4,285 stories from Broad Street Review
On Super Tuesday night, violinist Pamela Frank and pianist Stephen Prutsman reminded their Perelman audience what's really important. Dan Rottenberg reviews.
'The Steward of Christendom' chronicles the Lear-like fall of the final Dublin police chief under home rule. Irish Heritage Theatre's inconsistent production shows his pitiful demise, but no…
People's Light brings 'Shakespeare in Love' to the stage as fan fiction exploring the inspiration of one of the most iconic love stories of all time. Christina Anthony reviews.
Sparked by a 2011 social-media post about gentrification, the Wilma's 'Renaissance in the Belly of a Killer Whale' forces you to listen. Hanae Mason reviews.
Mephisto's battle for a good man's soul still compels today, but a new Not So Silent Cinema score for Murnau's 'Faust,' by Brendan Cooney and members of the Bismuth Quartet, highlights an en…
With the help of its Young Professionals cohort, Azuka's 'Ship' delivers a funny story with a lot of heart. Josh Herren reviews.
Organ virtuoso Paul Jacobs returned to the Philadelphia Orchestra with Michael Daugherty's 'Once Upon a Castle,' an exhilarating symphonie concertante written especially for him. Cameron Kel…
Readers respond about 'Musical Ecologies' from Network for New Music, Helen Frankenthaler at Arthur Ross and PAFA, the magic of a free ride, 'Babel' at Theatre Exile, and PTC's 'Everything I…
Stand up, your father's passing.
Soon, Greg Kinnear will be that father " the patriarchal figure at the heart of Harper Lee's To Kill a Mockingbird, one Atticus Finch. On Tuesday, producers …
As best explained in her EW Digital Cover story, actor and writer Danai Gurira has had a unique career in entertainment spanning more than her iconic turn as Michonne on The Walking Dead. Th…
Network for New Music's 'Musical Ecologies' was right at home beside the birdfeeders at the Discovery Center. Margaret Darby reviews.
The Crossing mixes it up to kick off #GLASSFEST, with the premiere of 'Knee Plays,' drawn from the music of Philip Glass and David Byrne. Gail Obenreder reviews.
JCWK Dance Lab's 'HOMEbody' explores the physical embodiment of home in an ambitious and inspiring new dance. Melissa Strong reviews.
'Fakes, Forgeries, and Frauds,' following the long life of swindles and controversies from Shakespeare to anti-vaxxers, doesn't draw the sharp parallels that the topic deserves in today's wo…
A new exhibition at the Barnes shows how Marie Cuttoli enlisted the talents of some of the 20th century's biggest artists to help revive and redefine the art of the French tapestry. Gary Day…
Helen Frankenthaler, whose prints are enjoying simultaneous exhibitions at Arthur Ross and PAFA, said that a really good picture looks like it happened in one stroke. Pamela Forsythe reviews.
Must-see shows, must-believe revivals, and major stars " this spring, New York's stages have them all. From rollicking royals to some welcome Company, here are six seasonal trends worth s…
Kaleidoscope Cultural Arts Collective's production of 'Khepera' is a vital contribution to North Philly theater and to Black women. Kyle V. Hiller reviews.
Set in a future in which climate change and advanced genetic testing have reshaped society, Jacqueline Goldfinger's 'Babel' asks the price of a perfect society. Jill Ivey reviews.
The national tour of 'Hello, Dolly!' lands at the Academy of Music, continuing to dazzle while remaining faithful to Gower Champion's original. Christina Anthony reviews.
Lightbox Film Center, which closed at University City's International House in December, has reopened on Broad Street, in partnership with University of the Arts. Stephen Silver visited the …
Sophia Anne Caruso will no longer count herself among the strange and unusual.
The actress, who originated the role of Lydia Deetz in Broadway's Beetlejuice, has abruptly exited the produ…
Chelsea Mercantel's 'Everything Is Wonderful' comes at an opportune time, as women's rage flares"and men navigate a world that may value them more than they value themselves. Wendy Rosenfiel…
Delaware Symphony players meet the Mendelssohns and Caroline Shaw with virtuosic joie di vivre. Gail Obenreder reviews.
The Academy of Vocal Arts offers a production of Donizetti's 'La Favorite,' in its original French version, where the worthwhile elements outweigh the questionable ones. Cameron Kelsall revi…
