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1,481 stories by "Matt Wolf"

Review: 'Five Finger Exercise,' 'Waste' and 'Amaluna' Take to London Stage by Matt Wolf

The Print Room, a 180-seat playhouse in London's Notting Hill, has come up with the most revelatory production of this still-young theatrical year.

SOURCE: The New York Times Subscription at 2:09pm on January 28, 2016[SHARE]

Jeremy Secomb, London's Javert, on Playing a Baddie and the Reason Les Miserables Has Endured for So Long by Matt Wolf

Jeremy Secomb moved to London from his native Australia over 17 years ago, since then he has risen through the ranks to become a West End leading man. Last year, he won raves in the title ro…

SOURCE: Broadway.com at 1:09pm on January 21, 2016[SHARE]

Thriller Live Star Haydon Eshun on Seven Years of Singing Like Michael Jackson in the West End by Matt Wolf

Now in its seventh year at the Lyric Theatre, Thriller Live has become a West End mainstay and a focal point for fans of Michael Jackson, who died not long after the show opened in January, …

SOURCE: Broadway.com at 3:33pm on January 14, 2016[SHARE]

Review: 'Cymbeline,' 'Macbeth' and 'As You Like It' in London by Matt Wolf

It often seems with Shakespeare's works in London as if the titles are shown on a sort of perpetual loop, constantly subject to a renewed interpretation.

SOURCE: The New York Times Subscription at 1:47pm on January 14, 2016[SHARE]

Grey Gardens, Southwark Playhouse by Matt Wolf

One of the more unusual Broadway offerings of recent times crosses the Atlantic with considerable style in an Off West End premiere of 2006 New York entry Grey Gardens that punches well abov…

SOURCE: The Arts Desk at 6:31am on January 10, 2016[SHARE]

Guys and Dolls, Savoy Theatre by Matt Wolf

The seemingly eternal British love affair with Guys and Dolls continues apace with the (somewhat recast) transfer to London of the Chichester production from two summers ago, and a more buoy…

SOURCE: The Arts Desk at 8:16am on January 7, 2016[SHARE]

London's Kinky Boots Star Matt Henry on Finding His Inner Lola, Footwear Advice & Thoughts on Hamilton by Matt Wolf

Matt Henry has understudied across a range of West End hits, from The Lion King to Avenue Q, and was a finalist on popular British reality TV show The Voice. But only now as the cross-dressi…

SOURCE: Broadway.com at 4:01pm on January 6, 2016[SHARE]

Review: A Year of Greek Revivals on the London Stage by Matt Wolf

Ancient tales of retribution and revenge rang out with fresh vigor in 2015.

SOURCE: The New York Times Subscription at 10:30am on January 1, 2016[SHARE]

London Datebook: Roll the Dice with Guys and Dolls, Meet the Beales in Grey Gardens & More by Matt Wolf

It’s a New Year, and with it comes a wealth of fresh enticements on the London stage, from two Broadway musicals reborn in Britain to the premiere of a new play by arguably England'…

SOURCE: Broadway.com at 12:25am on December 30, 2015[SHARE]

Best of 2015: Theatre by Matt Wolf

Say what you will about London theatre during 2015, and by my reckoning it was a pretty fine year, there certainly was a lot of it. I can't recall a year that brought with it a comparable vo…

SOURCE: The Arts Desk at 3:30am on December 29, 2015[SHARE]

Review: 'Les Liaisons Dangereuses' and 'Linda' by Matt Wolf

These two tales of power and madness bring strong women characters to the front of the London stage.

SOURCE: The New York Times Subscription at 2:26pm on December 27, 2015[SHARE]

Review: Les Liaisons Dangereuses" and "Linda" by Matt Wolf

These two tales of power and madness bring strong women characters to the front of the London stage.

