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1,017 stories by "Mark Fisher"

Blackbox review – a legendary escape from slavery is told with magic tricks by Mark Fisher

Underbelly, Edinburgh The story of Henry ‘Box’ Brown, who succeeded in mailing himself out of bondage, is recounted rather than fully dramatisedHenry “Box” Brown is wrapped up in cha…

SOURCE: The Guardian at 3:15pm on August 16, 2026

Four Walls and a Roof review – fascinating tale of Brecht, the red scare and today’s émigrés by Mark Fisher

Studio Theatre, EdinburghRabih Mroué and Lina Majdalanie explore the playwright’s life, and their journey from Beirut to Berlin, in an absorbing show at the Edinburgh international festi…

SOURCE: The Guardian at 11:00am on August 16, 2026

Angels in America review – Tony Kushner’s five-hour fever dream predicts and reflects the US at 250 by Mark Fisher

King’s theatre, EdinburghPeople, ideas and scenes wash over each other in Ivo van Hove’s masterly staging at the Edinburgh international festivalCould Tony Kushner’s sprawling fever-dr…

SOURCE: The Guardian at 7:55am on August 16, 2026

The Singer review – come on feel the noise with KT Tunstall’s glowing gig theatre by Mark Fisher

Traverse theatre, EdinburghIn Cora Bissett’s highly enjoyable and accessible show, a deaf man reintroduces a busker to the joy of music‘There are other ways to listen,” says Joe (Jamie…

SOURCE: The Guardian at 12:30am on August 16, 2026

Come Back Home review – loss and love in Palestinian artist’s intriguing fringe hour by Mark Fisher

Summerhall, EdinburghFadi Murad’s unconventional drama is a collage structured with the free-form imagination of a poetLast year, a group of Scottish producers staged a four-day mini festi…

SOURCE: The Guardian at 3:45pm on August 13, 2026

Turn Your F*cking Phones Off review – a tremendous takedown of big tech by Mark Fisher

Summerhall, EdinburghHannah Maxwell quits doomscrolling and turns her attention to tech bros’ targeted assault on democracy and our smartphone-addicted complicityLast year, Hannah Maxwell …

SOURCE: The Guardian at 11:20am on August 13, 2026

As Far As We Know review – strange solo goes full pelt down the mean streets by Mark Fisher

Summerhall, EdinburghWith increasing speed, Sam Ward tells the story of a woman who finds holes in her garden – but is it just a shaggy dog story?And there is a man sitting at a desk, welc…

SOURCE: The Guardian at 3:50am on August 13, 2026

Mrs Stern Wanders the Prussian State Library review – interrogating Hannah Arendt by Mark Fisher

Traverse theatre, EdinburghAn encounter in a police cell with a Nazi officer could have been the end of the political theorist, but Jenny Lyn Bader’s play has little feel for the dramaticT…

SOURCE: The Guardian at 1:20am on August 13, 2026

The Plot review – exploding myths in an hour of gunpowder and treason by Mark Fisher

Summerhall, EdinburghSet in purgatory, Emma Howlett’s two-hander rethinks the national intrigue with 5 NovemberNever play with matches is good advice – especially when gunpowder is invol…

SOURCE: The Guardian at 3:50pm on August 12, 2026

Mayflies review – Manchester’s Haçienda roars back to life in an Edinburgh warehouse by Mark Fisher

Rear Warehouse, Brown’s of Leith, EdinburghTwo men look back on their hedonistic past from a sobering present in Grid Iron’s adaptation of Andrew O’Hagan’s novelThe site-specific spe…

SOURCE: The Guardian at 12:50am on August 12, 2026

QFWFQ review – If On a Winter’s Night a Traveller is taken in a bold new direction by Mark Fisher

Summerhall, EdinburghGregory Nussen spins Italo Calvino’s surrealist authorial intrusions into a fascinating, playful and political showHow to adapt an unadaptable novel famed for its post…

SOURCE: The Guardian at 4:10am on August 11, 2026

Yeehaw! Bring on the tap-dancing cowgirls! How the Edinburgh Military Tattoo suddenly got cool by Mark Fisher

With its marching bands, billowing flags and precision drills, the Tattoo has never exactly been cutting edge. But now an experimental theatre-maker has been let loose on it … Dusk has set…

