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5,870 stories by "Jonathan Mandell"

Evita Review: Ricky Martin as Broadway Weatherman by Jonathan Mandell

Six decades after her death, three decades after her canonization on Broadway, Evita is back, as immense as a Cathedral, as intimidating as a fascist rally. A sing-through opera as popular a…

SOURCE: The Faster Times at 5:31pm on April 13, 2012

Magic/Bird Review: Basketball Without The Basketball by Jonathan Mandell

The most powerful moment for me in "Magic/Bird," a play about the rivalry and then friendship between basketball stars Magic Earvin Johnson and Larry Bird, occurs after Johnson announces tha…

SOURCE: The Faster Times at 8:45pm on April 11, 2012

Broadway's April Avalanche: 14 Play and Musical Openings by Jonathan Mandell

Which Broadway show are you must looking forward to? Take the poll So many plays and musicals are opening from now through April 26th that it is hard to keep up. Here are my reviews of what …

SOURCE: The Faster Times at 1:30pm on April 9, 2012

End of the Rainbow Review: Judy Garland's Last Days by Jonathan Mandell

It is not until the very end of "End of the Rainbow," after Judy Garland's pianist tells us how she died from an overdose, that we feel free to be entertained: Tracie Bennett comes back from…

SOURCE: The Faster Times at 9:29am on April 5, 2012

A LETTER FROM LOUISVILLE: An Overview of The Humana Festival of New American Plays, Where Voices Bloom Every Spring by Jonathan Mandell

A report about the new works by Greg Kotis, Lisa Kron, Courtney Baron, Lucas Hnath and more, echoing from the 2012 Humana Festival at Actors Theatre of Louisville.

SOURCE: Playbill at 6:18pm on April 2, 2012

Gore Vidal's The Best Man Review: 2012 Campaign…in 1960 by Jonathan Mandell

With its talk of sex in the White House and God on the campaign stump, "The Best Man," which debuted in 1960, long has seemed prophetic. But the references to the 2012 campaign are downright…

SOURCE: The Faster Times at 8:30pm on April 1, 2012

Newsies Review: How The Other Half Dances by Jonathan Mandell

Wider than the gap between the one percent and the 99 percent, or between labor and management, is the one between those who grew up adoring the film "Newsies" and those who found it unwatch…

SOURCE: The Faster Times at 8:35pm on March 29, 2012

Jesus Christ Superstar Review: Bright Lights and Hotpants by Jonathan Mandell

When “Jesus Christ Superstar” opened on Broadway at the Mark Hellinger Theater in 1971, the concept album had already sold two and a half million copies. So, while protesters pic…

SOURCE: The Faster Times at 1:31am on March 29, 2012

NY Review: 'Urban Odyssey' by Jonathan Mandell

Using striking puppetry, dance, video, and Elizabeth Swados' lovely score, Federico Restrepo and his Loco7 troupe present the American immigrant experience.

SOURCE: Backstage at 5:44am on March 25, 2012

Mad Men vs. Salesman: Death of A Salesman Review by Jonathan Mandell

Willy Loman is something no American wants to be " average. It is something his wife recognizes about him: "A small man can be just as exhausted as a great man," Linda tells their two childr…

SOURCE: The Faster Times at 9:39am on March 22, 2012

"Once" Review: Falling Slowly on Broadway by Jonathan Mandell

They meet on a Dublin street, he a street musician about to abandon his guitar, she a Czech pianist without a piano. In "Once" the Broadway musical, as in "Once" the small hit film, love beg…

SOURCE: The Faster Times at 8:42pm on March 18, 2012

The Agony and The Ecstasy of Mike Daisey's Deceit: Theater vs. Journalism? by Jonathan Mandell

"The Agony and The Ecstasy of Steve Jobs," Mike Daisey's well-reviewed monologue currently at the Public Theater, is the subject of an expose in This American Life, the radio program that ai…

SOURCE: The Faster Times at 11:02am on March 17, 2012

March on Broadway by Jonathan Mandell

There will be 17 Broadway openings from March 15 to April 26th, an astonishing turnover with only 40 theaters on the Great White Way, almost too overwhelming to consider. So let's focus just…

SOURCE: The Faster Times at 1:58am on March 5, 2012

NY Review: 'The Last Days of Judas Iscariot' by Jonathan Mandell

T. Schreiber Studio's production of Stephen Adly Guirgis' play focusing on a retrial of Judas is provocative, playful, and layered but also belabored.

