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49 stories by "Graham Rogers"

Die Fledermaus review at Arcola Theatre, London " 'fun updating of Strauss' bubbly operetta' by Graham Rogers

Die Fledermaus was 19th-century 'Waltz King' Johann Strauss' biggest hit operetta, its longevity ensured by bubbliness and an abundance of hummable tunes.

SOURCE: The Stage Registration at 7:45am on August 7, 2019

Carmen review at Royal Opera House, London " 'disappointingly monochrome' by Graham Rogers

Barrie Kosky's Carmen, returning to the Royal Opera House for the third time, rebels against the opera's traditional 19th century Spanish visuals.

SOURCE: The Stage Registration at 12:14pm on June 25, 2019

Agrippina review at Grange Festival, Hampshire " 'lively and entertaining' by Graham Rogers

Anyone who finds Handel's more famous operas po-faced and burdened with endless da capo arias will appreciate Agrippina's relative brevity and snappier

SOURCE: The Stage Registration at 8:15am on June 11, 2018

The Cutlass Crew review at Posk Theatre, London " 'a lively new swashbuckling opera' by Graham Rogers

W11 Opera is a remarkable company. Founded in 1971, it offers the invaluable opportunity for 80 schoolchildren aged nine-18 to participate in

SOURCE: The Stage Registration at 8:43am on December 13, 2017

Hamlet review at Glyndebourne, Lewes " 'a powerful new score' by Graham Rogers

Australian composer Brett Dean's operatic treatment of Hamlet, with a Bard-bowdlerising libretto by Matthew Jocelyn, premiered in Glyndebourne in June. Now it

SOURCE: The Stage Registration at 9:32am on October 24, 2017

The Magic Flute review at Soho Theatre, London " 'an infectious sense of fun' by Graham Rogers

With its trippy dream-world setting, Mozart's The Magic Flute is perfect fodder for inventive reimaginings, especially as the racism, masonic mysticism and

SOURCE: The Stage Registration at 5:00pm on September 13, 2017

Patience review at Hackney Empire, London " 'smart and lively' by Graham Rogers

English Touring Opera's first foray into the world of Gilbert and Sullivan proves emphatically that it shouldn't be its last. The main

SOURCE: The Stage Registration at 12:55pm on March 13, 2017

La Boheme review at Churchill Theatre, Bromley " 'high-quality singing' by Graham Rogers

Ellen Kent has been touring opera throughout the UK and Ireland for 25 years, and shows no sign of diminished passion for

SOURCE: The Stage Registration at 7:49am on February 27, 2017

Il Trovatore review at Royal Opera House, London " 'visually attractive' by Graham Rogers

Routinely mentioned in the same breath as Rigoletto and La Traviata, Verdi's two other seminal operas from the early 1850s, this grisly

SOURCE: The Stage Registration at 6:08am on December 5, 2016

The Magic Flute review at Jacksons Lane Theatre, London " 'short on drama' by Graham Rogers

Founded in 1990, Hampstead Garden Opera performs two valuable roles: an opportunity for young singers to participate in staged productions, and to

SOURCE: The Stage Registration at 12:50pm on November 14, 2016

Annilese Miskimmon: 'It's a male problem that women are underrepresented in opera' by Graham Rogers

One of the most successful women in opera management, Annilese Miskimmon has held the high-profile post of Danish National Opera's artistic director

SOURCE: The Stage Registration at 9:00am on September 2, 2016

The Way Back Home , Young Vic, London by Graham Rogers

Young Vic, London: English National Opera's first purpose-written children's opera offers London audiences the second chance this year to experience a staging of Oliver Jeffers…

SOURCE: The Stage Registration at 11:04am on December 12, 2014

Glare , Linbury Studio Theatre, Royal Opera House, London by Graham Rogers

Linbury Studio Theatre, Royal Opera House, London: When is the perfect girlfriend too perfect? When she seems always, uncannily, on your wavelength? When she repeats the same perfect moves i…

