Review: Interference at City Park, Glasgow
Last year's model: Christine Irvine writes on attitudes towards technology in National Theatre of Scotland's trilogy of tech-inflected dystopian shorts. The post Review: Interference at City…
Last year's model: Christine Irvine writes on attitudes towards technology in National Theatre of Scotland's trilogy of tech-inflected dystopian shorts. The post Review: Interference at City…
Angry and childishly misogynistic: Stewart Laing's new Strindberg adaptation doesn't challenge itself enough. The post Review: Creditors at the Royal Lyceum Theatre, Edinburgh appeared first…
Locked and loaded: the Scottish premiere of Stephen Adly Guirgis' comedy is "blisteringly enjoyable". The post The Motherf**ker With The Hat at the Tron Theatre, Glasgow appeared first on Ex…
Salacious bombast: David Leddy's obscene homage to Jean Genet might require a reading list. The post Review: The Last Bordello at the Tron Theatre, Glasgow appeared first on Exeunt Magazine.
"Company of Wolves' micro-exploration of grief and pain seems achingly timely." The post Review: Achilles at Citizens Theatre, Glasgow appeared first on Exeunt Magazine.
Satirical comment beaten into submission: Christine Irvine reviews the Tron Theatre's resurrection of Anthony Neilson's Christmas-time comedy. The post Review: The Lying Kind at the Tron Th…
Chilling isolation in an untameable wilderness: Christine Irvine reviews Blue Raincoat's retelling of Ernest Shackleton's doomed expedition. The post Review: Shackleton at the Tron Theatre,…
A characteristically touching return: Christine Irvine warms to Ramesh Meyyappan's new solo show exploring mental health through physicality and magic. The post Review: Off-Kilter at the Tro…
Christine Irvine discovers Douglas Maxwell's new work combines "the magic of a Grimm Brothers fairy-tale, with the magic of being fourteen and off your head on peach schnapps." The post Revi…
Colour-telly ambience: Christine Irvine reviews the world premiere of Blood of the Young's play about a pioneer of electronic music. The post Review: Daphne Oram’s Wonderful World of S…
Lean, mean and theatrically audacious: Christine Irvine is gripped by Fire Exit director David Leddy's first one-man show in over a decade. The post Review: Coriolanus Vanishes at the Tron T…
*IF YOU HAVE NOTHING TO HIDE YOU HAVE NOTHING TO FEAR* Christine Irvine reviews Proto-type Theater's exploration of surveillance technology. The post Review: A Machine They’re Secretly…
Underdeveloped and ultimately forgettable: Caryl Churchill's dissection of the nature/nurture debate is staged as part of the Edinburgh Science Festival. The post Review: A Number at the Lyc…