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377 stories by "Paul Taylor"

Lady Windermere's Fan, Vaudeville Theatre, London, review: Jennifer Saunders is inspired casting by Paul Taylor, Paul Taylor

Kathy Burke directs the second play of Oscar Wilde's work that Dominic Dromgoole's new company Classic Spring is bringing to the West End

SOURCE: The Independent at 6:53am on January 24, 2018[SHARE]

Woman Before a Glass, Jermyn Street Theatre, London, review: Judy Rosenblatt captures the shafts of loneliness and pathos beautifully by Paul Taylor, Paul Taylor

This one-woman show about the great art collector Peggy Guggenheim, who loved art and sex in about equal measure, is part of Jermyn Street Theatre's Scandal season

SOURCE: The Independent at 12:04pm on January 22, 2018[SHARE]

The Birthday Party, Harold Pinter Theatre, London, review: Zoe Wanamaker and Peter Wight are superb by Paul Taylor, Paul Taylor

This starry, meticulous, beautifully considered revival demonstrates the play's undiminished power to disconcert

SOURCE: The Independent at 5:26am on January 19, 2018[SHARE]

All's Well That Ends Well, Sam Wanamaker Playhouse, London, review: You look at 'All's Well' with new eyes by Paul Taylor, Paul Taylor

Caroline Byrne's compelling interpretation of Shakespeare's play is set in the candlelit intimacy of the Sam Wanamaker Playhouse

SOURCE: The Independent at 6:33am on January 18, 2018[SHARE]

Strangers in Between, Trafalgar Studios, London, review: Adam Spreadbury-Maher's beautifully cast production well deserves this transfer by Paul Taylor, Paul Taylor

The Australian playwright Tommy Murphy's witty coming-of-age play explores the highs and lows of growing up gay in modern Australia

SOURCE: The Independent at 8:02am on January 15, 2018[SHARE]

Rita, Sue and Bob Too, Royal Court, London, review: A well-judged revival by Paul Taylor, Paul Taylor

Andrea Dunbar's semi-autobiographical play, which she wrote in 1982 when she was just 19, is about two teenage schoolgirls who are groomed by the 27 year old married Bob

SOURCE: The Independent at 9:59am on January 12, 2018[SHARE]

My Mum's A Twat, Royal Court, London, review: An invigorating debut by Paul Taylor, Paul Taylor

This one-woman show by Anoushka Warden, starring Patsy Ferran and co-directed by Vicky Featherstone and Jude Christian, is a real winner

SOURCE: The Independent at 3:30am on January 11, 2018[SHARE]

Hanna, Arcola Theatre, London, review: Beautifully performed by Sophie Khan Levy by Paul Taylor, Paul Taylor

The Offie-nominated playwright Sam Potter asks what family means in a modern society

SOURCE: The Independent at 8:03am on January 8, 2018[SHARE]

Into the Numbers, Finborough Theatre, London, review: An absorbing production by Paul Taylor, Paul Taylor

The American playwright Christopher Chen's play commemorates the 80th anniversary of the Nanking massacre

SOURCE: The Independent at 6:17am on January 8, 2018[SHARE]

Hamilton first night review: 'A magnificent achievement' by Paul Taylor, Paul Taylor

The most frenziedly anticipated musical in London since 'The Book of Mormon' lives up to the hype and is not to be missed, says Paul Taylor

SOURCE: The Independent at 6:24am on December 22, 2017[SHARE]

The Grinning Man, Trafalgar Studios, London, theatre review: 'Recommended' by Paul Taylor, Paul Taylor

The pared-back adaptation of Victor Hugo's 1869 novel L'Homme Qui Rit ("The Man Who Laughs") was created by War Horse director Tom Morris at the Bristol Old Vic

SOURCE: The Independent at 10:24am on December 19, 2017[SHARE]

Belleville, Donmar Warehouse, London, theatre review: 'The acting is terrific' by Paul Taylor, Paul Taylor

Some terrific acting from James Norton and Imogen Poots in Amy Herzog's study of a young marriage that is starting to unravel

SOURCE: The Independent at 2:06pm on December 18, 2017[SHARE]

The Jungle, Young Vic, London, theatre review: 'Wonderfully humane and illuminating' by Paul Taylor, Paul Taylor

