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377 stories by "Paul Taylor"

Instructions for Correct Assembly, Royal Court, London, review: Astute dystopian satire by Paul Taylor, Paul Taylor

Hamish Pirie directs Thomas Eccleshare's play with flair, but there's a lack of human warmth to proceedings

SOURCE: The Independent at 11:36am on April 16, 2018[SHARE]

Palmyra, Eurohouse, Battersea Arts Centre, London, review: A smashing double-bill that will haunt you by Paul Taylor, Paul Taylor

Bertrand Lesca and Nasi Voutsas bring their beguiling, unsettling brand of absurdism " a hit at the Edinburgh festival " to London

SOURCE: The Independent at 5:52am on April 16, 2018[SHARE]

Quiz, Noel Coward Theatre, London, review: In James Graham's Who Wants to Be a Millionaire play, the audience is the jury of the 'coughing m by Paul Taylor, Paul Taylor

With its mix of populism, personal tragedy, politics, and even a pub quiz, this is sure to be another hit for a playwright on a roll

SOURCE: The Independent at 7:05am on April 11, 2018[SHARE]

Pericles, Barbican, London, review: Shakespeare as modern psychodrama by Paul Taylor, Paul Taylor

Declan Donnellan's French version of Shakespeare's lesser-performed romance is fitfully very interesting, but not vintage Cheek by Jowl

SOURCE: The Independent at 7:46am on April 10, 2018[SHARE]

Devil with the Blue Dress, The Bunker, London, review: Monica Lewinsky meets #MeToo in this new play by Paul Taylor, Paul Taylor

A timely look at Bill Clinton's relationship with his intern, Kevin Armento's play puts the stories of five women centre stage " with the former president played by a saxophone

SOURCE: The Independent at 6:00am on April 5, 2018[SHARE]

Cathy, Soho Theatre, London, review: a galvanising update of Cathy Come Home by Paul Taylor, Paul Taylor

Cardboard Citizens' visceral show reminds audiences how easy it would be to become homeless

SOURCE: The Independent at 6:53am on April 3, 2018[SHARE]

The Inheritance, Young Vic, London, review: Extraordinarily accomplished acting by Paul Taylor, Paul Taylor

Stephen Daldry directs Matthew Lopez's play about gay life in New York, a generation after the AIDS crisis, which is inspired by E.M. Forster's novel 'Howards End'

SOURCE: The Independent at 6:53am on March 29, 2018[SHARE]

Kiss of the Spider Woman, Menier Chocolate Factory, London, review: A focused, bitter-sweet adaptation by Paul Taylor, Paul Taylor

Set in an Argentine prison cell, this adaptation of Manuel Puig's novel, brings out the emotional delicacy of what the pair discover about themselves about the nature of love and power

SOURCE: The Independent at 6:56am on March 22, 2018[SHARE]

Macbeth, Royal Shakespeare Theatre, Stratford-upon-Avon, review: A powerful take on the Macbeth marriage by Paul Taylor, Paul Taylor

The death cries of Macduff's slaughtered children are accidentally relayed to Lady Macbeth's mobile phone in this modern-dress production of 'Macbeth' starring Christophe…

SOURCE: The Independent at 11:04am on March 21, 2018[SHARE]

The Great Wave, National Theatre, London, review: It sensitively intertwines the intimacies of private pain and the pressures of international politic by Paul Taylor, Paul Taylor

Family tragedy about a girl who apparently drowns on a Japanese beach takes on a political dimension in Francis Turnley's epic new thriller

SOURCE: The Independent at 8:05am on March 20, 2018[SHARE]

Fanny & Alexander, Old Vic, London, review: Penelope Wilton is superb by Paul Taylor, Paul Taylor

Stephen Beresford, who wrote the film 'Pride', has scripted a stage adaptation of Ingmar Bergman's semi-autobiographical family saga 'Fanny & Alexander'

SOURCE: The Independent at 9:25am on March 5, 2018[SHARE]

Smile Upon Us, Lord, Barbican, London, review: A dreamy, ruminative road-trip by Paul Taylor, Paul Taylor

The Vakhtangov State Academic Theatre of Russia return after their sell-out 'Eugene Onegin' in 2015, with this play about the precarious fortunes of poor Jews in Eastern Europe at …

SOURCE: The Independent at 7:06am on March 1, 2018[SHARE]

A Princess Undone, Park Theatre, London, review: Uneven, but worth a visit by Paul Taylor, Paul Taylor

