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427 stories by "George Hall"

Director Deborah Warner: 'I thought opera was absurd, impossible, but then I got it' by George Hall

The director known for her interpretations of Shakespeare, Bertolt Brecht, Henrik Ibsen and Benjamin Britten has seamlessly bridged the worlds of theatre

SOURCE: The Stage Registration at 3:00am on April 16, 2019

Alex Reedijk: 'I want Scottish Opera to feel like a festival all year round' by George Hall

In 13 years, New Zealander Alex Reedijk has pulled Scottish Opera back from the brink, turning it into a thriving company that

SOURCE: The Stage Registration at 3:00am on April 16, 2019

Faust review at Royal Opera House, London " 'a fascinatingly vital production' by George Hall

Due to sing Marguerite in this revival of David McVicar's 2004 production, star German soprano Diana Damrau pulled out a week ago

SOURCE: The Stage Registration at 6:43am on April 12, 2019

Jack the Ripper: The Women of Whitechapel review at London Coliseum " 'a limited achievement' by George Hall

The notorious serial-killer nicknamed Jack the Ripper continues to fascinate, with countless books, films, documentaries, tours and websites catering to a seemingly

SOURCE: The Stage Registration at 5:15am on March 31, 2019

Berenice review at Linbury Theatre, London " 'a witty staging of Handel's rarely performed opera' by George Hall

One of Royal Opera director Oliver Mears' initiatives is to bring back to Covent Garden the numerous works Handel premiered there. The

SOURCE: The Stage Registration at 10:13am on March 28, 2019

La Forza del Destino review at Royal Opera House, London " 'a star-studded production' by George Hall

Rumour on the operatic street has it that tickets for Christof Loy's new production of La Forza del Destino are reselling for as

SOURCE: The Stage Registration at 6:22am on March 22, 2019

Katya Kabanova review at Theatre Royal, Glasgow " 'exceptional' by George Hall

Scottish Opera's fine production of Katya Kabanova " directed by Stephen Lawless, vividly conducted by Stuart Stratford, and performed in the original

SOURCE: The Stage Registration at 7:36am on March 13, 2019

Idomeneo review at Hackney Empire, London " 'English Touring Opera's clear-sighted staging' by George Hall

One of two major works that he is directing as part of English Touring Opera's spring tour, James Conway's Idomeneo is a

SOURCE: The Stage Registration at 1:49pm on March 11, 2019

Elizabeth I review at Hackney Empire, London " 'Rossini's opera is delivered with style and clarity' by George Hall

Rossini's 1815 opera marked his debut in Naples, where he was to remain for eight years, turning the San Carlo Theatre into

SOURCE: The Stage Registration at 6:12am on March 4, 2019

Agreed review at Glyndebourne " 'Community opera proves worthwhile' by George Hall

Every couple of years Glyndebourne stages a new work involving its youth wing and other non-professionals, who combine with professional principals, band

SOURCE: The Stage Registration at 6:00am on March 4, 2019

The Merry Widow review at the London Coliseum " 'much-loved operetta misfires' by George Hall

Operetta is the trickiest of all genres: its performers have to be able to sing with operatic skill, put over reams of

SOURCE: The Stage Registration at 5:02am on March 4, 2019

Robin Hood review at CLF Arts Cafe, London " 'an inventive new opera' by George Hall

Founded three years ago, the Opera Story has produced two new works, both of them genuine successes: Snow (2017) collated three shorter

SOURCE: The Stage Registration at 10:12am on February 28, 2019

The Pirates of Penzance review at Wilton's Music Hall, London - 'fresh as paint' by George Hall

In its rebuilt form, Wilton's Music Hall dates from exactly the same period as the Gilbert and Sullivan comic opera, whose premiere

SOURCE: The Stage Registration at 8:48am on February 27, 2019

Akhnaten review at London Coliseum " 'a visually extraordinary staging' by George Hall

English National Opera's collaboration with Improbable and its director Phelim McDermott on Philip Glass' 1984 opera returns for its first revival. It

SOURCE: The Stage Registration at 4:39am on February 12, 2019

Carlo Rizzi: 'Conducting is not telling people what to do " you convince them' by George Hall

Introduced to the UK opera scene by Lesley Garrett, conductor Carlo Rizzi had two stints as musical director at Welsh National Opera

SOURCE: The Stage Registration at 7:54am on February 5, 2019

Katya Kabanova review at Royal Opera House, London " 'a profoundly committed performance' by George Hall

Three UK companies are staging Janacek's tragedy of Russian provincial life almost simultaneously. Opera North's revival of Tim Albery's 2007 production opened

SOURCE: The Stage Registration at 9:16pm on February 4, 2019

Katya Kabanova review at Leeds Grand Theatre " 'passionate conducting' by George Hall

First seen in 2007, Tim Albery's production of Janacek's small-Russian-town tragedy returns for a revival. Hildegard Bechtler's costumes indicate the staging's repositioning

SOURCE: The Stage Registration at 7:24am on February 4, 2019

The Magic Flute review at Grand Theatre, Leeds " 'an ambitious production' by George Hall

Mozart's opera contains so many elements " fairytale, quest story, spiritual journey, low comedy and high-minded defence of Freemasonry " that any

SOURCE: The Stage Registration at 11:17am on January 21, 2019

Soprano Ermonela Jaho: 'The first time I saw La Traviata, I thought I'd die if I never sang it' by George Hall

After growing up in communist Albania and training in Italy, the soprano made her Covent Garden debut as a 'jump-in', replacing an

SOURCE: The Stage Registration at 3:00am on January 15, 2019

The Queen of Spades review at Royal Opera House, London " 'a tedious evening' by George Hall

Norwegian director Stefan Herheim's international career reached its apogee with a production of Parsifal at Bayreuth (2008) that achieved a number of

SOURCE: The Stage Registration at 7:03am on January 14, 2019

2018: Best opera of the year by George Hall

This year welcomed a new 400-seat opera house at Nevill Holt, where the resident company staged successful productions of Figaro and Antony

SOURCE: The Stage Registration at 3:00am on December 21, 2018

ROH's Hansel and Gretel director and designer Antony McDonald: 'Creative tension can be good' by George Hall

When we meet, Antony McDonald has been working all day on his new production of Humperdinck's Hansel and Gretel, which opened this

SOURCE: The Stage Registration at 12:35pm on December 14, 2018

Hansel and Gretel review at Royal Opera House, London " 'a magical staging' by George Hall

Part of Antony McDonald's brief from director of the Royal Opera Oliver Mears in creating his new, self-designed staging has been to

SOURCE: The Stage Registration at 7:29pm on December 13, 2018

The Travelling Companion review at Town Hall, Lewes " 'fine performances' by George Hall

In recent decades there's been a revival of interest in Charles Stanford " a leading light of the English musical Renaissance who

SOURCE: The Stage Registration at 1:03pm on November 23, 2018

War Requiem review at London Coliseum " 'Daniel Kramer directs an unforgettable staging' by George Hall

In 1962 the new Coventry Cathedral was consecrated, just yards away from the ruins of its medieval predecessor, which was destroyed in

SOURCE: The Stage Registration at 4:52pm on November 17, 2018
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