1,121 stories by "Charles Isherwood"
Sharr White's new play, "Annapurna," often feels like a scruffier version of a Lifetime television movie about love gone wrong.
Kirk Lynn's play "Your Mother's Copy of the Kama Sutra" involves an unusual yearlong test on the way to a marriage that might or might not happen.
The terrific, heart-stirring revival of "Violet" stars Sutton Foster in a career-redefining performance.
"The Great Immensity" asks the big-time question of whether man can change his destructive ways before the planet goes kablooey.
"Lady Day at Emerson's Bar and Grill," starring Audra McDonald, takes place in the months before Billie Holiday died, set in a city that she had reason to loathe.
In "The Shadow of the Hummingbird," at the Long Wharf Theater in New Haven, Athol Fugard performs in one of his own plays for the first time in 15 years.
"The Heir Apparent," adapted by David Ives from the early-18th-century French comedy, is slangy, scatological and very heady, but with the reliable rhythms of a minuet.
"The Most Deserving," Catherine Trieschmann's new comedy at City Center, pokes fun at the absurdities and pretensions of the arts grant industry.
The new production of "The Threepenny Opera," at the Atlantic Theater Company, stars F. Murray Abraham, Laura Osnes, Michael Park and Mary Beth Peil.
In Will Eno's "The Realistic Joneses," two couples, both named Jones, get to know one another amid fear, loneliness and unspoken love in a small town near the mountains.
At the 38th annual Humana Festival of New American Plays, five full-length plays highlighted storytelling, be they fantastical, historical or ripped from the headlines. &nbs…
"A Second Chance" is a show about two life-bruised, middle-aged New Yorkers trying to heal themselves.
In "Don Juan Comes Home From Iraq," at the Wilma Theater in Philadelphia, Paula Vogel plays with time and surrealism in describing a Marine's troubled return from war.
With "These Paper Bullets!," Rolin Jones and Billie Joe Armstrong have broadly adapted Shakespeare's "Much Ado About Nothing" into a tale of the mod British rock scene of the 1960s. &nb…
Dick Cavett plays himself in "Hellman v. McCarthy," Brian Richard Mori's dramatic reconsideration of the Lillian Hellman and Mary McCarthy feud and lawsuit.
"Les Misérables," the stage adaptation of Victor Hugo's novel, returns to Broadway to capitalize on the popularity of the recent movie version.
The Broadway version of "Aladdin" sticks to the movie's formula, but also infuses the conventions of the genre with a breezy insouciance that scrubs away some of the material's bland gloss.&…
The famous late-20th-century feud between Mary McCarthy and Lillian Hellman will be stirred up again with "Hellman v. McCarthy," a new play by Brian Richard Mori.
In the terrific, scary-funny play "Hand to God," Steven Boyer is a teenager whose puppetry skills turn into a negative.
Bryan Cranston stars in "All the Way," about President Lyndon B. Johnson's push for the Civil Rights Act.
A concert staging of "Sweeney Todd" stars the opera bass-baritone Bryn Terfel as the bloodthirsty barber and the Oscar-winning Emma Thompson as his adoring helpmate.
The release of an audio recording of "Who's Afraid of Virginia Woolf?" with the original Broadway cast pulls back the curtain on one of the seminal theatrical events of the 20th century.&nbs…
"The Happiest Song Plays Last," the third in a trilogy of plays by Quiara AlegrÃa Hudes, is a diffuse but warm-blooded drama.
A fractious family stages an uncanny disappearing act in "The Open House," Will Eno's new play, at Signature Theater.
Sarah Ruhl's "Stage Kiss" is a scattered but lively blend of romantic comedy and backstage farce.
