Smile Upon Us, Lord, Barbican, London, review: A dreamy, ruminative road-trip by Paul Taylor, Paul Taylor

The Vakhtangov State Academic Theatre of Russia return after their sell-out 'Eugene Onegin' in 2015, with this play about the precarious fortunes of poor Jews in Eastern Europe at …

SOURCE: The Independent at 7:06am on March 1, 2018[SHARE]

A Princess Undone, Park Theatre, London, review: Uneven, but worth a visit by Paul Taylor, Paul Taylor

This play about Princess Margaret, played by Felicity Dean, is inspired by real events and continues our fascination with one of the most controversial members of the Royal Family, after Net…

SOURCE: The Independent at 6:38am on February 27, 2018[SHARE]

Picnic at Hanging Rock, Barbican, London, review: I admired the production's uncompromising clout by Paul Taylor, Paul Taylor

There is no hint of costume-drama nostalgia for the past in this minimalist production - a far cry from the dreamy 1975 Peter Weir film

SOURCE: The Independent at 6:35am on February 26, 2018[SHARE]

Jubilee, Lyric, Hammersmith, London, review: In the Lyric Hammersmith's fine tradition of reanimating controversial classics by Paul Taylor, Paul Taylor

Chris Goode's stage adaptation of Derek Jarman's 1977 punk classic 'Jubilee', recasts Toyah Willcox who played Mad in the film, as Queen Elizabeth I, who time-travels to …

SOURCE: The Independent at 11:43am on February 22, 2018[SHARE]

Frozen, Theatre Royal Haymarket, London, review: Suranne Jones wrenches the heart in central performance by Paul Taylor, Paul Taylor

The 'Doctor Foster' actress stars in Bryony Lavery's play about child abduction and murder in Jonathan Munby's revival

SOURCE: The Independent at 12:03pm on February 21, 2018[SHARE]

The B*easts, Bush Theatre, London, review: A remarkably combative and thought-provoking piece about the sexualisation of our culture by Paul Taylor, Paul Taylor

This one-woman show is written and performed by Monica Dolan who won a BAFTA for her role as Rosemary West in 'Appropriate Adult'

SOURCE: The Independent at 9:53am on February 19, 2018[SHARE]

Girls & Boys, Royal Court, London, review: A remarkable return for Carey Mulligan by Paul Taylor, Paul Taylor

The 'Great Gatsby' star returns to the West End stage in Dennis Kelly's solo show about a disintegrating marriage which is directed by 'Posh' and 'Chimerica&apo…

SOURCE: The Independent at 3:15am on February 16, 2018[SHARE]

The York Realist, Donmar Warehouse, London, review: A pitch-perfect, impeccably acted production by Paul Taylor, Paul Taylor

Peter Gill's tender gay love story is about the conflicting aspirations of the lovers rather than societal prejudice that drives the two men apart

SOURCE: The Independent at 7:41am on February 14, 2018[SHARE]

The Captive Queen, Sam Wanamaker Playhouse, London, review: Daringly conceived, but a touch undercooked in its execution by Paul Taylor, Paul Taylor

Barrie Rutter's swansong as artistic director of Northern Broadsides is a re-imagining of John Dryden's 1675 tragedy 'Aureng-zebe'

SOURCE: The Independent at 9:56am on February 12, 2018[SHARE]

Gundog, Theatre Upstairs, Royal Court, London, review: Finely acted and beautifully paced by Paul Taylor, Paul Taylor

Simon Logan's debut Royal Court play, directed by Vicky Featherstone, about two sisters fighting for survival on a rural farm, shows him to be a playwright of distinct promise

SOURCE: The Independent at 9:34am on February 8, 2018[SHARE]

Long Day's Journey into Night, Wyndham's Theatre, London, review: Shatteringly good by Paul Taylor, Paul Taylor

Jeremy Irons and Lesley Manville star in Richard Eyre's revival - an unmissable masterpiece

SOURCE: The Independent at 1:13pm on February 7, 2018[SHARE]

Dry Powder, Hampstead Theatre, London, review: A razor-sharp comedy by Paul Taylor, Paul Taylor

Hayley Atwell takes a glorious relish in conveying the conscience-free capitalist zealotry of Jenny in Sarah Burgess's comedy set in the cut-throat world of high-finance

SOURCE: The Independent at 9:39am on February 5, 2018[SHARE]

Eugenius!, The Other Palace, London , review: The show has a rollicking spirit by Paul Taylor, Paul Taylor

