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1,783 stories by "ELISABETH VINCENTELLI"

Hotel-room stage a Williams wake-up call by Elisabeth Vincentelli

Location, location, location: That motto applies not only to real estate but to theater. Tennessee Williams' one-act play "Green Eyes" may be slight, but staging it in an actual hotel room -…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

No good night in overstuffed 'bed' by Elisabeth Vincentelli

WHATTHEHELLWASTHAT?!?Forget that stretches of Florencia Lozano's "underneathmybed" are in Spanish. While those who don't speak that language are at a slight disadvantage, it's relatively ea…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Great 'Scott'! A classic by Elisabeth Vincentelli

John Kander and Fred Ebb have given American musical theater a pair of un disputable, stone- cold classics, "Cabaret" and "Chicago." Now they've added a third one to the list: "The Scottsbo…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

This sentimental journey is a real trip by Elisabeth Vincentelli

Nothing is too outré for the theater these days. Wall-to- wall profanity? Strictly for amateurs. Onstage vomiting? So yesterday. Lucy Thurber isn't afraid to up the ante: In her plays, peo…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Doesn't actually work by Elisabeth Vincentelli

The last time Cherry Jones teamed with director Doug Hughes on Broadway was for "Doubt," in 2005. The result was Tonys for both, boffo box office, a national tour and a movie (starring Mery…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Tabloid tycoon's tale back by popular demand by Elisabeth Vincentelli

The key character in "What the Public Wants" is a driven media tycoon who reaches millions via dozens of publications. Through them, he seeks to entertain the many and influence the mighty.…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Apartheid tale a vital revival by Elisabeth Vincentelli

Although Encores! productions such as "Gypsy," "Chicago" and "Finian's Rainbow" have made it to Broadway, fans of the long-running City Center series know such transfers are beside the poin…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

He holds his own by Elisabeth Vincentelli

Before taking off for fantasyland, you're often told to close your eyes. At "The Pee-wee Herman Show," now on Broadway, you need to open them wide. As soon as you catch your first glance of…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

'Desert' blooms by Elisabeth Vincentelli

Misery springs eternal. We've seen dozens of fictional families clash be cause of a Big Traumatic Past Event, but that didn't deter Jon Robin Baitz ("The Substance of Fire," TV's "Brothers …

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

One person's political journey is another's schlep by Elisabeth Vincentelli

After the critical success of his epic "The Lily's Revenge" last year, all eyes were on Taylor Mac. Amid a cast of 40, the strikingly made-up and costumed writer-performer blossomed in the …

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Hilarious sister act by Elisabeth Vincentelli

When characters be come popular on a sitcom, they're sometimes spun off into their own series.That's what should happen to Sherry and Grace, the mismatched sisters in Kim Rosenstock's new o…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Middling Woolf in gender-bending clothing by Elisabeth Vincentelli

Virginia Woolf's 1928 novel "Orlando" poses daunting challenges to stage adapters. The title character starts off as a boy, then becomes a woman. And not only does Orlando live through the …

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Get all wound up at provocative Coil fest by Elisabeth Vincentelli

Just when Broadway and off- Broadway go into their post- holiday hibernation, Performance Space 122 steps in with out-there productions aimed at the head, the guts and the heart. No wonder …

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Two-and-a-laugh men by Elisabeth Vincentelli

There's nothing quite like "Elling" on Broadway. Based on the Norwegian book and film of the same name, this Oslo-set play is about a pair of socially impaired men who learn to live on thei…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Stunning Egon trip doesn't paint full picture by Elisabeth Vincentelli

Sausage, anybody? Actually, John Kelly's "Pass the Blutwurst, Bitte" has nothing to do with meat products and everything to do with Austrian painter Egon Schiele. A skilled chameleon, write…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

The unveiling of 'Spider-Man: Turn Off the Dark' by Elisabeth Vincentelli

What did come as a bit of a shock was the open glee with which some critics took down the show. It's as if they were happy the musical wasn't good, and I'm not sure that's an appropriate fra…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Little method in this badness by Elisabeth Vincentelli

Method acting, famously adopted by Marlon Brando and Montgomery Clift, involves actors digging deep within themselves to find their character's emotional truth. Though the technique's lost …

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Star's not quite write by Elisabeth Vincentelli

A charismatic, seductive tycoon is key to Scott Brooks' new comedy, "ScreenPlay." Had a charismatic, seductive leading man been cast, this wan Hollywood satire might have gone somewhere. Unf…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Looking our differences in the face by Elisabeth Vincentelli

'Freckleface Strawberry" may be based on the kids book by the ac tress Julianne Moore, but it feels more like a version of "Free To Be . . . You and Me." Like that 1972 album and subsequent…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Fairy tale's all clogged up by Elisabeth Vincentelli

The best fairy tales have a dark side, and the best storytellers aren't afraid to address it. Adapting Hans Christian Andersen's "The Red Shoes" -- about a girl who literally can't stop danc…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Beastly fun, from mad to verse by Elisabeth Vincentelli

High- and low-brow collide in "La Bete," an American play about art vs. commerce that's set in 1654 France. It's entirely in rhyming couplets, but it also gets laughs from farting and burpi…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

WASP-y 'Black Tie' doesn't have much sting by Elisabeth Vincentelli

The prolific A.R. Gurney has made a specialty of documenting a certain slice of America: Northeast-based, white, middle-class families bound by a strong sense of kinship and precisely delin…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Fringe 'Palin' is failin', you betcha by Elisabeth Vincentelli

The Thrilla from Wasilla is nowhere to be seen in "Picking Palin." But she weighs heavily on the minds of the characters in this Fringe Fest production -- a quartet of high-ranking Republic…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

It's not for you, yours or anyone else by Elisabeth Vincentelli

Edward Albee is an undisputed titan of American theater: This is the man, after all, who wrote "Who's Afraid of Virginia Woolf?" "Three Tall Women" and "The Goat or, Who Is Sylvia?" So it's…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015

Location, location, location: enter 'Hallway' by Elisabeth Vincentelli

Shared space plays a big part in Adam Rapp's new "Hall way Trilogy." It even extends to the Rattlestick Theatre itself, where the stage now runs along the entire side of the house. Hallways…

SOURCE: The New York Post Subscription at 5:58pm on May 25, 2015
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