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958 stories by "Jesse Green"

Theater Review: What Is Kenneth Lonergan Trying to Do With Hold On to Me Darling? by Jesse Green

Clarence McCrane, better known as Strings, is "the third biggest crossover star in the history of country music." In Hold On to Me Darling, Kenneth Lonergan's lumpy and scattershot new play …

SOURCE: Vulture at 4:14pm on March 15, 2016

Theater Reviews: Americana From Below, in The Robber Bridegroom and Southern Comfort by Jesse Green

The first mistake writers of musicals usually make happens before they write: They choose too good or too bad a source. Too good is the more difficult case; the material, having given them d…

SOURCE: Vulture at 9:23pm on March 14, 2016

Theater Reviews: Danai Gurira's Familiar and Lucas Hnath's Red Speedo by Jesse Green

Danai Gurira's devastating Eclipsed, about four women enslaved as "wives" to a rebel commander during the Liberian civil war, opens this Sunday on Broadway after a sold-out run at the Public…

SOURCE: Vulture at 6:13pm on March 13, 2016

Theater Reviews: Disaster! Is Predictable, and White Rabbit Red Rabbit Is Completely the Opposite by Jesse Green

It takes a special kind of pluck, or vanity, to name your musical Disaster! and not expect critics to agree. But then everything about the campy little show of that name that's opening tonig…

SOURCE: Vulture at 6:13pm on March 13, 2016

28 Reasons Why New York Theater Is, Improbably, Thriving by Jesse Green

The theater is dying. The theater is dead. Oh, look, it's reviving; no, it's dead again. It's always been that way " yet suddenly, now it isn't. For the first time since losing its connectio…

SOURCE: Vulture at 6:13pm on March 13, 2016

Audra McDonald, Broadway's Greatest Voice, Is Back by Jesse Green

Through heavy walls and a warren of hallways, before I'm even buzzed into the studio, I recognize Audra McDonald's voice. She's just doing vocalise: singing scales on the syllables eh and oo…

SOURCE: Vulture at 6:07pm on March 13, 2016

Theater Review: Michelle Williams and Jeff Daniels In a Superb Blackbird by Jesse Green

The first word spoken in David Harrower's Blackbird is "shock," and the superb production that opens on Broadway tonight wastes no time in justifying it. Not so much in speech; the next nine…

SOURCE: Vulture at 6:04pm on March 13, 2016

Theater Reviews: A Miscast Hughie and a Cheesy-Fun Pericles by Jesse Green

On the stage of the Booth Theater, the scenic designer Christopher Oram has built a magnificent ruin of a once-respectable hotel, complete with double-height lobby, an antique elevator, and …

SOURCE: Vulture at 6:04pm on March 13, 2016

Theater Review: Smokefall Tries for Whimsy Amid the Darkness by Jesse Green

Serious naturalism is the New York house style this season, with works like The Humans, Eclipsed, and Blackbird highlighting the spring Broadway lineup. What a surprise, then, that for the l…

SOURCE: Vulture at 7:33am on February 23, 2016

Theater Review: Nice Fish Brings News From Lake Wobegon by Jesse Green

When Mark Rylance accepted the 2008 Tony award for his performance in the French farce Boeing-Boeing, and when he accepted again in 2011 for his performance in the English drama Jerusalem, h…

SOURCE: Vulture at 6:45pm on February 22, 2016

Theater Reviews: The Humans and Old Hats, Polar Opposites of Excellence by Jesse Green

The entire action of Stephen Karam's play The Humans takes place in the Chinatown apartment that 26-year-old Brigid Blake has just moved into with her boyfriend, Richard Saad. It's a duplex,…

SOURCE: Vulture at 6:49am on February 19, 2016

Theater Review: Ed Harris and Amy Madigan Give a Center to Sam Shepard's Buried Child by Jesse Green

Sam Shepard had already been writing for the theater for 14 years when Buried Child won the Pulitzer Prize in 1979. The play"his 23rd or so, depending on how you count"was both a distillatio…