The Jungle is the playwriting debut from Joe Murphy and Joe Robertson who built a theatre - the Good Chance - in the heart of an unofficial refugee and migrant camp in Calais

SOURCE: The Independent at 1:04pm on December 18, 2017[SHARE]

Pinocchio, Lyttelton, National Theatre, London, review: A handful of ridiculously catchy songs by Paul Taylor, Paul Taylor

This is the first time that the Disney organisation has given its blessing to a stage version of the 1940 movie

SOURCE: The Independent at 4:06am on December 15, 2017[SHARE]

The Twilight Zone, Almeida Theatre, London, review: A witty and piquant alternative to forced jollity by Paul Taylor, Paul Taylor

Anne Washburn's production of the acclaimed CBS Television Series 'The Twilight Zone' includes a mash-up of eight of the original transmissions

SOURCE: The Independent at 1:18pm on December 13, 2017[SHARE]

Imperium, Swan Theatre, Stratford-upon-Avon, review: Richard McCabe gives a superb central performance by Paul Taylor, Paul Taylor

Mike Poulton, who adapted Hilary Mantel's Thomas Cromwell novels, 'Wolf Hall' and 'Bring Up The Bodies', has turned Robert Harris' trilogy of novels about Cicer…

SOURCE: The Independent at 1:18pm on December 11, 2017[SHARE]

Cell Mates, Hampstead Theatre, London, review: An astute revival by Paul Taylor, Paul Taylor

The first major revival since the original 1995 production of Simon Gray's play which was deemed a flop after Stephen Fry left the show suffering with depression

SOURCE: The Independent at 1:18pm on December 11, 2017[SHARE]

Barnum, Menier Chocolate Factory, London, review: Choreography that takes the breath away by Paul Taylor, Paul Taylor

Gordon Greenberg's striking production transforms the small Menier Chocolate Factory theatre into a Big Top and circus ring with comedian Marcus Brigstocke in the title role

SOURCE: The Independent at 5:54am on December 7, 2017[SHARE]

Dear Brutus, Southwark Playhouse, London, review: A cleverly mounted revival by Paul Taylor, Paul Taylor

This darkly comic play by 'Peter Pan's' J M Barrie has deliberate echoes of 'A Midsummer Night's Dream'

SOURCE: The Independent at 2:33pm on December 6, 2017[SHARE]

Parliament Square, Bush Theatre, London, review: An artfully structured work by Paul Taylor, Paul Taylor

James Fritz's powerful play, which won the Judges' Award in the 2015 Bruntwood Prize for Playwriting, explores what one person can do to effect change

SOURCE: The Independent at 2:24pm on December 4, 2017[SHARE]

Goats, Royal Court, London, review: The writing is shrewd and impassioned but it lacks bite by Paul Taylor, Paul Taylor

A major new work by Syrian playwright and documentary filmmaker Liwaa Yazji explores propaganda in a village and includes six real goats on stage

SOURCE: The Independent at 1:12pm on December 4, 2017[SHARE]

A Christmas Carol, Old Vic, London, review: Rhys Ifans gives a remarkably powerful performance by Paul Taylor, Paul Taylor

Matthew Warchus directs Jack Thorne's new adaptation of Charles Dickens' classic with Ifans as Scrooge

SOURCE: The Independent at 6:36am on November 30, 2017[SHARE]

Bad Roads, Royal Court, London, review: 'a savage look at the dehumanising impact of war' by Paul Taylor, Paul Taylor

Ukrainian dramatist Natal'ya Vorozhbit's play switches between bitter comedy and horror as it focuses on women's experiences in wartime

SOURCE: The Independent at 8:04am on November 23, 2017[SHARE]

Everybody's Talking About Jamie, Apollo Theatre, review: a Billy Elliot for the gender-fluid age by Paul Taylor, Paul Taylor

A hit in Sheffield early this year, this musical about a teenage drag queen proves just as irresistible as it transfers to the West End

SOURCE: The Independent at 6:54am on November 23, 2017[SHARE]

Trestle, Southwark Playhouse, London, review: brimming with quiet insight and sympathetic humour by Paul Taylor, Paul Taylor

Stewart Pringle's 'Trestle' which explores love and ageing has a whiff of 'Last of the Summer Wine' and 'Last Tango in Halifax' about the proceedings

SOURCE: The Independent at 12:04pm on November 6, 2017[SHARE]
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