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280 stories by "Richard Jordan"

Richard Jordan: Where are the great supporting roles for women in musical theatre? by Richard Jordan

Supporting actors are frequently overlooked, but they are the glue that binds a successful musical. The roles may not be the biggest,

SOURCE: The Stage Registration at 2:00am on October 27, 2016

Richard Jordan: Never mind premium seats, ticket reselling is the real threat to theatre by Richard Jordan

The recent Mrs Brown’s Boys ticket scam at Birmingham’s Windsor Theatre highlights the vulnerability of audiences as more of our ticketing industry

SOURCE: The Stage Registration at 2:00am on October 20, 2016

Richard Jordan: Is Phantom the perfect model for a commercial musical? by Richard Jordan

Andrew Lloyd Webber and Charles Hart’s musical The Phantom of the Opera is 30 years old this week. Is it the most perfect blueprint for a

SOURCE: The Stage Registration at 2:00am on October 13, 2016

Richard Jordan: Let's not be blinded by bright young directors by Richard Jordan

The early 21st century will be remembered for the growth of a new generation of young, exciting directors. You could argue that not

SOURCE: The Stage Registration at 2:00am on October 6, 2016

Richard Jordan: Without intimate new work and old classics, what is the West End's future? by Richard Jordan

In the past month I have seen two major new West End musicals. One was Tim Minchin’s Broadway-bound juggernaut Groundhog Day at the

SOURCE: The Stage Registration at 2:00am on September 29, 2016

Richard Jordan: Hit shows exclude single-ticket buyers at their peril by Richard Jordan

I regularly go to the theatre on my own and must admit I rather enjoy it. My favourite secret theatregoing activity is

SOURCE: The Stage Registration at 2:00am on September 23, 2016

Richard Jordan: Entertainment will starve if we keep reheating old work by Richard Jordan

I am constantly puzzled by the entertainment industry's fascination with remakes. The BBC has recently reheated Porridge and doled out an underwhelming

SOURCE: The Stage Registration at 2:00am on September 19, 2016

How to find investment for your first theatre production by Richard Jordan

It's not a new question: "How can I fund my work?" But it's one that producers have pondered, struggled with and inevitably

SOURCE: The Stage Registration at 5:00am on September 9, 2016

Richard Jordan: Controversy? It's all in the timing by Richard Jordan

The Open Air Theatre in London’s Regents Park has just completed a successful revival of Andrew Lloyd Webber and Tim Rice’s seminal

SOURCE: The Stage Registration at 2:00am on September 8, 2016

Richard Jordan: Edinburgh must continue to create memories by Richard Jordan

It may seem hard to imagine, but I remember when shows at the Edinburgh Fringe had intervals. Venues such as the Assembly

SOURCE: The Stage Registration at 2:00am on August 31, 2016

Richard Jordan: I'm worried about the future of fringe awards by Richard Jordan

One of the best kept secrets at this year’s Edinburgh Festival Fringe has been happening nightly at the Roundabout in Summerhall where the

SOURCE: The Stage Registration at 2:00am on August 25, 2016

Richard Jordan: We must not forget the Edinburgh Fringe's unique contribution to theatre by Richard Jordan

Twenty-five years ago, a relatively new venue on the Edinburgh Festival Fringe joined forces with an organisation called Waverley Care, a Scottish-based charity

SOURCE: The Stage Registration at 2:00am on August 23, 2016

Richard Jordan: Can you still make it at the Edinburgh Festival Fringe? by Richard Jordan

It’s the driving question that gets asked every year " can you still make it at the Edinburgh Festival Fringe? Each year

SOURCE: The Stage Registration at 2:00am on August 16, 2016

Richard Jordan: Here's how to make the most of tactical casting in commercial theatre by Richard Jordan

Film actress Rebel Wilson is on stage in the West End at the moment, the latest in a list of popular commercial

SOURCE: The Stage Registration at 2:00am on August 11, 2016

Richard Jordan: Theatre should be driven by stories that speak to the young by Richard Jordan

The Royal Shakespeare Company’s Hamlet, starring Paapa Essiedu, is both confronting and relevant, speaking to a younger generation of theatregoers, many of

SOURCE: The Stage Registration at 2:00am on August 3, 2016

Richard Jordan: What constitutes acceptable artistic behaviour? by Richard Jordan

Where does the line of unacceptable behaviour in the arts industry get drawn? It seems to get blurred in a way that

SOURCE: The Stage Registration at 2:00am on July 28, 2016

Richard Jordan: What is a 'target' audience? by Richard Jordan

What is a target audience? Last week I wrote a column about my recent experience watching a West End performance of Doctor Faustus and

SOURCE: The Stage Registration at 2:00am on July 19, 2016

Richard Jordan: Is this worst West End audience ever? by Richard Jordan

Have West End theatre audiences sunk to a new low? Attending the final Friday evening performance of Doctor Faustus starring Kit Harington at the

SOURCE: The Stage Registration at 2:00am on July 12, 2016

Richard Jordan: Pop goes the talent as money drowns out original musicals by Richard Jordan

In the same week Broadway was heralded for its new, cutting-edge, Tony award-winning musical Hamilton, the best the UK could muster was

SOURCE: The Stage Registration at 2:00am on July 8, 2016

Richard Jordan: Economic hardship creates fertile soil for artists by Richard Jordan

Last week, Canada’s annual 10-day Magnetic North Festival celebrating the best of Canadian arts concluded for 2016. Each year, Magnetic North takes place

SOURCE: The Stage Registration at 2:00am on June 24, 2016

Richard Jordan: Economic depravity creates fertile soil for artists by Richard Jordan

Last week Canada’s annual 10-day Magnetic North Festival celebrating the best of Canadian arts concluded for 2016. Each year, Magnetic North takes place

SOURCE: The Stage Registration at 2:00am on June 24, 2016

Richard Jordan: Why was American Psycho left for dead on Broadway? by Richard Jordan

Broadway musical American Psycho was meant to have been this summer's hottest ticket and the most anticipated opening of the 2015/16 Broadway season but it has instead

SOURCE: The Stage Registration at 2:00am on June 17, 2016

Richard Jordan: The continued growth of open-access fringe festivals can only be good for the arts by Richard Jordan

The 49th Brighton Fringe ended last week. It’s England’s largest fringe festival, runs over four weeks and is the third largest open-access

SOURCE: The Stage Registration at 2:00am on June 14, 2016

Richard Jordan: How should producers handle the Tony Awards rollercoaster? by Richard Jordan

Broadway can be a brutal place to be around during Tony season. With the awards presented on June 12 at the Beacon Theater, spare

SOURCE: The Stage Registration at 1:09pm on June 10, 2016

Richard Jordan: Are audiences being mis-sold tickets to Funny Girl? by Richard Jordan

Understudies have been featuring heavily in the news over the past few weeks. It has been announced that Natasha J Barnes, understudy to

SOURCE: The Stage Registration at 2:00am on June 7, 2016
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