SOURCE: Vulture at 7:20am on February 18, 2016

Theater Review: Smart People Is Probably Better Read Than Seen by Jesse Green

Four Harvard graduates walk into a scene: Valerie, a young African-American actor; Jackson, an African-American surgical intern; Ginny, a Chinese-Japanese-American psychology professor; and …

SOURCE: Vulture at 6:29am on February 12, 2016

Theater Review: Encores! Tries to Renovate Cabin in the Sky by Jesse Green

One of the many useful and fascinating things the Encores! series has done over the years " last night's opening of Cabin in the Sky marks the start of its 23rd season " is to highlight, and…

SOURCE: Vulture at 9:02pm on February 11, 2016

Theater Review: John Patrick Shanley's Wayward Prodigal Son by Jesse Green

A playwright enters dangerous territory when he attempts to dramatize his struggle to become an artist: a struggle that is supposedly resolved, or at least justified, by the artistry he now …

SOURCE: Vulture at 12:25am on February 11, 2016

Theater Review: Sense & Sensibility at a Breakneck Pace by Jesse Green

My Kindle tells me that it takes an average reader some ten hours to get through Jane Austen's Sense and Sensibility. The delightful Bedlam stage version, which had a successful run in 2014 …

SOURCE: Vulture at 4:10am on February 9, 2016

Grease: Live Is the First TV Musical to Feel Like Actual Theater by Jesse Green

If theater is a hot medium, musical theater burns, making it a particularly bad match for the coolness of television. The three recent live musicals on NBC (The Sound of Music, Peter Pan, Th…

SOURCE: Vulture at 8:53pm on February 2, 2016

Talking With Stephen Karam, the Brilliant Young Playwright Behind The Humans by Jesse Green

Stephen Karam's Chinatown apartment, which he moved into after the success of his 2011 play Sons of the Prophet, is a huge step up from his last place. Yes, the elevator is tetchy, and the d…

SOURCE: Vulture at 5:40pm on January 29, 2016

Theater Review: I and You and a Plot Twist, Too by Jesse Green

Every year, American Theatre magazine publishes a list of the country's most-produced playwrights. It makes sense that Ayad Akhtar topped the latest edition: His award-winning plays, many pe…

SOURCE: Vulture at 6:53am on January 28, 2016

Theater Review: Linda Lavin Has a Secret, in Our Mother's Brief Affair by Jesse Green

Anna Cantor, the title character of Our Mother's Brief Affair, is a suburban matron, a passive-aggressive parent, and, even in the throes of semi-dementia, a genius with a barb. (As long as …

SOURCE: Vulture at 1:44pm on January 21, 2016

Theater Review: CSC's Mother Courage Gets a Shake-Up by Jesse Green

Will we ever stop arguing about Mother Courage and Her Children? From the time Brecht wrote it, in 1939, as Fascism was approaching its orgasm in Europe, until three weeks ago, when Tonya Pi…

SOURCE: Vulture at 10:48pm on January 20, 2016

Theater Review: A Near-Perfect Noises Off Revival by Jesse Green

The key thing about farce isn't the slamming of doors but the solidity of walls; without rigid order there can be no liberating chaos. The carpentry is crucial, and I doubt there's ever been…

SOURCE: Vulture at 9:33pm on January 14, 2016

Lin-Manuel Miranda Has Already Cemented His Place in Broadway History by Jesse Green

When Hamilton opened Off Broadway at the Public Theater last February, and then transferred to Broadway in August, many of the reviews, including mine, used words like historic, groundbreaki…

SOURCE: Vulture at 7:56pm on January 11, 2016

Anatevka Regains Some Bite, in the New Fiddler by Jesse Green

It's hard enough to revive a musical that didn't work the first time; that's why John Doyle's new version of The Color Purple is rightfully such a sensation. But it may be an even harder job…

SOURCE: Vulture at 11:00pm on December 20, 2015

Broadway Gets a Grand Theater Back by Jesse Green

There are several ways to define a Broadway theater, all tautological. It's a theater that uses a Broadway contract. It's a theater in the Broadway district " Sixth Avenue to Eighth Avenue, …

SOURCE: Vulture at 12:21pm on December 19, 2015
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