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586 stories by "Howard Sherman"

Howard Sherman: Michelle Obama and Sadiq Khan celebrate theatre's soft power by Howard Sherman

I did not get to see the concert earlier this week where Cynthia Erivo sang from The Color Purple, Chilina Kennedy sang

SOURCE: The Stage Registration at 2:00am on September 23, 2016

When A Tree Falls in Athens and Rises in Camelot, Whose Design Is It Anyway? by Howard Sherman

There's a very large tree that has been traveling around the Dallas-Fort Worth region in Texas. There's no need to worry, as the tree hasn't acquired independent mobility and become sentient…

SOURCE: www.artsintegrity.org at 1:46pm on September 22, 2016

In Brief: Race, Casting and "The Wild Party" at Yale by Howard Sherman

As theatre buffs know, there are two major musicals drawn from Joseph Moncure March's The Wild Party, which debuted in New York within months of one another: the Michael John LaChiusa-George…

SOURCE: www.artsintegrity.org at 10:38am on September 22, 2016

Howard Sherman: Is classic TV ripe for theatre's picking? by Howard Sherman

In theatre, there's typically somewhere between 90 minutes to two and a half hours to establish characters, take them through a plot

SOURCE: The Stage Registration at 2:00am on September 16, 2016

How "N*W*C" Became Drama Non Grata On A California State Campus by Howard Sherman

To start at the end, or at least where we are today: Michele Roberge, executive director of the Carpenter Performing Arts Center on the campus of California State University, has resigned, e…

SOURCE: www.artsintegrity.org at 5:17pm on September 9, 2016

Howard Sherman: Pro-am theatre in New York delivers applause for the acting postman by Howard Sherman

Upon hearing that New York's the Public Theater’s production of Twelfth Night included in its cast members of the Jambalaya Brass Band, the

SOURCE: The Stage Registration at 2:00am on September 9, 2016

When Deaf Voices Are Left Out Of "Tribes" by Howard Sherman

"Unfortunately, no deaf actors showed up to the auditions." The statement above was made yesterday in a public statement to the Deaf and hard of hearing community by Leslie Charipar, artisti…

SOURCE: Howard Sherman at 12:48pm on September 8, 2016

"Offend and Apologize" Doesn't Benefit The Arts by Howard Sherman

In recent years, it's been suggested that some companies and organizations have intentionally caused upset through a statement or product, only to quickly recant, for the express purpose …

SOURCE: www.artsintegrity.org at 12:37pm on September 6, 2016

Wells Fargo to Arts Kids: Abandon Your Dreams by Howard Sherman

O-ho the Wells Fargo Wagon is-a comin' down the street, and apparently it's not interested in doing business with kids who aspire to the arts, their parents, their teachers, or arts organiza…

SOURCE: Howard Sherman at 3:37pm on September 3, 2016

Howard Sherman: How many audiences have memorised a script? by Howard Sherman

I am not a betting man, but if you are reading this column, I would wager that you've already listened to the

SOURCE: The Stage Registration at 2:00am on September 2, 2016

Howard Sherman: Do artistic mission statements matter? by Howard Sherman

Plenty of theatres operate with somewhat generic mission statements, simply describing their goals of producing 'excellent theatre' that represents the 'breadth of

SOURCE: The Stage Registration at 2:00am on August 26, 2016

Howard Sherman: New US pay laws are a chance for the theatre industry to better itself by Howard Sherman

By confessing up front that this week's column concerns an adjustment in the government overtime provisions of US labour law, I risk

SOURCE: The Stage Registration at 2:00am on August 19, 2016

Are Subsidiary Rights Right for FringeNYC Authors? by Howard Sherman

Now in its 20th year, the New York International Fringe Festival, better known as FringeNYC, has presented nearly 4,000 productions for five-performance runs each summer, sustaining a beehiv…

SOURCE: www.artsintegrity.org at 9:50am on August 18, 2016

Quiara Alegría Hudes (and Lin-Manuel Miranda) on Casting "In The Heights" by Howard Sherman

The casting of the upcoming production of In The Heights at Porchlight Music Theatre in Chicago, in particular a non-Latinx actor in the leading role of Usnavi, has provoked a great deal of …

SOURCE: Howard Sherman at 11:50am on August 15, 2016

Quiara Alegría Hudes (and Lin-Manuel Miranda) on Casting "In The Heights" by Howard Sherman

The casting of the upcoming production of In The Heights at Porchlight Music Theatre in Chicago, in particular the hiring of a non-Latinx actor for the leading role of Usnavi, has p…

SOURCE: www.artsintegrity.org at 10:30am on August 15, 2016

Howard Sherman: Ragtime on Ellis Island's emotive power shows value of theatre beyond walls by Howard Sherman

Walking through Covent Garden, I always imagine a site-specific production of My Fair Lady (or Pygmalion), with the opening scene played out

SOURCE: The Stage Registration at 2:00am on August 12, 2016

The Rolling Canvases of New York City by Howard Sherman

Thanks to smartphone technology, we all walk around with cameras in our pockets or bags, but tend to pull them out to take pictures of events, of friends, of ourselves. As someone trained on…

SOURCE: Howard Sherman at 6:30pm on August 7, 2016

For Stan Freberg, Whose Parodies and Satires Live On by Howard Sherman

To a particular subset of junior comedy nerds, of which I was an unapologetic member, 1976 was a watershed year, for a reason only tangentially connected to the official Bicentennial celebra…

SOURCE: Howard Sherman at 11:06am on August 7, 2016

Howard Sherman: Meet the productions exploring our relationship with the mobile phone by Howard Sherman

With James Graham's Privacy now playing at The Public Theater in a co-production with the Donmar Warehouse, New York audiences are currently

SOURCE: The Stage Registration at 2:00am on August 5, 2016

The Frightened Arrogance Behind "It's Called Acting" by Howard Sherman

  It is quite possible that, when the English stage was officially opened up to allow women to perform alongside men, most likely in 1660 when Margaret Hughes played Desdemona, some arg…

SOURCE: Howard Sherman at 10:54am on August 2, 2016

Howard Sherman: Does Cats have any of its nine lives left for Broadway revival? by Howard Sherman

In hindsight, the slogan ‘now and forever’ looks a bit less like marketing and a bit more like hubris. While it didn't

SOURCE: The Stage Registration at 2:00am on July 29, 2016

Intricacies and Intent Surrounding Race and Ethnicity in Casting by Howard Sherman

Subsequent to Arts Integrity exploring the Porchlight Musical Theatre's casting of their forthcoming production of In The Heights, as well as Hedy Weiss's article for the Chicago Sun-Times (…

SOURCE: www.artsintegrity.org at 11:26am on July 27, 2016

Howard Sherman: Should Off-Broadway theatres pander to celebrity culture to sell tickets? by Howard Sherman

Last week, The New York Times reported on a dispute between Theatre for a New Audience, one of the city's major producers

SOURCE: The Stage Registration at 2:00am on July 22, 2016

Race, Spoken And Unspoken, In A Chicago Cast Announcement by Howard Sherman

Late last month, a headline writer for McClatchy DC was not alone in getting caught in a linguistic, oxymoronic knot when they announced, "Minority babies outnumber whites among US infants."…

SOURCE: www.artsintegrity.org at 12:08pm on July 20, 2016

In A Maryland County, Taxing Student Actors In Pay To Play Plan by Howard Sherman

In an era of constrained school budgets, it is not all that unusual " albeit quite problematic in terms of diversity and equity " to find schools charging students and their parents "activit…

SOURCE: www.artsintegrity.org at 9:54am on July 15, 2016
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