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1,494 stories by "Matt Wolf"

London Theater Reviews: An Important Oscar Wilde 'Woman,' and a Drama Where the Playhouse Is the Draw by Matt Wolf

Eve Best shines in a witty revival of "A Woman of No Importance," Ibsen's claustrophobia gets a Caribbean makeover, and a courtroom setting offers bird's eye views.

SOURCE: The New York Times Subscription at 5:33am on November 2, 2017

West End Oslo Star Philip Arditti on Stepping Into a Tony-Winning Role & Trying to Dislike His Co-Stars by Matt Wolf

J.T. Rogers’ provocative and poignant Oslo has arrived in London not long after winning the 2017 Tony for Best Play and a further Tony for featured actor Michael Aronov playing the Isr…

SOURCE: Broadway.com at 4:48pm on October 31, 2017

London Venus in Fur Star David Oakes on Turning On the Audience, Getting Tied Up at Work and More by Matt Wolf

David Oakes played Christopher Marlowe in the 2014 West End stage premiere of Shakespeare in Love only to segue to TV stardom in such series as The Borgias and&…

SOURCE: Broadway.com at 12:12am on October 21, 2017

Rising Star Crystal Clarke on Appearing in the West End's A Woman of No Importance & Two Star Wars Movies by Matt Wolf

New Jersey-born actresses not long out of drama school don’t often end up co-starring in the West End in Oscar Wilde revivals alongside the likes of Eve Best, Emma Fielding and An…

SOURCE: Broadway.com at 6:24am on October 14, 2017

Rising Star Crystal Clarke on Appearing in the West End's A Man of No Importance & Two Star Wars Movies by Matt Wolf

New Jersey-born actresses not long out of drama school don’t often end up co-starring in the West End in Oscar Wilde revivals alongside the likes of Eve Best, Emma Fielding and An…

SOURCE: Broadway.com at 1:23am on October 14, 2017

On London Stage, Absurdity and Terrorism Aren't Mutually Exclusive by Matt Wolf

Reviews of "B," "Le Grand Mort," and "Ramona Tells Jim" on the London stage

SOURCE: The New York Times Subscription at 6:54am on October 9, 2017

West End Young Frankenstein Star Hadley Fraser on Two Forces of Nature: Mel Brooks & Ramin Karimloo by Matt Wolf

Hadley Fraser needs no introduction as one of the West End’s best and brightest, a talent at home both in musicals (Les Miserables, City of Angels) and the classics (he was Aufidius in…

SOURCE: Broadway.com at 12:24am on October 7, 2017

Apologia Star Stockard Channing on Returning to the London Stage, 'Creepy' Grease Fixations & Not Writing a Memoir by Matt Wolf

Stockard Channing needs no introduction as a Broadway legend, but London’s good fortune is to have welcomed the Tony and Emmy-winning actress at regular intervals. She first appeared o…

SOURCE: Broadway.com at 12:06am on September 30, 2017

Olivier Winner Philip Quast on Why Follies Is His Last Musical, the Road Not Taken & More by Matt Wolf

The clarion-voiced Philip Quast has three Olivier Awards to his name and is bound to be considered for a fourth in due course for his soul-stirring performance as Ben Stone in the National T…

SOURCE: Broadway.com at 12:42pm on September 25, 2017

Minds in Meltdown, and a Risk-Taking Director Back on Form by Matt Wolf

"Prism," "King Lear," and "Knives in Hens" on the London stage, all reviewed.

SOURCE: The New York Times Subscription at 8:53am on September 22, 2017

Tyrone Huntley on Returning to London's Jesus Christ Superstar & Working with Amber Riley in Dreamgirls by Matt Wolf

Tyrone Huntley won an Olivier nomination and the Evening Standard’s Emerging Talent Award for his seismic performance as Judas in the Regent’s Park Open Air Theatre revival of th…

SOURCE: Broadway.com at 4:04pm on September 19, 2017

Sondheim's 'Follies' Is Back, at Once Bleak and Beautiful by Matt Wolf

A revival of the musical at London's National Theater packs a punch - while a difficult, high-minded new work at the Almeida falls flat.

