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1,125 stories by "Natasha Tripney"

On Blueberry Hill review at Trafalgar Studios, London " 'gripping and heart-filling' by Natasha Tripney

Sebastian Barry's play is suffused with loss but also love. Two men sit in a prison cell, though it's not clear whether

SOURCE: The Stage Registration at 5:30pm on March 11, 2020[SHARE]

Closed Lands review at the Vaults, London " 'layered piece about migrants and borders' by Natasha Tripney

We live in a world of walls. Closed Lands, based on a collection of poems by Simon Grangeat, and staged by LegalAliens

SOURCE: The Stage Registration at 1:48pm on March 10, 2020[SHARE]

Shoe Lady review at Royal Court, London " 'discombobulating, weird and woozy' by Natasha Tripney

It doesn't take much to throw you off balance. One minute the protagonist of EV Crowe's new play is walking around the

SOURCE: The Stage Registration at 8:32am on March 10, 2020[SHARE]

Top 5 theatre to see this week (March 9-15) by Natasha Tripney

Coriolanus " Crucible Theatre, Sheffield Tom Bateman plays the celebrated general who moves into politics in Shakespeare's play about leadership and the

SOURCE: The Stage Registration at 3:00am on March 9, 2020[SHARE]

Oliver Twist review at Leeds Playhouse " 'lively, inclusive adaptation of Charles Dickens' novel' by Natasha Tripney

Inclusion is embedded in the work of Ramps on the Moon, the theatre consortium that programmes work that centres D/deaf and disabled

SOURCE: The Stage Registration at 5:30am on March 5, 2020[SHARE]

Natasha Tripney: Storyhouse's success proves the benefits of removing barriers from social spaces by Natasha Tripney

There is no box office counter at Storyhouse. Nor is there a reception desk. There's nothing and no one to stop people

SOURCE: The Stage Registration at 2:00am on March 5, 2020[SHARE]

Pretty Woman review at Piccadilly Theatre, London " 'cynical musical version of the hit romcom' by Natasha Tripney

Even in 1990 Pretty Woman proved divisive. Reviewing it in Time magazine, Richard Corliss somewhat sniffily suggested an equivalence between its protagonists

SOURCE: The Stage Registration at 6:00pm on March 2, 2020[SHARE]

Top 5 theatre shows to see this week (March 2-8) by Natasha Tripney

Trainers " Gate Theatre, London In its 40th year, the Gate Theatre continues to programme formally inventive work, in this case US

SOURCE: The Stage Registration at 2:00am on March 2, 2020[SHARE]

Women Beware Women review at Sam Wanamaker Playhouse, London " 'stylish production of Middleton's Jacobean tragedy' by Natasha Tripney

Thomas Middleton's play begins where many would end, with a young man bringing his new wife home. Women Beware Women plunges into

SOURCE: The Stage Registration at 8:46am on February 28, 2020[SHARE]

Blue Stockings review at Storyhouse, Chester " 'a talented young cast' by Natasha Tripney

Storyhouse's rep season continues with a revival of Jessica Swale's play about a group of young women fighting to gain a Cambridge

SOURCE: The Stage Registration at 5:55am on February 28, 2020[SHARE]

Notch review at the Vaults, London " 'solo show exploring the horrors of homelessness' by Natasha Tripney

A young woman leaves an unnamed war-riven Slavic country for a new life in Dublin. But she falls through the cracks, ends

SOURCE: The Stage Registration at 8:53am on February 25, 2020[SHARE]

Top 5 theatre shows to see this week (February 24-March 1) by Natasha Tripney

Who's Afraid of Virginia Woolf? " Tobacco Factory Theatres, Bristol David Mercatali " a director who's something of an expert in intensity

SOURCE: The Stage Registration at 2:00am on February 24, 2020[SHARE]

James McNicholas: The Boxer review at Soho Theatre, London " 'touching and funny solo show' by Natasha Tripney

Terry Downes was a world middleweight boxing champion known in his day as the "Paddington Express". James McNicholas, the sports writer, comedian

