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1,428 stories by "Ben Brantley"

The Week Ahead: Her Beloved Beast, Loved Just as He Is by Ben Brantley

The performance and burlesque artists Julie Atlas Muz and Mat Fraser are appearing in "Beauty and the Beast." But don't expect G-rated material.    

SOURCE: The New York Times Subscription at 12:45pm on March 5, 2014

Theater Review: 'Measure for Measure' Full of Dual Natures and Hard Choices by Ben Brantley

Even the jerks become likable in Fiasco Theater's charming production of "Measure for Measure," one of Shakespeare's creepiest plays.    

SOURCE: The New York Times Subscription at 6:23pm on March 2, 2014

Theater Review: In 'Ode to Joy,' Characters Are Bonded by Addictions by Ben Brantley

In Craig Lucas's new play, "Ode to Joy," Kathryn Erbe and Arliss Howard play lovers who bond over a tidal wave of vodka.    

SOURCE: The New York Times Subscription at 10:00pm on February 27, 2014

Theater Review: 'A Doll's House,' With Hattie Morahan's Frantic Nora by Ben Brantley

In the Young Vic's production of "A Doll's House," at the Harvey Theater in Brooklyn, Hattie Morahan brings out Nora's manipulative side.    

SOURCE: The New York Times Subscription at 10:00pm on February 27, 2014

Theater Review: 'Bridges of Madison County' Brings Iowa to Broadway by Ben Brantley

Kelli O'Hara confirms her position as one of the most exquisitely expressive stars in musical theater in "The Bridges of Madison County" on Broadway.    

SOURCE: The New York Times Subscription at 10:00pm on February 20, 2014

Theater Review: 'Love and Information,' by Caryl Churchill, at Minetta Lane by Ben Brantley

Caryl Churchill's new play, "Love and Information," unfolds with miniplots that deal with the ways we lust for, process and reject knowledge.    

SOURCE: The New York Times Subscription at 10:00pm on February 19, 2014

Spring Preview: 'Aladdin' and 'Rocky' Among Movies Inspiring Musicals by Ben Brantley

The stage keeps looking to the screen for its musicals " this season, "Rocky," "Aladdin" and "Bullets Over Broadway."    

SOURCE: The New York Times Subscription at 4:08pm on February 19, 2014

Theater Review: Charles Busch's 'The Tribute Artist' Is at 59E59 Theaters by Ben Brantley

In Charles Busch's "The Tribute Artist," a female impersonator assumes the identity of his dead landlady to keep his coveted Greenwich Village apartment.    

SOURCE: The New York Times Subscription at 10:00pm on February 9, 2014

Theater Review: 'Little Me' at City Center Stars Christian Borle by Ben Brantley

The 1962 musical "Little Me," starring Rachel York, Judy Kaye and Christian Borle, begins the season for the Encores! concert revival series.    

SOURCE: The New York Times Subscription at 3:32pm on February 6, 2014

Critic's Notebook: 'Ghosts,' 'Blurred Lines' and 'The Pass' in London by Ben Brantley

Three plays onstage in London " "Ghosts," "Blurred Lines" and "The Pass" " are rooted in sexual hypocrisy and double standards.    

SOURCE: The New York Times Subscription at 1:25pm on February 4, 2014

Theater Review: 'Adult' by Christina Masciotti, at Abrons Arts Center by Ben Brantley

The playwright Christina Masciotti puts together a father and college-age daughter in the gentle comedy "Adult" at Abrons Arts Center.    

SOURCE: The New York Times Subscription at 5:00pm on February 3, 2014

Screen Actors Embody Shakespeare's Leaders Onstage by Ben Brantley

Jude Law, David Tennant and Tom Hiddleston have recently lent a screen-god glow to Shakespeare's portraits of uncommon men, creating the hardest tickets to get in London.   &n…

SOURCE: The New York Times Subscription at 10:00am on January 30, 2014

Theater Review: Thomas Bradshaw's 'Intimacy' Makes Sex Neighborly by Ben Brantley

In its breezy blandness, Thomas Bradshaw's new play, "Intimacy," is neither your everyday sex comedy nor a sendup of one.    

