A 'Dawg' That Still Bites
Nearly 4 decades ago, Philip Kan Gotanda's play tackled Hollywood's Asian American stereotypes. A recent L.A. revival hit different, for better and worse.
Nearly 4 decades ago, Philip Kan Gotanda's play tackled Hollywood's Asian American stereotypes. A recent L.A. revival hit different, for better and worse.
An interview by director Yury Urnov with the playwright of 'My Mama and the Full-Scale Invasion,' which appears in our Fall 2025 issue.
The House's proposed FY26 appropriations bill would slash federal arts and humanities funding by 35 percent.
The new year-round cultural hub will be home to ACK Theatre Company, while welcoming other cultural organizations, festivals, and artistic endeavors to Nantucket.
His plans to trim $11.5 million from the state budget would eviscerate the state's new Performing Arts Equitable Payroll Fund, designed to help arts employers pay workers a fair wage.
It's a new position at St. Paul's Jewish-centered theatre company.
Begun as a flagship program of HowlRound Theatre Commons, the LTC will begin independent operations on July 1.
Brandon Powers's new effort puts classic play readings within the action-packed world of the blockbuster game, and audiences can follow on Twitch.
A roundup of prizes, fellowships, and other recognitions.
Starting on Nov. 11, he takes over from interim artistic director Liz Carlson and joins newly promoted associate artistic director Isabelle (Fereshteh) Sanatdar Stevens.
After five years of service, Becker will focus on her own writing and projects.
Now in its fifth year, this digital festival marks the first cross-theatre partnership and will be available to stream starting Nov. 18.
A roundup of prizes, fellowships, and other recognitions.
After 49 years with the company, managing artistic director Claassen will be succeeded by Betsy Kruse Craig.
Ingui will serve as the organization's managing director, operations & advancement, starting this November.
With support from the Ford Foundation, Theatre Futures invites thought leaders in the arts and beyond to reflect on our next chapter.
The question isn't whether we can break out of theatre's dominant paradigms but how---and who will lead the charge.
Creating pathways to healthy and sustainable careers means shifting to human-centered art-making.
The key to a thriving theatre education is space for experimentation.
Picture a world where the live arts are an integral part of our civic and mental health.
AUDIENCE AND IMPACT BUSINESS MODELS AND COLLABORATION CONTENT AND FORM ECONOMIC JUSTICE AND REFORM IMAGINING BRIGHTER FUTURES By Kelundra Smith Close your eyes and imagine your ideal theatre…