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1,125 stories by "Natasha Tripney"

The Lady from the Sea review at the Donmar Warehouse, London " 'earthbound' by Natasha Tripney

Ibsen's The Lady from the Sea is a strange and slippery play. Having been recently appointed as artistic director of the Young

SOURCE: The Stage Registration at 5:49am on October 19, 2017[SHARE]

Venus in Fur review at Theatre Royal, Haymarket, London " 'Natalie Dormer is magnetic' by Natasha Tripney

David Ives' Venus in Fur is as much about power as it is about sex. More precisely it's about power in the

SOURCE: The Stage Registration at 6:00pm on October 17, 2017[SHARE]

A Woman of No Importance review at Vaudeville Theatre " 'gently revelatory' by Natasha Tripney

Launching a year-long season of Oscar Wilde's work along with his new Classic Spring company, Dominic Dromgoole's production of A Woman on

SOURCE: The Stage Registration at 5:32am on October 17, 2017[SHARE]

Beginning review at National Theatre, London " 'tender and resonant' by Natasha Tripney

The party's over. Laura and Danny are the only ones left. It's late and they're both a little drunk " and more

SOURCE: The Stage Registration at 4:40am on October 13, 2017[SHARE]

Saint George and the Dragon review at the National Theatre, London " 'disappointing' by Natasha Tripney

The cavern that is the Olivier is a difficult space to fill. Its size seems to encourage an epic sensibility in the

SOURCE: The Stage Registration at 5:15am on October 12, 2017[SHARE]

Mel Brooks' Young Frankenstein review at the Garrick Theatre, London by Natasha Tripney

Reanimation is a tricky thing. Time is a variable you ignore at your peril. There's a argument to be made that Mel

SOURCE: The Stage Registration at 7:09pm on October 10, 2017[SHARE]

Heisenberg: The Uncertainty Principle review at Wyndham's Theatre " 'a lopsided two-hander' by Natasha Tripney

First staged in New York in 2015, Simon Stephens' two-hander, Heisenberg: The Uncertainty Principle, is an attempt to fuse elements of romantic

SOURCE: The Stage Registration at 7:30pm on October 9, 2017[SHARE]

Coriolanus review at Royal Shakespeare Theatre, Stratford-upon-Avon " 'moments of power' by Natasha Tripney

Angus Jackson's production, the fourth in the Royal Shakespeare Company's Roman season, opens with a drawn-out sequence in which a forklift truck

SOURCE: The Stage Registration at 4:51am on September 22, 2017[SHARE]

Dido, Queen of Carthage review at the Swan Theatre, Stratford-upon-Avon " 'rich performances' by Natasha Tripney

The whims and wishes of the gods feature prominently in Christopher Marlowe's early, infrequently performed play. Dido, the Phoenician queen, and her

SOURCE: The Stage Registration at 7:20pm on September 21, 2017[SHARE]

Wings review at Young Vic, London " 'Juliet Stevenson takes to the air' by Natasha Tripney

Mrs Stilson has been untongued by a stroke. This one-time wing-walker, now in her 70s, has lost her words. In this revival

SOURCE: The Stage Registration at 3:48am on September 21, 2017[SHARE]

Pride and Prejudice review at Nottingham Playhouse " 'Sara Pascoe takes on Jane Austen' by Natasha Tripney

Sara Pascoe is a woman who knows funny. Jane Austen is no slouch on this front either. The comedian's new stage adaption

SOURCE: The Stage Registration at 4:39am on September 20, 2017[SHARE]

Oslo review at National Theatre, London " 'intelligent and intricate' by Natasha Tripney

For a play that chiefly consists of men in suits sitting around tables smoking and talking, JT Rogers' Oslo is gripping stuff.