SOURCE: The New York Times Subscription at 7:46am on September 9, 2017

Tony Winner Jim Norton on Revisiting the Work of Conor McPherson in London's Girl from the North Country by Matt Wolf

Jim Norton is a beloved theater stalwart on both sides of the Atlantic, having won an Olivier and then a Tony for his performance in fellow Irishman Conor McPherson’s The Seafarer. The…

SOURCE: Broadway.com at 12:42am on September 9, 2017

London Les Miserables Star Killian Donnelly on Kinky Broadway Memories & Getting Tips from Colm Wilkinson by Matt Wolf

Killian Donnelly has stormed the West End in such diverse shows as Memphis, The Commitments and Kinky Boots, in which he also starred on Broadway. Now, he’s returned to the U.K. in no …

SOURCE: Broadway.com at 1:06pm on September 5, 2017

Rising British Star Christian Cooke on Headlining Knives in Hens at London's Donmar, Being Paid in Burgers & More by Matt Wolf

The fast-rising English film and TV actor Christian Cooke was Dennis Quaid’s co-star in the recent series The Art of More and has even directed a short film, Edith, starring Michelle F…

SOURCE: Broadway.com at 11:48am on August 25, 2017

London Theater Reviews: A Mexican-Style 'Much Ado About Nothing' by Matt Wolf

Mariachi music and machismo spice up the comedy in a new production at Shakespeare's Globe in London.

SOURCE: The New York Times Subscription at 12:04pm on August 24, 2017

London Evita Star Emma Hatton on What Eva Peron Would Do If She Met Wicked's Elphaba & More by Matt Wolf

Emma Hatton has staked out a formidable name for herself playing two iconic roles, Elphaba in Wicked and Eva Peron in Evita. The second part has this summer earned her rave re…

SOURCE: Broadway.com at 4:36pm on August 15, 2017

London Star Ashley Day on Reclaiming His Dancing Roots in An American in Paris in the West End by Matt Wolf

Ashley Day has appeared in Evita, Mary Poppins, and as Elder Price in The Book of Mormon in the West End. Now, the English musical theater triple-threat has danced his way int…

SOURCE: Broadway.com at 5:33pm on August 10, 2017

London Theater Reviews: A 'Night Music' of Heightened Harmony, and Pub Theaters That Put Actors First by Matt Wolf

The staging of the Stephen Sondheim-Hugh Wheeler musical not only sounds different from most revivals but also looks startlingly fresh.

SOURCE: The New York Times Subscription at 7:04am on August 10, 2017

West End Star Stuart Neal on His Dancing Feet in 42nd Street & More by Matt Wolf

Stuart Neal has appeared on the West End in La Cage aux Folles, the Michael Grandage-directed Evita and alongside Dame Judi Dench in The Winter’s Tale, co-starring Kenneth Branagh, amo…

SOURCE: Broadway.com at 1:12pm on August 7, 2017

A London Musical With Energy to Burn, and Two Without It by Matt Wolf

"Bat Out of Hell" does justice to the Meat Loaf songs that make up its score. "The Wind in the Willows" and "Yank! A World War II Love Story" pale beside it.

SOURCE: The New York Times Subscription at 7:07am on July 29, 2017

Romola Garai on the the Powerful Lead Women at the Center of Queen Anne: 'A Change in Circumstance Can Eat Away at a Friendship' by Matt Wolf

Romola Garai found film renown early on in movies like Atonement and I Capture the Castle but returns often to the stage. In 2014, she appeared off-Broadway to transfixin…

SOURCE: Broadway.com at 12:04pm on July 28, 2017

I Loved Lucy Star Matthew Scott on Booking His London Debut at the Broadway Stage Door & Discovering Lucille Ball on Nick at Nite by Matt Wolf

Matthew Scott has appeared on Broadway in such shows as Sondheim on Sondheim and as Adam in An American in Paris and is now marking his first-ever trip to London with his…

SOURCE: Broadway.com at 12:06pm on July 24, 2017

New West End Aladdin Star Matthew Croke on Flying High, His Wicked Past & Bare Chest Buzz by Matt Wolf

Matthew Croke started the summer by fulfilling any performer’s dreams: graduating from a career spent largely in supporting and understudy assignments to playing a bona fide star part …

SOURCE: Broadway.com at 2:33pm on July 18, 2017

London Theater Reviews: Birth Pangs, Royal and Otherwise by Matt Wolf

Surrogacy brings challenges, a childless queen is upstaged by her dearest friend, and two writers vie for supremacy " all on London stages this summer.

SOURCE: The New York Times Subscription at 5:12am on July 17, 2017
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