière Award for best

SOURCE: The Stage Registration at 8:44am on August 12, 2019☆⚑

Mouthpiece review at Traverse Theatre, Edinburgh " 'triumphant return for Kieran Hurley's astute play' by Natasha Tripney

Kieran Hurley's play makes a triumphant return to the Traverse for this year's Edinburgh Festival Fringe. Premiering in December last year and

SOURCE: The Stage Registration at 8:21am on August 12, 2019☆⚑

Spotlight apologises for 'totally unacceptable' casting call for child actor in Milka commercial by Giverny Masso

Spotlight has apologised for allowing a "totally unacceptable" child casting call to appear on its platform, which was seeking a child actor

SOURCE: The Stage Registration at 7:48am on August 12, 2019☆⚑

Showtune review at Union Theatre, London " 'Fitfully fun but flimsy tribute to Jerry Herman' by Julia Rank

Showtune, also the title of Jerry Herman's autobiography, is a revue that provides exactly what it says on the tin in terms

SOURCE: The Stage Registration at 7:45am on August 12, 2019☆⚑

Matthew Bourne's Romeo and Juliet review at Sadler's Wells, London " 'bang on the money' by Neil Norman

Every generation has its Romeo and Juliet. Franco Zeffirelli and Baz Luhrmann on film, Rudolf Nureyev and Kenneth MacMillan in ballet. Now

SOURCE: The Stage Registration at 7:04am on August 12, 2019☆⚑

Silk Moth review at the Arcola Theatre, London " 'eclectic trilogy' by Yehuda Shapiro

In purely musical terms, the most striking component of this trilogy of contemporary works is the finale: Bel canto by Cassandra Miller.

SOURCE: The Stage Registration at 6:48am on August 12, 2019☆⚑

Hitler's Tasters review at Greenside, Infirmary Street, Edinburgh " 'slick, smart and unsettling' by Natasha Tripney

This slick, smart production by New Light Theater Project is rooted in truth. In 1942, a group of 15 young women were

SOURCE: The Stage Registration at 6:39am on August 12, 2019☆⚑

This Is Black: Pyneapple/Teleportation at the Bunker, London " 'full of raw talent' by JN Benjamin

Black Women are the focus of the second of two double bills in Bunker Theatre's inaugural This Is Black Festival: black women

SOURCE: The Stage Registration at 6:22am on August 12, 2019☆⚑

Roots review at Church Hill Theatre, Edinburgh " 'tapestry of folk tales with moments of magic' by Natasha Tripney

1927's new show takes the form of a tapestry of folk tales, or "folk jokes" as the company terms them. The style

SOURCE: The Stage Registration at 6:21am on August 12, 2019☆⚑

Lyn Gardner: Those seeing Edinburgh Fringe shows for free need reminding who pays in the end by Lyn Gardner

Today marks my 13th day at the Edinburgh Festival Fringe. I haven't totted up exactly how many shows I've seen, but it's

SOURCE: The Stage Registration at 2:00am on August 12, 2019☆⚑

Kate Maltby: It's okay not to be okay at the Edinburgh Fringe by Kate Maltby

Who doesn't have a great time at Edinburgh? Surely you made an appearance at The List Festival Party/the book festival in the

SOURCE: The Stage Registration at 2:00am on August 12, 2019☆⚑
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