SOURCE: The New York Times Subscription at 10:00pm on January 29, 2014

Theater Review: 'King Lear' on an Epic Scale, Starring Simon Russell Beale by Ben Brantley

Sam Mendes sets his "King Lear," starring Simon Russell Beale at the National Theater, in a modern dictatorship.    

SOURCE: The New York Times Subscription at 5:47pm on January 26, 2014

ArtsBeat: London Theater Journal: Stripped of Illusions, but Still Glittering and Gay by Ben Brantley

The Menier Chocolate Factory's production of the famously hard-to-stage musical "Candide" suggests that life may just be endurable " as long as we have the pluck to put on a show about how a…

SOURCE: The New York Times Subscription at 12:10pm on January 23, 2014

Theater Review: Royal Shakespeare Company Adapts 2 Hilary Mantel Novels by Ben Brantley

Hilary Mantel's best-selling novels about Thomas Cromwell and Henry VIII have been adapted for the stage at the Royal Shakespeare Company.    

SOURCE: The New York Times Subscription at 5:33pm on January 22, 2014

ArtsBeat: London Theater Journal: Running Their Mouths by Ben Brantley

A revival of Jez Butterworth's 1995 "Mojo," with Ben Whishaw, and three Beckett monologues "Not I/Footfalls/Rockaby" are reminders of the complex artistry required to distill words into live…

SOURCE: The New York Times Subscription at 1:00pm on January 22, 2014

Critic's Notebook: London's Dark Musicals 'American Psycho' and 'Stephen Ward' by Ben Brantley

Two dark new London musicals, "Stephen Ward," about the 1963 Profumo scandal, and "American Psycho," show men and their libidos behaving badly.    

SOURCE: The New York Times Subscription at 1:23pm on January 20, 2014

Theater Review: Frank Langella, Roaring at Defiance in 'King Lear' by Ben Brantley

In "King Lear" at the BAM Harvey Theater, Frank Langella manifests a tyrant's reflexes in a multitude of keys.    

SOURCE: The New York Times Subscription at 10:00pm on January 16, 2014

Theater Review: 'Machinal' Examines a Wife Driven to Kill by Ben Brantley

A desperate life blazes amid devouring shadows in the Roundabout Theater Company's intensely stylish revival of "Machinal."    

SOURCE: The New York Times Subscription at 10:00pm on January 16, 2014

Theater Review: 'I Am the Wind,' by Jon Fosse, Features Men Alone at Sea by Ben Brantley

Jon Fosse's "I Am the Wind," at 59E59 Theaters, finds two men in a boat, lost on the ocean.    

SOURCE: The New York Times Subscription at 9:00pm on January 16, 2014

Theater Review: 'Beautiful: The Carole King Musical' at Sondheim Theater by Ben Brantley

"Beautiful: The Carole King Musical" traces the singer-songwriter's bumpy road to stardom, song by song by song.    

SOURCE: The New York Times Subscription at 10:00pm on January 12, 2014

Critic's Notebook: Bedlam Theater's 'Saint Joan' and 'Hamlet' by Ben Brantley

The young company Bedlam Theater is presenting two four-actor plays " Shaw's "Saint Joan" and Shakespeare's "Hamlet" " in repertory at the Lynn Redgrave Theater.    

SOURCE: The New York Times Subscription at 6:08pm on January 10, 2014

Quite Dead, but Up for Grabs - NYTimes.com by Ben Brantley

THE WEEK AHEAD The Red Bull Theater, which has demonstrated a stylish affinity for Grand Guignol, seems the proper troupe to exhume Orton's improper attack on conventional pieties.

SOURCE: The New York Times Subscription at 3:34pm on January 8, 2014

The Week Ahead | Theater: Quite Dead, but Up for Grabs by Ben Brantley

The Red Bull Theater, which has demonstrated a stylish affinity for Grand Guignol, seems the proper troupe to exhume Joe Orton's "Loot."    

SOURCE: The New York Times Subscription at 12:10pm on January 8, 2014
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