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35,882 stories from The Stage

David Benedict: Awards should bring in experts to illuminate the judges' decisions by David Benedict

Anyone lucky enough to have seen Ian Rickson's magnetic recent production of Duncan Macmillan's version of Ibsen's Rosmersholm at the Duke of

SOURCE: The Stage Registration at 2:00am on August 14, 2019☆⚑

Lyn Gardner: Ignore the critics calling it the festival of 'me me me' " autobiographical theatre is not self-indulgent but essential by Lyn Gardner

Sometimes I think almost everything I know about the world, I know from theatre. Of course, I read books, listen to the

SOURCE: The Stage Registration at 2:00am on August 14, 2019☆⚑

Writer and director Poppy Burton-Morgan: Bum notes? Why theatre needs to get better at feedback by Poppy Burton-morgan

Notes can often feel like an attack on artistic integrity, but sometimes those giving them are right. Writer and director Poppy Burton-Morgan

SOURCE: The Stage Registration at 7:01pm on August 13, 2019☆⚑

Swim review at Pleasance Courtyard " 'episodic and affecting' by Rosemary Waugh

Swim is a show about grief, friendship and wild swimming. It's also about miscommunication or the inevitable barriers existing between one person's

SOURCE: The Stage Registration at 1:17pm on August 13, 2019☆⚑

Romeo and Juliet review at Assembly George Square, Edinburgh " 'messy and naff update' by Tim Bano

Guy Masterson and Nick Hennegan have long form at the Fringe, separately and together. But here, with Masterson as producer and Hennegan

SOURCE: The Stage Registration at 1:05pm on August 13, 2019☆⚑

Pathetic Fallacy review at Summerhall, Edinburgh " 'ecologically sound but fragmented' by Paul Vale

This new piece from award-winning Canadian company the Chop takes audience participation to new heights. For ecological reasons, Anita is reducing her

SOURCE: The Stage Registration at 12:41pm on August 13, 2019☆⚑

Einstein review at the Pleasance, Edinburgh " 'uneventful and meandering' by Paul Vale

Former The Stage Edinburgh Award winner and Fringe stalwart Pip Utton is no stranger to creating shows based on complex and often

SOURCE: The Stage Registration at 12:31pm on August 13, 2019☆⚑

The Green Room: What's the secret of comedy? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​​â€�…

SOURCE: The Stage Registration at 12:05pm on August 13, 2019☆⚑

Meaghan Martin: 'I got my first job after auditioning for one of my heroes' by John Byrne

My first job was the role of Kendra in a workshop of Jason Robert Brown's musical 13. It was in Los Angeles

SOURCE: The Stage Registration at 11:53am on August 13, 2019☆⚑

Director of ArtsEd Extra Jonathan Goodwin: 'Dare to take risks and embrace failure' by John Byrne

How did you start off in performance? Many of my teachers were inspirational, as well as my youth theatre directors. They guided

SOURCE: The Stage Registration at 11:36am on August 13, 2019☆⚑

Sea Sick review at CanadaHub, Edinburgh " 'eloquent and galvanising' by Natasha Tripney

According to journalist Alanna Mitchell, if we really want to understand the environmental crisis facing the planet, we need to look to

SOURCE: The Stage Registration at 11:34am on August 13, 2019☆⚑

Islander review at Summerhall, Edinburgh " 'magical new folk musical' by Tim Bano

Folklore and myth are brought dizzyingly up to date in Finn Anderson and Stewart Melton's live-layered musical, using just two voices and

SOURCE: The Stage Registration at 10:54am on August 13, 2019☆⚑

Mighty review at the Pleasance, Edinburgh " 'engaging exploration of heightism' by Tim Bano

It's never unimportant to have unconscious bias made conscious. In this solo piece, Jack Britton " 5ft 4 3/4in " takes us

SOURCE: The Stage Registration at 10:45am on August 13, 2019☆⚑

Actually review at Trafalgar Studios, London " 'poses more questions than it answers' by Dave Hollander

Describing what happens after a drunken one-night stand between two first-year students at an Ivy League university, Anna Ziegler's Actually assesses the

SOURCE: The Stage Registration at 10:06am on August 13, 2019☆⚑

Old Vic appoints Harriet Mackie as producer by Georgia Snow

Harriet Mackie has been appointed producer at the Old Vic. Mackie joins from the Royal Lyceum Theatre in Edinburgh, where she has

SOURCE: The Stage Registration at 9:36am on August 13, 2019☆⚑

Claims mount against London's Courtyard Theatre as actor training company severs ties by Giverny Masso

Performer training company the Actors Class is cutting ties with Hoxton's Courtyard Theatre after seven years due to claims of non-payment and

SOURCE: The Stage Registration at 9:36am on August 13, 2019☆⚑

Ejaculation review at Summerhall, Edinburgh " 'earnest but confusing' by Nicole Serratore

Finnish artists Essi Rossi and Sarah Kivi set out to educate themselves and the audience on women, sex, and desire in Ejaculation:

SOURCE: The Stage Registration at 8:33am on August 13, 2019☆⚑

Missed out on your first-choice drama school? UCAS Clearing is not just a last resort by John Byrne

So the exam results are in and it looks like you might have to think again. Don't get down, says John Byrne.

SOURCE: The Stage Registration at 8:00am on August 13, 2019☆⚑

Conspiracy review at Underbelly, Edinburgh " 'intriguing and playful' by Natasha Tripney

Three people sit at a desk in front of a blown-up version of the iconic, depression-era photograph Lunch Atop a Skyscraper. Something

SOURCE: The Stage Registration at 7:43am on August 13, 2019☆⚑

Bible John review at the Pleasance, Edinburgh " 'muddled exploration of true crime' by Natasha Tripney

There's no faulting the ambition of Poor Michelle's new show. It sets out to tell the story of Bible John, the serial

SOURCE: The Stage Registration at 7:36am on August 13, 2019☆⚑

Catching Comets review at Pleasance Courtyard, Edinburgh " 'smart action-movie spoof' by David Pollock

Amusingly pitched as "a disaster movie about falling in love", this new show from writer and director Piers Black ties two separate

SOURCE: The Stage Registration at 6:12am on August 13, 2019☆⚑

Mustard review at Summerhall, Edinburgh " 'poetic monologue about heartbreak and condiments' by Natasha Tripney

Eva O'Connor's solo show straddles the line between dramatic monologue and performance art. While clubbing in south London, a young woman meets

SOURCE: The Stage Registration at 6:06am on August 13, 2019☆⚑

Daddy Drag review at Summerhall, Edinburgh " 'poignant drag king show about fathers' by Natasha Tripney

Leyla Josephine swaggers on stage in a dressing gown, vest and pants. With a stubbled chin and padded gut, she's clad in

SOURCE: The Stage Registration at 5:59am on August 13, 2019☆⚑

E8 review at Pleasance Dome, Edinburgh " 'authentic but awkward' by Fergus Morgan

There's an urgency and intensity to Marika Mckennell's E8, but there's a clumsiness and a clunkiness, too. Developed by Oxford's North Wall

SOURCE: The Stage Registration at 5:38am on August 13, 2019☆⚑

Watching Glory Die review at Assembly Rooms, Edinburgh " 'heartbreaking tale of teen in prison' by Nicole Serratore

Watching Glory Die makes clear from its title where it is going to go. Based on a true story about a young

SOURCE: The Stage Registration at 5:32am on August 13, 2019☆⚑
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