The superhero musical, driven by a catchy Eighties-inspired score, which includes Mark Hamill of 'Star Wars' fame amusingly voicing a robot, will plant a smile of your face

SOURCE: The Independent at 8:50am on February 2, 2018[SHARE]

Julius Caesar, The Bridge Theatre, London, review: Ben Whishaw is excellent as Brutus by Paul Taylor, Paul Taylor

Nicholas Hytner proves again that Shakespeare's plays can be powerfully pertinent for today with this modern-day promenade production of 'Julius Caesar' which stars Whishaw an…

SOURCE: The Independent at 7:17am on January 31, 2018[SHARE]

Lady Windermere's Fan, Vaudeville Theatre, London, review: Jennifer Saunders is inspired casting by Paul Taylor, Paul Taylor

Kathy Burke directs the second play of Oscar Wilde's work that Dominic Dromgoole's new company Classic Spring is bringing to the West End

SOURCE: The Independent at 6:53am on January 24, 2018[SHARE]

Woman Before a Glass, Jermyn Street Theatre, London, review: Judy Rosenblatt captures the shafts of loneliness and pathos beautifully by Paul Taylor, Paul Taylor

This one-woman show about the great art collector Peggy Guggenheim, who loved art and sex in about equal measure, is part of Jermyn Street Theatre's Scandal season

SOURCE: The Independent at 12:04pm on January 22, 2018[SHARE]

The Birthday Party, Harold Pinter Theatre, London, review: Zoe Wanamaker and Peter Wight are superb by Paul Taylor, Paul Taylor

This starry, meticulous, beautifully considered revival demonstrates the play's undiminished power to disconcert

SOURCE: The Independent at 5:26am on January 19, 2018[SHARE]

All's Well That Ends Well, Sam Wanamaker Playhouse, London, review: You look at 'All's Well' with new eyes by Paul Taylor, Paul Taylor

Caroline Byrne's compelling interpretation of Shakespeare's play is set in the candlelit intimacy of the Sam Wanamaker Playhouse

SOURCE: The Independent at 6:33am on January 18, 2018[SHARE]

Strangers in Between, Trafalgar Studios, London, review: Adam Spreadbury-Maher's beautifully cast production well deserves this transfer by Paul Taylor, Paul Taylor

The Australian playwright Tommy Murphy's witty coming-of-age play explores the highs and lows of growing up gay in modern Australia

SOURCE: The Independent at 8:02am on January 15, 2018[SHARE]

Rita, Sue and Bob Too, Royal Court, London, review: A well-judged revival by Paul Taylor, Paul Taylor

Andrea Dunbar's semi-autobiographical play, which she wrote in 1982 when she was just 19, is about two teenage schoolgirls who are groomed by the 27 year old married Bob

SOURCE: The Independent at 9:59am on January 12, 2018[SHARE]

My Mum's A Twat, Royal Court, London, review: An invigorating debut by Paul Taylor, Paul Taylor

This one-woman show by Anoushka Warden, starring Patsy Ferran and co-directed by Vicky Featherstone and Jude Christian, is a real winner

SOURCE: The Independent at 3:30am on January 11, 2018[SHARE]

Hanna, Arcola Theatre, London, review: Beautifully performed by Sophie Khan Levy by Paul Taylor, Paul Taylor

The Offie-nominated playwright Sam Potter asks what family means in a modern society

SOURCE: The Independent at 8:03am on January 8, 2018[SHARE]

Into the Numbers, Finborough Theatre, London, review: An absorbing production by Paul Taylor, Paul Taylor

The American playwright Christopher Chen's play commemorates the 80th anniversary of the Nanking massacre

SOURCE: The Independent at 6:17am on January 8, 2018[SHARE]

Hamilton first night review: 'A magnificent achievement' by Paul Taylor, Paul Taylor

The most frenziedly anticipated musical in London since 'The Book of Mormon' lives up to the hype and is not to be missed, says Paul Taylor

SOURCE: The Independent at 6:24am on December 22, 2017[SHARE]

The Grinning Man, Trafalgar Studios, London, theatre review: 'Recommended' by Paul Taylor, Paul Taylor

The pared-back adaptation of Victor Hugo's 1869 novel L'Homme Qui Rit ("The Man Who Laughs") was created by War Horse director Tom Morris at the Bristol Old Vic

SOURCE: The Independent at 10:24am on December 19, 2017[SHARE]