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280 stories by "Richard Jordan"

Richard Jordan: What lessons can musical theatre learn from Hamilton? by Richard Jordan

With Hamilton dominating the 2016 Tony Award nominations, expect to see producers hurriedly looking for the next hip hop musical. You can almost hear the

SOURCE: The Stage Registration at 2:00am on May 17, 2016

Richard Jordan: Broadway must not rest on its laurels when it comes to racial diversity by Richard Jordan

It used to be called the Great White Way, but as the 2016 Tony nominations " announced on Tuesday " reflect, that term cannot

SOURCE: The Stage Registration at 2:00am on May 6, 2016

Richard Jordan: Let's ban phone use in any performance anywhere by Richard Jordan

Last year I attended a performance of a play at London’s intimate Bush Theatre. In the last few minutes of it, a

SOURCE: The Stage Registration at 2:00am on May 3, 2016

Richard Jordan: Can a play still shock the Establishment in 2016? by Richard Jordan

In May 1998 possibly one of the boldest pieces of programming ever happened in the West End at the Duke of York’s

SOURCE: The Stage Registration at 2:00am on April 22, 2016

Richard Jordan: When is the right time to revamp a musical? by Richard Jordan

Over the past couple of months I have revisited two great long-running musicals: Les Miserables on Broadway, and The Phantom of the Opera on tour in Toronto. Both

SOURCE: The Stage Registration at 2:00am on April 8, 2016

Richard Jordan: Star-led flops give Broadway producers pause for thought by Richard Jordan

Has the film-star bubble burst on Broadway? Or have audiences just realised that paying $161 dollars for 55 minutes of entertainment is

SOURCE: The Stage Registration at 2:00am on April 7, 2016

Richard Jordan: The Oliviers on TV falls short on captioning by Richard Jordan

The Olivier Awards are arguably British theatre's most important night of the year and its single biggest advert. My hope is that

SOURCE: The Stage Registration at 2:00am on April 5, 2016

Richard Jordan: High quality theatre is threatening stand-up comedy on the fringe scene by Richard Jordan

The Adelaide Fringe, the second largest fringe festival in the world, ended on March 14. Although far short of the Edinburgh Festival Fringe, the

SOURCE: The Stage Registration at 3:00am on March 18, 2016

Richard Jordan: Global arts markets get diverse cultures talking by Richard Jordan

“I’m sorry if this seems strange, but I’m trying to have a conversation with someone I wouldn’t normally get to speak with.”

SOURCE: The Stage Registration at 7:56am on March 11, 2016

Richard Jordan: Why fix a musical that ain't broke? by Richard Jordan

The lights go up on the new Broadway production of Sheldon Harnick and Jerry Bock’s iconic musical Fiddler on the Roof with

SOURCE: The Stage Registration at 2:00am on March 1, 2016

Richard Jordan: Why having a good programme bio could be more important than a CV by Richard Jordan

“Ignored and unthanked and uncredited washing other people’s gussets; it’s like a career in all the very worst bits of being married.

SOURCE: The Stage Registration at 6:07am on February 19, 2016

Richard Jordan: Nicholas Lloyd Webber is a chip off the old block by Richard Jordan

Forty-eight years ago, a composing duo called Andrew Lloyd Webber and Tim Rice premiered a short musical called Joseph and the Amazing Technicolor Dreamcoat at

SOURCE: The Stage Registration at 2:00am on February 5, 2016

Richard Jordan: Can Lazarus live up to the hype in a post-Bowie world? by Richard Jordan

Since David Bowie's death on January 10, Lazarus, the David Bowie, Enda Walsh and Ivo van Hove musical creation, has become the most talked about

SOURCE: The Stage Registration at 2:00am on January 29, 2016

Richard Jordan: Are we protecting theatres from terrorists or just slowly putting them out of business? by Richard Jordan

There is perhaps something now sadly reflective – if not heart-breaking – in the winking marquee above An American in Paris at Broadway’s Palace Theatre in

SOURCE: The Stage Registration at 2:00am on January 19, 2016

Richard Jordan: Teleprompters and earpieces are changing theatre, and not necessarily for the better by Richard Jordan

Car crash theatre. That’s how a colleague described Al Pacino’s return to the Broadway stage in David Mamet’s new play, China Doll. For

SOURCE: The Stage Registration at 2:00am on January 12, 2016

Richard Jordan's 2016 theatre calendar by Richard Jordan

Happy new year and hello 2016 " From Shakespeare to Lloyd Webber, Chekhov to a crazy puppet, 2016 promises to be a

SOURCE: The Stage Registration at 2:00am on January 5, 2016

Richard Jordan: My theatre highlights of 2015 by Richard Jordan

My year in theatre fittingly began and ended with two musicals: the first a revival of Assassins at the Menier Chocolate Factory; the last, Wonder.land at the National t…

SOURCE: The Stage Registration at 2:00am on December 22, 2015

Richard Jordan: Are stars still being born in theatre? by Richard Jordan

A star is born. This age-old theatrical expression has become a bit hackneyed, though its essence " the idea of someone being

SOURCE: The Stage Registration at 2:00am on December 18, 2015

Richard Jordan: Lloyd Webber's a savvy operator and School of Rock is the proof by Richard Jordan

There is a lot riding on Andrew Lloyd Webber’s School of Rock, the musical that premiered on Broadway this week, based on the

SOURCE: The Stage Registration at 12:02pm on December 11, 2015

Richard Jordan: Don't let TV box theatre in by Richard Jordan

Theatres must be run as businesses. That was the driving message in last month's BBC series of 30-minute documentaries about UK theatre.

SOURCE: The Stage Registration at 2:00am on December 4, 2015

Richard Jordan: No one should have to live in fear of going to the theatre by Richard Jordan

In the past week, I experienced the first time I have ever been to the theatre and thought about my safety while

SOURCE: The Stage Registration at 2:40am on November 27, 2015

Richard Jordan: Company residencies aren't the only model for producing commercial West End theatre by Richard Jordan

The West End has changed significantly in the past two decades. Now, only four West End theatres are independent theatres, rather than

SOURCE: The Stage Registration at 2:00am on November 20, 2015

Richard Jordan: We have a collective responsibility to prepare artists for celebrity by Richard Jordan

Last week, Asif Kapadia’s compelling documentary Amy " about singer Amy Winehouse " was released on DVD. It’s a disturbing and difficult two hours charting the sin…

SOURCE: The Stage Registration at 2:00am on November 13, 2015

Richard Jordan: Was Cumberbatch right to use the curtain call as a soapbox? by Richard Jordan

At the curtain call of Hamlet at the Barbican Centre, on the eve of ending its run, Benedict Cumberbatch made his nightly heartfelt speech about

SOURCE: The Stage Registration at 2:00am on November 6, 2015

Richard Jordan: Why don't theatres hold open days? by Richard Jordan

A few weeks ago, I talked to a group of theatre students about theatre producing. I asked them who their favourite playwrights

SOURCE: The Stage Registration at 5:00am on October 27, 2015
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