302 stories by "Dominic Cavendish"
Stephen Ward, Andrew Lloyd Webber's latest West End flop, was doomed from the start, says Dominic Cavendish
Three one-act plays by Tennessee Williams, staged in a London hotel, have many curiosities. But at times they can feel throwaway, says Dominic Cavendish
English Touring Theatre's revival of Brian Friel's 1980 classic is pitch perfect, says Dominic Cavendish
Deborah McAndrew's poignant, warm-hearted drama gives a fresh approach on the centenary commemorations of the First World War, says Dominic Cavendish
The Tiger Lillies' retelling of German playwright Frank Wedekind's Lulu works fine as a conceit, but the allure of detached commentary over fleshed-out characterisation starts to pall, says …
Morris Panych's lacklustre play is a dull way to spend two hours, says Dominic Cavendish
As The Full Monty transfers to the West End, Sheffield's Daniel Evans talks to Dominic Cavendish
Despite moments of genius, Simon Stephens' latest left Dominic Cavendish disappointed
Lenny Henry is up there with the best actors, no interloper but a fixture, says Dominic Cavendish
Sally Knyvette's gentle period-dressed production of Alan Frank's autiobiographical account of life at Oxford university requires an indulgent eye, says Dominic Cavendish &n…
Dawn King's quasi-thriller Ciphers should either run faster without interval or take more of our time and flesh things out, says Dominic Cavendish
This play about the photograph of the body of an American soldier that defined the West's view of the Battle of Mogadishu provides ample food for thought, says Dominic Cavendish &…
Josie Rourke's production of The Weir may not be as great in this West End transfer as it originally was at the Donmar - but it's still unmissable, says Dominic Cavendish &n…
This revival of Ivor Novello's last musical is cheesy but charming says Dominic Cavendish
This song cycle is Andrew Lloyd Webber and Don Black's best collaboration, says Dominic Cavendish, and Marti Webb does it proud
The latest extravaganza by Cirque du Soleil has few breathtaking moments and often leaves you lost, says Dominic Cavendish
This adaptation of George Eliot's novel is a delight from beginning to end, says Dominic Cavendish
Rhys Ifans is persuasive in this two-finger gesture to cosy Christmas theatrics, says Dominic Cavendish
All theatre owners, not just Nimax, which owns the Apollo, must redouble their efforts to allay fears over theatre safety, writes Dominic Cavendish
Ella Hickson's feminist reworking of Peter Pan is clever and gripping, says Dominic Cavendish
Michael McIntyre's seasonal showcase is so good it should be televised, says Dominic Cavendish
The National Theatre has another hit on its hands, says Dominic Cavendish
Victoria Wood's story of the enduring power of music is moving and delightful, says Dominic Cavendish
A new adaptation of Rudyard Kipling's timeless stories offers nothing more than the bare necessities, says Dominic Cavendish
Will a star-studded 'comedy' about the MPs expenses scandal find favour with audiences?