This play about Princess Margaret, played by Felicity Dean, is inspired by real events and continues our fascination with one of the most controversial members of the Royal Family, after Net…

SOURCE: The Independent at 6:38am on February 27, 2018[SHARE]

Picnic at Hanging Rock, Barbican, London, review: I admired the production's uncompromising clout by Paul Taylor, Paul Taylor

There is no hint of costume-drama nostalgia for the past in this minimalist production - a far cry from the dreamy 1975 Peter Weir film

SOURCE: The Independent at 6:35am on February 26, 2018[SHARE]

Jubilee, Lyric, Hammersmith, London, review: In the Lyric Hammersmith's fine tradition of reanimating controversial classics by Paul Taylor, Paul Taylor

Chris Goode's stage adaptation of Derek Jarman's 1977 punk classic 'Jubilee', recasts Toyah Willcox who played Mad in the film, as Queen Elizabeth I, who time-travels to …

SOURCE: The Independent at 11:43am on February 22, 2018[SHARE]

Frozen, Theatre Royal Haymarket, London, review: Suranne Jones wrenches the heart in central performance by Paul Taylor, Paul Taylor

The 'Doctor Foster' actress stars in Bryony Lavery's play about child abduction and murder in Jonathan Munby's revival

SOURCE: The Independent at 12:03pm on February 21, 2018[SHARE]

The B*easts, Bush Theatre, London, review: A remarkably combative and thought-provoking piece about the sexualisation of our culture by Paul Taylor, Paul Taylor

This one-woman show is written and performed by Monica Dolan who won a BAFTA for her role as Rosemary West in 'Appropriate Adult'

SOURCE: The Independent at 9:53am on February 19, 2018[SHARE]

Girls & Boys, Royal Court, London, review: A remarkable return for Carey Mulligan by Paul Taylor, Paul Taylor

The 'Great Gatsby' star returns to the West End stage in Dennis Kelly's solo show about a disintegrating marriage which is directed by 'Posh' and 'Chimerica&apo…

SOURCE: The Independent at 3:15am on February 16, 2018[SHARE]

The York Realist, Donmar Warehouse, London, review: A pitch-perfect, impeccably acted production by Paul Taylor, Paul Taylor

Peter Gill's tender gay love story is about the conflicting aspirations of the lovers rather than societal prejudice that drives the two men apart

SOURCE: The Independent at 7:41am on February 14, 2018[SHARE]

The Captive Queen, Sam Wanamaker Playhouse, London, review: Daringly conceived, but a touch undercooked in its execution by Paul Taylor, Paul Taylor

Barrie Rutter's swansong as artistic director of Northern Broadsides is a re-imagining of John Dryden's 1675 tragedy 'Aureng-zebe'

SOURCE: The Independent at 9:56am on February 12, 2018[SHARE]

Gundog, Theatre Upstairs, Royal Court, London, review: Finely acted and beautifully paced by Paul Taylor, Paul Taylor

Simon Logan's debut Royal Court play, directed by Vicky Featherstone, about two sisters fighting for survival on a rural farm, shows him to be a playwright of distinct promise

SOURCE: The Independent at 9:34am on February 8, 2018[SHARE]

Long Day's Journey into Night, Wyndham's Theatre, London, review: Shatteringly good by Paul Taylor, Paul Taylor

Jeremy Irons and Lesley Manville star in Richard Eyre's revival - an unmissable masterpiece

SOURCE: The Independent at 1:13pm on February 7, 2018[SHARE]

Dry Powder, Hampstead Theatre, London, review: A razor-sharp comedy by Paul Taylor, Paul Taylor

Hayley Atwell takes a glorious relish in conveying the conscience-free capitalist zealotry of Jenny in Sarah Burgess's comedy set in the cut-throat world of high-finance

SOURCE: The Independent at 9:39am on February 5, 2018[SHARE]

Eugenius!, The Other Palace, London , review: The show has a rollicking spirit by Paul Taylor, Paul Taylor

The superhero musical, driven by a catchy Eighties-inspired score, which includes Mark Hamill of 'Star Wars' fame amusingly voicing a robot, will plant a smile of your face

SOURCE: The Independent at 8:50am on February 2, 2018[SHARE]

Julius Caesar, The Bridge Theatre, London, review: Ben Whishaw is excellent as Brutus by Paul Taylor, Paul Taylor

Nicholas Hytner proves again that Shakespeare's plays can be powerfully pertinent for today with this modern-day promenade production of 'Julius Caesar' which stars Whishaw an…

SOURCE: The Independent at 7:17am on January 31, 2018[SHARE]
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