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26 stories by "Alissa Wilkinson"

‘The Devil Wears Prada’ Then and Now: Why It Hits Differently by Alissa Wilkinson

The film’s portrait of the work lives of a young journalist and a top editor holds lessons for us. It’s just that the lessons have changed with time.

SOURCE: The New York Times Subscription at 5:01am on May 6, 2026

‘Bernstein’s Wall’ Documentary Focuses on Leonard Bernstein by Alissa Wilkinson

“Bernstein’s Wall,” directed by Douglas Tirola, focuses on the composer and conductor’s belief that art can be an uplifting and uniting force.

SOURCE: The New York Times Subscription at 5:02am on April 24, 2026

'The Christophers' Review: Fine Art, Frayed Artists by Alissa Wilkinson

Ian McKellen and Michaela Coel are terrific in Steven Soderbergh's sharp-eyed take on art and money.

SOURCE: The New York Times Subscription at 5:02am on April 9, 2026

'The Love That Remains' Review: Time Goes On by Alissa Wilkinson

A family navigates the year after parents separate in this funny, surrealist Icelandic drama.

SOURCE: The New York Times Subscription at 5:00am on January 29, 2026

'H Is for Hawk' Review: All Shall Be Well by Alissa Wilkinson

Claire Foy stars along with a goshawk in an adaptation of Helen MacDonald's award-winning memoir.

SOURCE: The New York Times Subscription at 5:00am on January 22, 2026

To Be or Not to Be: That Is the Question Filmmakers Can't Resist by Alissa Wilkinson

The Shakespearean monologue that is featured twice in "Hamnet" has long informed the movies, often in surprising ways that can make us rethink the words.

SOURCE: The New York Times Subscription at 5:36am on January 7, 2026

Rob Reiner Made Clear What He Believed In, Onscreen and Off by Alissa Wilkinson

In films like "A Few Good Men," the director's ideas of honor and morality were stated as plainly as could be.

SOURCE: The New York Times Subscription at 4:55pm on December 15, 2025

'Hamnet' Review: The Rest Is Silence by Alissa Wilkinson

Jessie Buckley and Paul Mescal star in a heartbreaking adaptation of the best-selling novel.

SOURCE: The New York Times Subscription at 5:01am on November 26, 2025

Has Theater Become Everybody's Church? by Alissa Wilkinson

New shows by Jen Tullock, Jordan E. Cooper and others have a common theme: You can walk away from the church, but the songs stay with you.

SOURCE: The New York Times Subscription at 5:06am on November 3, 2025

'Blue Moon' Review: Ethan Hawke Plays Lorenz Hart's Tragic Tune by Alissa Wilkinson

Ethan Hawke plays the legendary lyricist Lorenz Hart on a wistful one-night quest to save his soul.

SOURCE: The New York Times Subscription at 5:01am on October 16, 2025

In 'The Alabama Solution,' Amateur Footage Helps Expose Prison Abuses by Alissa Wilkinson

Though Andrew Jarecki and Charlotte Kaufman are the directors, inmates with smuggled phones are important collaborators.

SOURCE: The New York Times Subscription at 5:01am on October 3, 2025

Jennifer Lopez's Life Is Her Greatest Art. These 7 Roles Explain Why. by Alissa Wilkinson

Her casting in the forthcoming "Kiss of the Spider Woman" underscores how her best onscreen work has always been informed by what's happening offscreen.

SOURCE: The New York Times Subscription at 5:00am on September 14, 2025

'The Man in My Basement' Review: A Prison of His Own Making by Alissa Wilkinson

Corey Hawkins and Willem Dafoe star in an overstuffed drama about a man haunted by the weight of history.

SOURCE: The New York Times Subscription at 5:02am on September 11, 2025

'The Roses' Review: To Honor, Cherish, Envy and Despise by Alissa Wilkinson

Benedict Cumberbatch and Olivia Colman star in a strangely bad remake of "The War of the Roses."

SOURCE: The New York Times Subscription at 5:01am on August 28, 2025

'Shari & Lamb Chop': A Singular Talent Gets Her Due by Alissa Wilkinson

Shari Lewis's pioneering role in children's television becomes clear in a new film that can be perfunctory about her life.

SOURCE: The New York Times Subscription at 5:00am on July 18, 2025

In a New Documentary, the Deaf Actress Marlee Matlin Talks About Prejudice by Alissa Wilkinson

In a new documentary, the actress talks about the prejudice and loneliness she faced after becoming the rare Hollywood star who is deaf.

SOURCE: The New York Times Subscription at 5:00am on June 20, 2025

'Sinners' and Shows like 'Severance' Give an Old Form New Life by Alissa Wilkinson

Online, onstage and onscreen, performers are playing multiple parts. The effect of watching someone shape-shift can be both thrilling and unnerving.

SOURCE: The New York Times Subscription at 5:06am on May 4, 2025

'Grand Theft Hamlet': The (Game) Play's the Thing by Alissa Wilkinson

The film captures two players staging the classic within an online video game, raising fascinating questions about community and connection.

SOURCE: The New York Times Subscription at 5:24am on January 17, 2025

'Obsessed With Light' and the Dancer We All Should Know by Alissa Wilkinson

The film argues that Loie Fuller was an inventive artist responsible for things we take for granted. If only the movie were as creative as its star.

SOURCE: The New York Times Subscription at 5:02am on December 6, 2024

'The Piano Lesson' Review: Ghosts in the Instrument by Alissa Wilkinson

This film adaptation of August Wilson's Pulitzer Prize-winning play falters in some specifics, but is still vital viewing.

SOURCE: The New York Times Subscription at 5:32am on November 21, 2024

In 'Swan Song,' a Ballet Company Faces Racism and Sexism by Alissa Wilkinson

The film follows a National Ballet of Canada production of "Swan Lake" as dancers and others deal with long-simmering issues of racism and sexism.

SOURCE: The New York Times Subscription at 5:03am on July 26, 2024

'Janet Planet' Review: A Sticky Summer Full of Small Dramas by Alissa Wilkinson

Annie Baker's debut feature film is a tiny masterpiece " a perfect coming-of-age story for both a misfit tween and her mother.

SOURCE: The New York Times Subscription at 9:54am on June 22, 2024

'Ghostlight' Review: With Patient Ears, Attend by Alissa Wilkinson

The film is a gentle, emotional drama about a family struggling to stay together. It's also about the power of theater.

SOURCE: The New York Times Subscription at 5:32am on June 13, 2024

When the Stage Harnesses the Power of the Movies by Alissa Wilkinson

Adaptations of films will be a factor at the Tonys this year. Surprisingly the best of these shows are not always the most faithful.

SOURCE: The New York Times Subscription at 5:24am on May 31, 2024

Here's Every Biblical Reference in 'Hamilton' | Christianity Today by Alissa Wilkinson

From King George to Aaron Burr, the hit musical's Biblical literacy makes its story and characters even richer.

SOURCE: www.christianitytoday.com at 7:55pm on March 27, 2016
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