522 stories by "carly Maga - Theatre Critic"
Ngozi Paul's solo show about a black woman's journey to understand her sexuality takes place in a bathroom, and there's hardly a better setting.
Crawlspace, Karen Hines' one woman-tale of a real estate nightmare, is being remounted at Soulpepper Theatre.
Stars singer's True Crime, at Streetcar Crowsnest April 4, grew from fascination with con man Christian Gerhartsreiter.
Also on the Top Ticket, an indigenous dance showcase from Native Earth and Anusree Roy's latest at Factory Theatre.
Musical about Windmill Theatre loses its lighthearted tone in second act and becomes clichéd and melodramatic.
South-Asian Canadian playwright is gaining new perspectives from a new version of her high school Fish Eyes Trilogy.
But show's disjointed nature, meant to mirror Cullen's dyslexia, gets tedious as autobiographical musical goes on.
Encores of Nicolas Billon's Butcher and Salvatore Antonio's S h e e t s also in this week's Top Ticket.
Writer-director Rob Kempson presents third and final episode in his Graduation Play series.
Greg MacArthur blends fact and fiction in his work in a bid to give audiences a different type of authenticity.
Stratford's Macbeth at Cineplex, a double bill from Bad Dog Theatre, James Kudelka's extended Love, Sex & Brahms.
The famous Russian master's The Seagull gets recontextualized for contemporary audiences in this Canadian premiere.
Pinocchio at the National Ballet of Canada, Feathers of Fire: A Persian Epic and Cage at Soulpepper.
One Little Goat Theatre under fire for creating work from transcript of police interview with killer Williams.
Making its English-language debut, Quebec playwright Guillaume Corbeil's quick one-act play starts with a bang but ultimately loses its plot.
Brent Carver Songbook, SplitScreen and HROSES are this week's top picks for theatregoers.
Martin Happer and Gray Powell stand out in 1994 play that makes the repercussions of the AIDS crisis purely private.
As the Emcee, Randy Harrison both frightens and seduces the audience, personifying the atrocities just under the surface.
Nora McLellan and Nancy Beatty, appearing in Annie Baker's John, look to young playwrights to defy stereotypes.
Cabaret at the Princess of Wales Theatre, Blue Valentine at the Citadel and Rhubarb Festival at Buddies in Bad Times.
There are challenges translating a research project to the stage, but Khari Wendell McClelland finds a sweet spot.
Pianos, pointe shoes and potentially a playwright are three top options for theatregoers in the days to come.
Play is dotted with moments large and small that illustrate fundamental truths about humanity.
Company's move, leaving it temporarily homeless, is another blow to Toronto's storefront theatre movement.
Canadian actress has been playing role on Broadway for almost two years.
