68 stories by "Ka Bradley"
The term "op traken" is Norwegian, and describes the act of a skier swiftly jumping and tucking their legs beneath them in
Opening 2020's London International Mime Festival, This Time by Ockham's Razor is a mellow, gentle piece " a surprising quality in a
In Lulu Raczka's adaptation of Antigone, Sophocles' tragedy about duty, pride and stubborn resolve, the relationship between sisters Antigone and Ismene takes
In Amanda Lomas' adaptation of Hunger, a young student, with dreams of becoming a writer, loses his friends, his lodgings and eventually
In the mixed bill Evolution, Cuban-based company Acosta Danza showcases brio, sensuality and technical mastery. Though only three years old, the dance
Cally is a bear. You can tell because she comes on stage in a head-to-toe bear suit and dances enthusiastically to Katy
Ava Wong Davies' play takes the form of a fracturing narrative rooted in the moment that Joy (Tuyen Do) left her husband
The choreographer on her new work inspired by Egon Schiele, the changing world of dance, and the allure of film-making
The choreographer Shobana Jeyasingh was born in Chennai, India, in 1957…
Harriet Madeley's verbatim play about palliative care and terminal illness takes its name from a visualisation exercise. For some exercises, the patients
Despite the fact that there are around 30,000 Vietnamese-born residents in the UK (rising to around 55,000 if you include the second-generation
Anyone who has ever seen a TED Talk will be familiar with the mannerisms used by Little Bulb in its new show
The rising Thai-Australian playwright on her Royal Court debut, the pros and cons of a digitalised world " and living between New York, London and MelbourneAnchuli Felicia King is a theatre …
Some words are more loaded than others. During my hour and a half experiencing Dismantle This Room at the Royal Court Theatre,
There are a few seats at the edges of the room, but otherwise it's standing room only, the audience gathered around three
Linbury theatre, Royal Opera House, LondonWorks by Marcos Morau, Fernando Melo and Caroline Finn make for an enjoyably ambitious triple bill
Awakening marks only the second time that Nationa…
Battersea Arts Centre, LondonFrom their half-baked moves to a fine display of stressful yoga, Figs in Wigs delight in making a virtue of their flawsOften Onstage begins at the end, opening o…
Jennifer Tang's Ghost Girl // Gwei Mui feels like a mood board rather than a finished play. There's a lot of interesting
The performers are 'like cultured magpies, drawing together a soundtrack of found media and famous scenes': Ka Bradley writes on dance duo Thick & Tight's triple bill.
The post Review: …
The basement of CoLab Factory is the perfect setting for Mechanical Thought's immersive production set in 1941. Four main rooms " a
A woman is lying on a meagre camp bed in a small space marked out in white lines, wearing an orange prison
'Bafflement, interest and curiosity': Ka Bradley writes on Jodee Mundee's immersive insight into the lives of deafblind people.
The post Review: Imagined Touch at Barbican appeared first on …
Paper walls like sliding Japanese doors, a white floor, a sturdy green door. There's a single high window though which a bewigged
A Little Hero's subversive power is contextually enormous. As it contains frank discussions of homosexuality, under Russia's 2013 so-called 'gay propaganda' laws,
Wayne McGregor's Autobiography places privacy at the heart of the public performance.
The post Review: Autobiography at Sadler’s Wells appeared first on Exeunt Magazine.
'A celebration of the blood and guts': Ka Bradley reviews Hofesh Shechter Company's collaboration with over 100 young dancers.
The post Review: East Wall at Tower of London appeared first …
