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1,428 stories by "Ben Brantley"

Theater Review: 'Casa Valentina,' a New Play by Harvey Fierstein by Ben Brantley

"Casa Valentina," written by Harvey Fierstein, tells of cross-dressing men who frequent a Catskills resort that caters to them in the early 1960s.

SOURCE: The New York Times Subscription at 10:00pm on April 23, 2014

Theater Review: 'Hedwig and the Angry Inch' Stars Neil Patrick Harris by Ben Brantley

"Hedwig and the Angry Inch," about a transgendered performer with issues, stars Neil Patrick Harris in the title role.

SOURCE: The New York Times Subscription at 10:00pm on April 22, 2014

Theater Review: Daniel Radcliffe Stars in Revival of 'The Cripple of Inishmaan' by Ben Brantley

Daniel Radcliffe stars in Michael Grandage's splendid production of Martin McDonagh's dark comedy "The Cripple of Inishmaan."

SOURCE: The New York Times Subscription at 10:00pm on April 20, 2014

Theater Review: Several Moss Harts Are in 'Act One,' at Lincoln Center by Ben Brantley

"Act One" at Lincoln Center stars Tony Shalhoub and Santino Fontana and Matthew Schechter as the theater artisan Moss Hart, from his Bronx childhood to Broadway glory.

SOURCE: The New York Times Subscription at 10:00pm on April 17, 2014

Theater Review: James Franco and Chris O'Dowd in 'Of Mice and Men' by Ben Brantley

James Franco and Chris O'Dowd both make Broadway debuts in the respectable, respectful and generally inert revival of John Steinbeck's "Of Mice and Men."

SOURCE: The New York Times Subscription at 10:00pm on April 16, 2014

Theater Review: Steven Soderbergh Directs 'The Library,' at the Public by Ben Brantley

"The Library," the director Steven Soderbergh's maiden outing on the New York stage, opened on Tuesday at the Public Theater.

SOURCE: The New York Times Subscription at 10:00pm on April 15, 2014

Theater Review: Richard Maxwell's 'Isolde' Explores Primal Instincts by Ben Brantley

In Richard Maxwell's "Isolde," plans by a contractor and an actress to build the perfect vacation home become complicated by a love triangle as primal instincts rise to the surface.

SOURCE: The New York Times Subscription at 6:03pm on April 13, 2014

Theater Review: Woody Allen Transforms His 'Bullets Over Broadway' by Ben Brantley

"Bullets Over Broadway: The Musical," inspired buy Woody Allen's 1994 film of the same title, is instructive for those determined to translate screen chemistry into crowd-wowing live theater.

SOURCE: The New York Times Subscription at 10:00pm on April 10, 2014

Theater Review: 'Raisin in the Sun' Brings Denzel Washington Back to Broadway by Ben Brantley

Starring Denzel Washington, "A Raisin in the Sun" at the Ethel Barrymore Theater is a disarmingly relaxed revival, brimming with empathy for its flawed characters.    

SOURCE: The New York Times Subscription at 10:00pm on April 3, 2014

Theater Review: 'The Most Happy Fella' Is Revived at City Center by Ben Brantley

The Encores! production of "The Most Happy Fella," led by Shuler Hensley and Laura Benanti, is an unabashed hymn of hope to fresh starts and quickened feelings.    

SOURCE: The New York Times Subscription at 7:17pm on April 3, 2014

A Gothic Night of Suspense - NYTimes.com by Ben Brantley

in honor of Irma's 30th anniversary, Red Bull Theater is presenting this fractured classic in a production directed by Everett Quinton, who starred (with Ludlam) in the original. A promising…

SOURCE: The New York Times Subscription at 10:31am on April 3, 2014

Theater: A Gothic Night of Suspense by Ben Brantley

Red Bull Theater is presenting Charles Ludlam's "The Mystery of Irma Vep: A Penny Dreadful" in a production directed by Everett Quinton.    

SOURCE: The New York Times Subscription at 8:00am on April 2, 2014

Theater Review: 'Heathers: The Musical' Brings Back Guilt-Free Mayhem by Ben Brantley

"Heathers: The Musical" recalls an era when killing off the leaders of a high school's reigning clique could still seem like a joke.    