SOURCE: The Stage Registration at 6:23am on November 17, 2014

La Boheme , Coliseum, London by Graham Rogers

Coliseum, London: One of the first so-called verismo operas, there is not usually a 'real-life' feel to La Boheme - something Jonathan Miller's 2009 production attempts to add…

SOURCE: The Stage Registration at 6:10am on October 30, 2014

The Trial , Linbury Studio Theatre, Royal Opera House, Covent Garden by Graham Rogers

Linbury Studio Theatre, Royal Opera House, Covent Garden: Following previous collaborations with heavy-weight American composer Philip Glass (most recently In the Penal Colony in 2010), smal…

SOURCE: The Stage Registration at 6:56am on October 13, 2014

Anna Nicole , Royal Opera House, Covent Garden by Graham Rogers

Royal Opera House, Covent Garden: Since its 2011 Royal Opera House world premiere, Mark-Anthony Turnage's operatic treatment of the tragic life-story of Texan Playboy model and TV perso…

SOURCE: The Stage Registration at 7:43am on September 17, 2014

Rinaldo , Glyndebourne, Lewes by Graham Rogers

Glyndebourne, Lewes: Robert Carson's sometimes silly but entertaining take on Handel's musically supreme fantasy opera returns to Glyndebourne for its first revival. Though packed …

SOURCE: The Stage Registration at 5:58am on August 11, 2014

Maria Stuarda , Royal Opera House, Covent Garden by Graham Rogers

Royal Opera House, Covent Garden: Donizetti's 1835 romantic opera on Elizabeth I and Mary Stuart (Queen of Scots) is based on a Schiller play which, like Shakespeare histories, has a re…

SOURCE: The Stage Registration at 6:27am on July 7, 2014

Don Quichotte , Grange Park Opera, Alresford by Graham Rogers

Grange Park Opera, Alresford: Summer opera festivals, such as Hampshire's Grange Park Opera, often offer more adventurous repertoire than major houses - perhaps because summer audiences…

SOURCE: The Stage Registration at 6:17am on June 16, 2014

Don Giovanni , Glyndebourne by Graham Rogers

Glyndebourne: Jonathan Kent's grey-hued but lively 1950s-set production of Mozart's dark comedy on the antics and retribution of the titular womaniser returns for its second Glynde…

SOURCE: The Stage Registration at 6:26am on June 9, 2014

La Boheme, Royal Albert Hall by Graham Rogers

Royal Albert Hall: Raymond Gubbay's big arena production of Puccini's tale of romance, laughter and tragedy among penniless artists celebrates its 10th anniversary with a welcome r…

SOURCE: The Stage Registration at 6:11am on February 28, 2014

La Traviata, King's Head Theatre, London by Graham Rogers

King's Head Theatre, London: Since its founding in 2009, fringe company OperaUpClose has created bold, new, shoestring re-imaginings of opera classics from Puccini to Monteverdi. Until this …

SOURCE: The Stage Registration at 6:08am on November 6, 2013

The Wasp Factory, Linbury Studio, Royal Opera House, London by Graham Rogers

Linbury Studio, Royal Opera House, London: Based on the cult novel by Iain Banks, The Wasp Factory is a new one-act opera composed and directed by Ben Frost, premiered in August at the Brege…

SOURCE: The Stage Registration at 6:59am on October 3, 2013

The Coronation of Poppea, Britten Theatre, Royal College of Music, London by Graham Rogers

Britten Theatre, Royal College of Music, London: English Touring Opera's autumn triptych of Venetian Baroque operas begins with The Coronation of Poppea, a version of Monteverdi's …

SOURCE: The Stage Registration at 6:23am on September 30, 2013

Dido and Aeneas, Arcola Theatre, London by Graham Rogers

Arcola Theatre, London: Held at Dalston's Arcola Theatre, a converted warehouse in unglamorous but increasingly trendy north-east London, Grimeborn Festival has far outgrown its origina…

SOURCE: The Stage Registration at 6:58am on August 9, 2013
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