"The View Upstairs" Honors Timeless Love, at NCTC, S.F.
Max Vernon's LGBT Musical Captures the Sweep of History by Christine Okon, reprinted from Theater & Such New Conservatory Theatre Center is celebrating 38 years as an LGBT themed theater…
Max Vernon's LGBT Musical Captures the Sweep of History by Christine Okon, reprinted from Theater & Such New Conservatory Theatre Center is celebrating 38 years as an LGBT themed theater…
Greed, Lust, Blood Flow in 80s Satire by Christine Okon, reprinted from Theater & Such Obsession with winning at all costs. The need to be the center of attention and alpha male at a…
Last year's model: Christine Irvine writes on attitudes towards technology in National Theatre of Scotland's trilogy of tech-inflected dystopian shorts. The post Review: Interference at City…
Christine Mi humorously illustrates the behaviors that emerge on the New York City subway and the natural rules that explain them.
Christine Okon is a voting member of San Francisco Bay Area Critics Circle and a member of the American Theater Critics Association. She writes for TheaterandSuch.com and lives in San Franci…
The name on everybody's lips is once again Christie Brinkley.
THE BOTTOM LINE: Creditors is a play about a married couple, an ex-lover/a false friend, who toy with one another until one falls down. You will like it if you like psychological thrillers. …
THE BOTTOM LINE: New Ohio Theatre presents Worse Than Tigers, a play by Mark Chrisler about a marriage at the brink of a physical final disaster that is a reality of the disaster that alread…
“In the village, the most respected man is the rainmaker.” – The Narrator Hips twisting, legs moving in a circular fashion as arms are drawn apart and out in a way that sho…
Angry and childishly misogynistic: Stewart Laing's new Strindberg adaptation doesn't challenge itself enough. The post Review: Creditors at the Royal Lyceum Theatre, Edinburgh appeared first…
Locked and loaded: the Scottish premiere of Stephen Adly Guirgis' comedy is "blisteringly enjoyable". The post The Motherf**ker With The Hat at the Tron Theatre, Glasgow appeared first on Ex…
Salacious bombast: David Leddy's obscene homage to Jean Genet might require a reading list. The post Review: The Last Bordello at the Tron Theatre, Glasgow appeared first on Exeunt Magazine.
"Company of Wolves' micro-exploration of grief and pain seems achingly timely." The post Review: Achilles at Citizens Theatre, Glasgow appeared first on Exeunt Magazine.
"She saved our f--kin' ass" Lampanelli said to audience.
If you're looking to land a part in a hot show on Broadway, knowing the composer helps.
My friend Frances Colquhoun, who has died aged 79, was a singer, actor, theatre director, artist and friend of Soviet dissidents. One of the high points of her career was the creation in 198…
"Being a part of 'Stuffed' is fulfilling a lifelong dream of mine to do theater in my home city of New York," Nikki Blonsky said.
Satirical comment beaten into submission: Christine Irvine reviews the Tron Theatre's resurrection of Anthony Neilson's Christmas-time comedy. The post Review: The Lying Kind at the Tron Th…
Chilling isolation in an untameable wilderness: Christine Irvine reviews Blue Raincoat's retelling of Ernest Shackleton's doomed expedition. The post Review: Shackleton at the Tron Theatre,…
A characteristically touching return: Christine Irvine warms to Ramesh Meyyappan's new solo show exploring mental health through physicality and magic. The post Review: Off-Kilter at the Tro…
Christine Irvine discovers Douglas Maxwell's new work combines "the magic of a Grimm Brothers fairy-tale, with the magic of being fourteen and off your head on peach schnapps." The post Revi…
Colour-telly ambience: Christine Irvine reviews the world premiere of Blood of the Young's play about a pioneer of electronic music. The post Review: Daphne Oram’s Wonderful World of S…
"I live a pretty monkish existence," he admitted, but "it won't always be like this."
Lean, mean and theatrically audacious: Christine Irvine is gripped by Fire Exit director David Leddy's first one-man show in over a decade. The post Review: Coriolanus Vanishes at the Tron T…
*IF YOU HAVE NOTHING TO HIDE YOU HAVE NOTHING TO FEAR* Christine Irvine reviews Proto-type Theater's exploration of surveillance technology. The post Review: A Machine They’re Secretly…