SOURCE: The New York Times Subscription at 12:12pm on December 25, 2015[SHARE]

West End Star Savannah Stevenson on the Wicked Sisterhood and Why She'll Never Play Elphaba by Matt Wolf

English actress-singer Savannah Stevenson has become a mainstay in the West End production of Wicked, playing Glinda at the Apollo Victoria Theatre opposite a host of Elphabas that range fro…

SOURCE: Broadway.com at 12:51am on December 23, 2015[SHARE]

Dr Seuss's The Lorax, Old Vic by Matt Wolf

You'll feel guilty for having bothered with a programme after seeing The Lorax, the Dr Seuss adaptation that puts saving the environment centre-stage at the Old Vic just as the recent climat…

SOURCE: The Arts Desk at 5:12am on December 21, 2015[SHARE]

Ron Cook on Comedy, Cruelty and Relishing His Role in Harold Pinter's The Homecoming in London by Matt Wolf

The veteran actor Ron Cook needs little introduction to devotees of the British stage, given that he moves from show to show with consummate ease. With credits ranging from Brian Friel&rsquo…

SOURCE: Broadway.com at 5:24pm on December 17, 2015[SHARE]

Review: 'Funny Girl' Has a Joyful Return in London by Matt Wolf

If you are going to confront the specter of a performance that haunts the decades still, it helps to possess a degree of charm that few performers can match.

SOURCE: The New York Times Subscription at 6:59pm on December 16, 2015[SHARE]

The Dazzle, FOUND111, Charing Cross Rd. by Matt Wolf

The proverbial pond that separates the New York and London theatres has had a seismic effect on The Dazzle, Richard Greenberg's ironically titled play from 2002 that in every way seems darke…

SOURCE: The Arts Desk at 8:15am on December 16, 2015[SHARE]

Peter Pan Goes Wrong, Apollo Theatre by Matt Wolf

The pleasures to be found in the pitfalls that are part of live performance rear their accident-prone head yet again in Peter Pan Goes Wrong, the latest exercise in controlled (or is it?) ch…

SOURCE: The Arts Desk at 9:30pm on December 13, 2015[SHARE]

New London Beautiful Star Cassidy Janson Compares Carole King to Elphaba & Reveals the Broadway Star That Will Make Her a 'Blubbering Mess' by Matt Wolf

English actress-singer Cassidy Janson has appeared in many American shows in and around London, from blockbusters like Wicked to more intimate productions like Dessa Rose, opposite The Color…

SOURCE: Broadway.com at 12:12pm on December 10, 2015[SHARE]

Hapgood, Hampstead Theatre by Matt Wolf

A supposed Stoppardian footnote gets a first-class reclamation in Howard Davies's sizzling revival of Hapgood, the espionage-themed drama from 1988 that resonates intellectually and emo…

SOURCE: The Arts Desk at 5:56am on December 10, 2015[SHARE]

Theater Review: Review: 'Little Eyolf,' 'The Homecoming' and 'Medea,' on London Stages by Matt Wolf

Revivals of a lesser-known work by Ibsen, unbridled ferocity from Pinter and a shimmeringly intense Greek tragedy.

SOURCE: The New York Times Subscription at 10:22pm on December 2, 2015[SHARE]

Review: 'Little Eyolf,' 'The Homecoming' and 'Medea,' on London Stages by Matt Wolf

The director Richard Eyre's continuing inquiry into the plays of Henrik Ibsen reaches a new peak with "Little Eyolf."

SOURCE: The New York Times Subscription at 7:27pm on December 2, 2015[SHARE]

Hangmen Star Johnny Flynn on the Joy of Working with Martin McDonagh & Playing a Psychopath in London by Matt Wolf

Johnny Flynn juggles two lives—one as the singer-songwriter who has toured America with his folk-rock band Johnny Flynn & The Sussex Wit, the other as the fast-rising actor who has…

SOURCE: Broadway.com at 5:09pm on December 2, 2015[SHARE]

Here We Go, National Theatre by Matt Wolf

The great Caryl Churchill careers down a blind alley in Here We Go, and the results aren't pretty, especially within the cavernous confines of the National Theatre's Lyttelton " this wr…

SOURCE: The Arts Desk at 9:16am on November 28, 2015[SHARE]

Evening at The Talk House, National Theatre by Matt Wolf

A lot of people are going to be enraged, frustrated, or confused by Evening at The Talk House, and in the authorial world of Wallace Shawn, wasn't it ever thus? This is the playwright who ga…

SOURCE: The Arts Desk at 4:57am on November 25, 2015[SHARE]
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