SOURCE: The Stage Registration at 6:59pm on September 18, 2017[SHARE]

Deathtrap review at Theatre Royal, Brighton " 'a tired revival' by Natasha Tripney

Ira Levin's 1978 play Deathtrap is a simultaneous sends up and salute to the mid-20th century stage thriller. Sidney Bruhl, a has-been

SOURCE: The Stage Registration at 11:01am on September 15, 2017[SHARE]

Boudica review at Shakespeare's Globe, London " 'ambitious but flawed' by Natasha Tripney

She's gone by many names " Boudica, Boadica, Bonduca " the warrior queen of the Iceni in her chariot, with her daughters

SOURCE: The Stage Registration at 6:20am on September 14, 2017[SHARE]

Rita, Sue and Bob Too review at Octagon Theatre, Bolton " 'a timely revival' by Natasha Tripney

Sex is central to Rita, Sue and Bob Too " the film version was released with the tag-line 'Thatcher’s Britain with her

SOURCE: The Stage Registration at 9:49am on September 12, 2017[SHARE]

Doubt, a Parable review at Southwark Playhouse " 'strong performances' by Natasha Tripney

Set in a catholic school in the Bronx in the 1960s, John Patrick Shanley's 2004 Pulitzer-winning play, Doubt, pits the school's staunchly

SOURCE: The Stage Registration at 5:52am on September 11, 2017[SHARE]

Coriolanus review at Rose Playhouse, London " 'surefooted direction' by Natasha Tripney

With its depictions of arrogant, feuding politicians accused of contravening the will of the people, Shakespeare's Coriolanus is highly pertinent to the

SOURCE: The Stage Registration at 11:32am on September 8, 2017[SHARE]

Hamlet starring Tom Hiddleston " review at Vanbrugh Theatre, London " 'Hiddleston shines' by Natasha Tripney

There hasn't exactly been a shortage of Hamlets of late, but what marks Tom Hiddleston's apart is its exclusivity. Directed by Kenneth

SOURCE: The Stage Registration at 5:29am on September 7, 2017[SHARE]

Six Edinburgh Festival Fringe shows in search of a transfer by Natasha Tripney

The Edinburgh Fringe is over for another year. The streets are free of flyers. Normality has reasserted itself. Here are six of

SOURCE: The Stage Registration at 12:10pm on September 6, 2017[SHARE]

Missed the Edinburgh Fringe? Here's where to see the best shows by Natasha Tripney

The Edinburgh Festival Fringe may have had its curtain call, but many shows that played there can now be seen elsewhere across

SOURCE: The Stage Registration at 11:49am on August 31, 2017[SHARE]

Seance review at Summerhall, Edinburgh " 'creepy binaural experience' by Natasha Tripney

Darkness is a canvas.  We fill it with our fears. We populate it with monsters of our making. Glen Neath and David

SOURCE: The Stage Registration at 8:14am on August 30, 2017[SHARE]

Nocturnes review at Zoo, Edinburgh " 'ambitious but underwhelming' by Natasha Tripney

Imitating the Dog has explored the relationship between live performance and film in its work before. Nocturnes is intended as a homage

SOURCE: The Stage Registration at 12:35pm on August 25, 2017[SHARE]

Derailed review at Pleasance Dome, Edinburgh " 'muddled piece about Brexit' by Natasha Tripney

Patricia Rodriguez and Merce Ribot are having a party. With a messy Brexit looming and no guarantees that EU citizens will have

SOURCE: The Stage Registration at 7:01am on August 25, 2017[SHARE]

Not I review at Pleasance Courtyard, Edinburgh " 'cathartic, inclusive and political' by Natasha Tripney

Samuel Beckett's Not I is a notoriously difficult piece to perform. Delivered at ferocious speed, it's regarded as test of any actor.

SOURCE: The Stage Registration at 6:03am on August 25, 2017[SHARE]

Love+ review at Summerhall, Edinburgh " 'funny and thoughtful' by Natasha Tripney

Irish company Malaprop Theatre is interested in all the ways technology is remaking our romantic lives. While the company's other show, BlackCatfishMusketeer,

SOURCE: The Stage Registration at 10:15am on August 23, 2017[SHARE]
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