SOURCE: The Guardian at 12:55am on August 11, 2026

Cathy review – snappy comedy with a perfect role for Elaine C Smith by Mark Fisher

Traverse theatre, EdinburghWriter-director Eilidh Loan takes inspiration from her grandmother for this portrait of grief and religionEilidh Loan marked her arrival as a playwright with Moorc…

SOURCE: The Guardian at 8:55am on August 10, 2026

OnlyFans for Therapy review – a brave and unsettling emotional exposure by Mark Fisher

Zoo Playground, EdinburghVeering from confident to crumbling, Verona Verbakel delivers a vivid show mixing humour with traumaWe are all familiar with the cliche of the influencer narrating t…

SOURCE: The Guardian at 3:50pm on August 9, 2026

Prophets review – a mysterious tale of faith at the end of the world by Mark Fisher

Assembly Roxy, EdinburghA researcher encounters an isolated community in thrall to a mysterious religious leader in Jack MacGregor’s atmospheric but elusive dramaWhat impresses about Jack …

SOURCE: The Guardian at 2:50pm on August 9, 2026

Foriegner review – will drinking your own urine get you a US visa? by Mark Fisher

Summerhall, EdinburghSohrab Haghverdi takes pleasure at winding up the audience in a subversively funny ‘anti-comedy’ of autobiographical insight and political provocationSohrab Haghverd…

SOURCE: The Guardian at 6:20am on August 9, 2026

Water Colour review – an elegant, expertly handled study of depression by Mark Fisher

Traverse theatre, EdinburghMilly Sweeney’s award-winning two-hander about an art student and a kitchen porter draws power from its clever structure and light touchIt is rare to come out of…

SOURCE: The Guardian at 4:20pm on August 8, 2026

Supposing: review – only ancient Greek rage will suffice in our exasperating times by Mark Fisher

Traverse theatre, EdinburghA modern, secular woman is transformed into a Hellenic heroine as she sees visions of the future in Zinnie Harris’s minimalist dramaIf you found Christopher Nola…

SOURCE: The Guardian at 1:10pm on August 8, 2026

In the Black review – rewarding drama about the Faustian pact of big business by Mark Fisher

Underbelly, Bristo Square, Edinburgh Quaz Degraft draws on his knowledge of high finance for these misadventures in a material, misogynist worldYou don’t hear much about the American dream…

SOURCE: The Guardian at 1:25pm on August 7, 2026

Target Audience review – zingy satire puts media types in an apocalyptic pickle by Mark Fisher

Pleasance Courtyard, EdinburghWith characteristic wit, Dan Bishop’s comedy develops from a jolly send-up of the vacuous TV industry into a politically astute play about power‘I’ve neve…

SOURCE: The Guardian at 6:50am on August 7, 2026

Peter Gill, playwright who turned ordinary lives into extraordinary drama, dies aged 86 by Mark Fisher

Beginning his career as an actor, Gill went on to write plays including The York Realist as well as directing for the Royal Court and National TheatreTributes have been paid to the director …

SOURCE: The Guardian at 10:20am on August 4, 2026

I Can Die Too review – vibrant pop songs can’t bring actor’s tale to life by Mark Fisher

Pitlochry Festival theatre Following its star through rehearsals and squabbles with her director, this is modelled on Cocteau’s La Voix Humaine but it’s no…

SOURCE: The Guardian at 6:05am on July 17, 2026

Sweeney Todd review – Sondheim’s demon barber is still a cut above by Mark Fisher

Birmingham RepWith tremendous singing from Ramin Karimloo and Meow Meow, Joe Murphy’s superb staging of the story is full of dark gothic humourStephen Sondheim was drawn to fairytales – …

SOURCE: The Guardian at 3:30am on July 16, 2026

The Market Deeping Model Railway Club review – the absurdities of British life in miniature by Mark Fisher

Nottingham PlayhouseThe camaraderie and eccentricities of some model railway enthusiasts make for an endearing group portrait in William Ivory’s well-gauged comedyBefore the play begins, a…

SOURCE: The Guardian at 9:45am on July 12, 2026

Fun Home review – Alison Bechdel’s musical memoir feels every emotion by Mark Fisher

Royal Exchange, ManchesterA celebration of the cartoonist’s sexual awakening and queer identity as well as an investigation of darker family dynamics, this soulful show wears its heart on …

SOURCE: The Guardian at 8:40am on July 12, 2026
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