SOURCE: The New York Times Subscription at 9:23am on April 1, 2014

Theater Review: 'Red Velvet' Recalls One Shocked London Audience by Ben Brantley

Lolita Chakrabarti's "Red Velvet" reflects on the evening in 1833 when London theatergoers first saw a black actor play Othello.    

SOURCE: The New York Times Subscription at 9:23am on April 1, 2014

Theater Review: In 'If/Then,' Idina Menzel Travels Two Paths by Ben Brantley

New York City has never looked cleaner than it does in "If/Then," the gleaming drawing board of a musical that opened on Broadway, starring the shiny-voiced Idina Menzel.   &n…

SOURCE: The New York Times Subscription at 10:00pm on March 30, 2014

Theater Review: 'I Remember Mama' Reminisces at the Gym at Judson by Ben Brantley

Stories from the past, brought to life by veteran actresses, animate the nostalgic "I Remember Mama" at the Gym at Judson.    

SOURCE: The New York Times Subscription at 10:00pm on March 30, 2014

Theater Review: 'King Lear,' With Michael Pennington, Opens in Brooklyn by Ben Brantley

The Theater for a New Audience production of "King Lear," directed by Arin Arbus, brings a quieter-than-normal touch to Shakespeare's tale of chaos in a kingdom and a family.  &nbs…

SOURCE: The New York Times Subscription at 10:00pm on March 27, 2014

Theater Review: 'Uriel Acosta: I Want That Man!' Recalls a Jewish Freethinker by Ben Brantley

"Uriel Acosta: I Want That Man!," at Target Margin Theater, draws on past productions of this play inspired by the life of a 17th-century Jewish philosopher and skeptic.   &nb…

SOURCE: The New York Times Subscription at 5:19pm on March 25, 2014

Theater Review: 'Mothers and Sons,' an AIDS Tale Starring Tyne Daly by Ben Brantley

In Terrence McNally's new play, "Mothers and Sons," Tyne Daly's character has an uncomfortable reunion with Frederick Weller's, who was her son's lover.    

SOURCE: The New York Times Subscription at 10:00pm on March 24, 2014

Theater Review: Nina Arianda Stars in 'Tales From Red Vienna' by Ben Brantley

"Tales From Red Vienna," David Grimm's new play, set in 1920 Austria, throws together a widowed gentlewoman and a brash Hungarian journalist.    

SOURCE: The New York Times Subscription at 10:00pm on March 18, 2014

Theater Review: Julie Atlas Muz and Mat Fraser Reinvent a Fabled Couple by Ben Brantley

The performance artists Julie Atlas Muz and Mat Fraser unfold a bona fide X-rated fairy tale in "Beauty and the Beast," at the Abrons Arts Center.    

SOURCE: The New York Times Subscription at 5:31pm on March 17, 2014

Theater Review: In 'Appropriate,' Branden Jacobs-Jenkins Subverts Tradition by Ben Brantley

In "Appropriate," the playwright Branden Jacobs-Jenkins brings together dissatisfied relatives for one last angry feast of guilt and recrimination.    

SOURCE: The New York Times Subscription at 10:00pm on March 16, 2014

Theater Review: 'Rocky,' the Musical, Brings Songs to a Film Story by Ben Brantley

"Rocky," the mostly torpid new musical at the Winter Garden Theater, counts on its audience's residual affection for the film on which it is based.    

SOURCE: The New York Times Subscription at 10:00pm on March 13, 2014

Theater Review: 'Stockholm,' by Bryony Lavery, Dissects a Marriage by Ben Brantley

"Stockholm," by Bryony Lavery, at 59E59 Theaters, unmasks a couple's brittle stylishness.    

SOURCE: The New York Times Subscription at 10:00pm on March 12, 2014

Theater Review: An 'Antony and Cleopatra' Set in the Caribbean by Ben Brantley

Tarell Alvin McCraney's squishy, misbegotten "Antony and Cleopatra" resets Shakespeare's tragedy on the island of Hispaniola during the reign of the French.    

SOURCE: The New York Times Subscription at 10:00pm on March 5, 2014
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