SOURCE: The Stage Registration at 11:54am on February 21, 2020[SHARE]

A Number review at Bridge Theatre, London " 'diluted production of Caryl Churchill's kaleidoscopic play' by Natasha Tripney

Written in 2002, A Number is often described as Caryl Churchill's 'cloning' play, but it's so much more than that. It's as

SOURCE: The Stage Registration at 5:14pm on February 19, 2020[SHARE]

Natasha Tripney: There is no one way to stage Shakespeare by Natasha Tripney

At last week's Critics Circle Awards, Juliet Stevenson, receiving an award for her performance in Robert Icke's production of The Doctor, argued

SOURCE: The Stage Registration at 4:00am on February 19, 2020[SHARE]

Top 5 theatre shows to see this week (February 17-23) by Natasha Tripney

I Think We Are Alone " King's Theatre, Edinburgh Scott Graham and Kathy Burke co-direct Frantic Assembly's touring production of a new

SOURCE: The Stage Registration at 2:00am on February 17, 2020[SHARE]

Natasha Tripney: Exploring trauma on stage can make for powerful theatre but it can also take its toll by Natasha Tripney

It's the time of year when a large section of London's theatre community relocates underground to the dank caverns and pungent tunnels

SOURCE: The Stage Registration at 2:00am on February 14, 2020[SHARE]

Far Away review at Donmar Warehouse " 'vivid, chilling, dread-filled' by Natasha Tripney

Caryl Churchill's Far Away is a short play, but it's not a small play: it's global in scope, untethered by time, part

SOURCE: The Stage Registration at 5:49am on February 13, 2020[SHARE]

Nora: A Doll's House review at Young Vic, London " 'poetic and ambitious reimagining of Ibsen' by Natasha Tripney

In her fresh take on Ibsen's 1879 play about a woman trapped in a stifling marriage, Stef Smith splits Nora's story into

SOURCE: The Stage Registration at 9:34am on February 12, 2020[SHARE]

Top 5 theatre shows to see this week (February 10-16) by Natasha Tripney

Nora: A Doll's House " Young Vic, London Stef Smith's re-imagining of Ibsen's play visits three Noras " played by Amaka Okafor,

SOURCE: The Stage Registration at 2:00am on February 10, 2020[SHARE]

Brazil's Coletiva Ocupação on When It Breaks It Burns: 'Theatre helps us to handle oppression' by Natasha Tripney

Fifteen young, Brazilian performers are at the heart of a show at Battersea Arts Centre, which charts the movement that swept through

SOURCE: The Stage Registration at 8:00am on February 6, 2020[SHARE]

Top 5 theatre shows to see this week (February 3-9) by Natasha Tripney

Ask Me Anything " Live Theatre, Newcastle-upon-Tyne The Paper Birds' gently immersive new show takes its inspiration from the agony aunts of

SOURCE: The Stage Registration at 2:00am on February 3, 2020[SHARE]

Night of the Living Dead " Remix review at Leeds Playhouse " 'technically audacious recreation of a cult horror film' by Natasha Tripney

Spawning numerous sequels, remakes and homages, George A Romero's micro-budget 1968 movie changed the horror genre forever. His vision of a relentless

SOURCE: The Stage Registration at 6:18am on January 30, 2020[SHARE]

Faustus: That Damned Woman review at Lyric Hammersmith, London " 'ambitious, idea-filled, if uneven' by Natasha Tripney

Faustus has been cast as a woman before " at Shakespeare's Globe in 2018 " but Chris Bush's idea-stuffed reimagining of the

SOURCE: The Stage Registration at 7:09am on January 29, 2020[SHARE]

Top 5 theatre shows to see this week (January 27-February 2) by Natasha Tripney

The Sugar Syndrome " Orange Tree Theatre, London Following the acclaimed production of Lucy Prebble's A Very Expensive Poison, Oscar Toeman directs

SOURCE: The Stage Registration at 2:00am on January 27, 2020[SHARE]
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