SOURCE: Backstage at 9:15am on March 4, 2012

Carrie Review: Broadway Flop Revived Off-Broadway by Jonathan Mandell

Decades after Carrie wreaked her revenge for being dumped on with pigs blood, "Carrie” the musical, which opens tonight at the Lucille Lortel, has a chance for its own sort of revenge …

SOURCE: The Faster Times at 9:47pm on March 1, 2012

Assistance Review: Revenge on Harvey Weinstein by Jonathan Mandell

The finale of "Assistance" is an abused employee's revenge fantasy: A woman curses out her boss, and then dances defiantly as the office around her self-destructs in spectacular fashion: The…

SOURCE: The Faster Times at 9:00pm on February 28, 2012

Blood Knot Review: Fugard's First Anti-Apartheid Play by Jonathan Mandell

Apartheid was virulent and ignored outside South Africa in 1961 when Athol Fugard wrote "Blood Knot," launching his international career. The American anti-apartheid movement was in full for…

SOURCE: The Faster Times at 10:22am on February 28, 2012

Broadway Lottery and Rush Policies For Discounted Tickets by Jonathan Mandell

Each Broadway show has a different policy to enable either the general public, or students, or young people, to buy tickets at a steep discount. Anything Goes General Rush: $30 " limited num…

SOURCE: The Faster Times at 9:42am on February 25, 2012

NY Review: 'Bad Kid' by Jonathan Mandell

"Bad Kid," David Crabb's one-man show at Axis Theater about his goth-gay Texas adolescence, is vivid and amusing storytelling.

SOURCE: Backstage at 8:00am on February 20, 2012

NY Review: 'The Thrill of the Chase' by Jonathan Mandell

Philip Gawthorne's David Mamet–inspired drama for Mad Dog Theatre Company and the Drilling Company feels as endless as a bad marriage.

SOURCE: Backstage at 5:01am on February 19, 2012

Shatner's World Review: Captain Kirk Back On Broadway by Jonathan Mandell

There is the William Shatner, long forgotten, who appeared with Spencer Tracy in "Judgment at Nuremberg" and replaced an ill Christopher Plummer as Henry V at the Stratford Festival. There i…

SOURCE: The Faster Times at 8:28pm on February 16, 2012

NY Review: ''The Navigator' by Jonathan Mandell

A GPS device turns out not just to be aggressively helpful but also clairvoyant in Eddie Antar's clever, cautionary comedy about our tech-dependent era.

SOURCE: Backstage at 8:00am on February 11, 2012

Merrily We Roll Along Review: Sondheim, Encores! and the Loss of Idealism by Jonathan Mandell

Once young and idealist, now rich, arrogant and corrupted, the main characters of "Merrily We Roll Along," Stephen Sondheim's most reworked flop, could be said to resemble the Encores! serie…

SOURCE: The Faster Times at 12:20pm on February 10, 2012

A Pill To Cure The Heartbroken? Rx Review by Jonathan Mandell

In "Rx," Phil tells Meena that she may be suffering from workplace depression, "which isn't a personal failure; it's a disease." He quickly adds: "We hope." If it is a disease, the giant pha…

SOURCE: The Faster Times at 6:23pm on February 7, 2012

Smash. Flops. Feuds. In February! by Jonathan Mandell

Smash, the new NBC TV series about the making of a Broadway musical, is well-timed for theater people, both because it's on Mondays (their standard day off), and because it starts in Februar…

SOURCE: The Faster Times at 1:15pm on February 5, 2012
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