The Bridge Project " that ambitious British-American exercise in cross-pollination " is winding down its third and final season, but it's not likely that its absence will leave a gaping hole…
Office stress, office humiliation and a powerfully absent boss are the stuff of "Assistance," at Playwrights Horizons.
Charles Isherwood kicks off an online discussion series on the history and significance of Arthur Miller's 1949 drama "Death of a Salesman."
F. Murray Abraham stars in the Classic Stage Company's revival of Bertolt Brecht's "Galileo," about the conflict between champions of progress and the church in Renaissance Italy.
In an era of lost fortunes, collapsing futures and Occupy Wall Street, Arthur Miller's "Death of a Salesman" carries renewed power.
"Shatner's World: We Just Live In It...," a one-man show at the Music Box Theater, includes William Shatner's stories of his acting career.
The Signature Theater Company's revival of Athol Fugard's "Blood Knot" is more intellectually stimulating than emotionally engaging.
Kevin Spacey's audience-devouring turn as the title character in "Richard III" has leapt to the top of my list of shameless performances I have no shame in admitting I enjoyed.
John Ford's 17th-century play "The Broken Heart" is heavy with revenge and sorrow.
The latest play from Kate Fodor, "Rx," a winning combination of light satire and romance, pokes gentle fun at our overprescribed culture.
In Elizabeth Lucas's slender but effective dramatization of "Myths and Hymns," Adam Guettel's songs remain the focus.
In "The Ugly One," at Soho Rep, a man loses his sense of self when a miracle of plastic surgery turns him into a nouveau Apollo.
Danai Gurira's ambitious new play, "The Convert," about the arrival of colonialism in 1895 southern Africa, is having its premiere at the McCarter Theater Center in Princeton, N.J.
In the Roundabout Theater revival of John Osborne's 1956 landmark play, "Look Back in Anger," Matthew Rhys plays the British working-class antihero.
The tempest over "Clybourne Park" vividly illustrates how small the universe of the Broadway theater really is.
In "Russian Transport," a relative joins a Russian-American family in Sheepshead Bay, changing the dynamic and bringing corruption.
"Gob Squad's Kitchen (You've Never Had It So Good)" at the Public Theater is loosely inspired by Andy Warhol's Factory.
This new biography argues that Ben Jonson, Britain's first literary celebrity, was as central as Shakespeare to the development of the British theater.
Why many audience members who haven't seen other versions of "Porgy and Bess," especially in the opera house, are perfectly pleased with the new Broadway musical rendition.
The creators of "Untitled Feminist Show" were seeking to create a "world in which people could identify and be however they wanted regardless of their sex," according to Young Jean Lee, who …
In "Cattywampus," Strindberg's classic "Miss Julie" comes to contemporary Appalachia with all its sexual and psychological baggage in tow.
"Mission Drift," a musical Coil Festival entry from the TEAM, is a sprawling musical epic about five centuries of American expansion and destruction.
"Outside People," a smart but slight comedy of manners by Zayd Dohrn, follows a young American trying to make his way in business and the bedroom in the booming new China.
Catherine Trieschmann's play "How the World Began," from the Women's Project, has a topical hot-button theme: the conflicting ideologies of confirmed secularists and faithful believers.
Moe Angelos has adapted the first volume of Susan Sontag's journals and stars in "Sontag: Reborn," a Builders Association production at the Public Theater, part of the Under the Radar festiv…