Wednesday, December 18, 2024
Les Ballets Trockadero de Monte Carlo opens its season at the Joyce Theater with its vintage, vampiric “Giselle” and a new take on Balanchine.
SOURCE: The New York Times Subscription at 11:26AMFriday, December 13, 2024
The choreographer Tess Dworman inhabits an assortment of people (and an ottoman) in her dance-theater work “Everything Must Go.”
SOURCE: The New York Times Subscription at 12:56PMWednesday, December 11, 2024
Once-in-a-generation ballerinas, topical works that transcended politics and a voguing “Cats” were highlights of the year.
SOURCE: The New York Times Subscription at 05:02AMSunday, December 8, 2024
Alvin Ailey American Dance Theater returns for its annual December season with an enigmatic premiere by Jamar Roberts and the revival of “Grace.”
SOURCE: The New York Times Subscription at 01:56PMWednesday, December 4, 2024
In “Dear Lord, Make Me Beautiful,” the choreographer Kyle Abraham experiments with expressing his emotions about the current moment.
SOURCE: The New York Times Subscription at 12:19PMIn “No President,” Nature Theater of Oklahoma creates its version of a story ballet, one burpee at a time.
SOURCE: The New York Times Subscription at 05:24AMMonday, December 2, 2024
Brown’s masterful, fervent dance has become an enduring classic. He and his collaborators reflect on its creation.
SOURCE: The New York Times Subscription at 05:00AMThursday, November 28, 2024
This season, two vivacious boys at the School of American Ballet make their princely debuts in New York City Ballet’s production of “The Nutcracker.”
SOURCE: The New York Times Subscription at 05:03AMMonday, November 11, 2024
She was always a goddess of dance — even before her triumph in “Cry.” The Ailey star turned artistic director stretched like there was no tomorrow.
SOURCE: The New York Times Subscription at 10:45AMSunday, November 10, 2024
The Taylor company returns to Lincoln Center with four premieres and a new resident choreographer: Robert Battle, the former director of Alvin Ailey.
SOURCE: The New York Times Subscription at 12:55PMMonday, November 4, 2024
Carolyn Adams, the Paul Taylor dancer turned educator, is being honored at the company’s gala with a new solo by Robert Battle, her former student.
SOURCE: The New York Times Subscription at 11:38AMIn certain circles, the name Ralph — like Merce or Madonna — lights up a room. The choreographer and visual artist is the subject of a major exhibition of his art and performances.
SOURCE: The New York Times Subscription at 05:01AMThursday, October 31, 2024
American Ballet Theater unveils “Crime and Punishment,” an ambitious, but listless new production by Helen Pickett and James Bonas.
SOURCE: The New York Times Subscription at 12:18PMMonday, October 21, 2024
Thirty years ago, Bill T. Jones presented “Still/Here,” and the critic Arlene Croce responded with an explosive essay. Now the work is returning to the Brooklyn Academy.
SOURCE: The New York Times Subscription at 11:30AMThursday, October 17, 2024
American Ballet Theater opened its fall season at Lincoln Center with premieres by Gemma Bond and Kyle Abraham in his most accomplished ballet yet.
SOURCE: The New York Times Subscription at 12:01PMTuesday, October 15, 2024
The fall season wrapped up with an excellent program featuring works by Balanchine and Ratmansky, as well as a celebration of Justin Peck’s 10th year as resident choreographer.
SOURCE: The New York Times Subscription at 01:11PMTwo dancers from the Ailey company perform part of “Night Creature” on the roof of the Whitney Museum, where the choreographer is the subject of a major exhibition.
SOURCE: The New York Times Subscription at 05:00AMThursday, October 10, 2024
New York City Ballet dressed up its fall fashion gala with a program of female choreographers. This was history, even if the results were mixed.
SOURCE: The New York Times Subscription at 11:48AMMonday, October 7, 2024
Olivia Bell, 20, a radiant member of New York City Ballet, reprises the role she knocked out of the park as a student: “I want to do it right.”
SOURCE: The New York Times Subscription at 05:02AMThursday, September 26, 2024
Monday, September 23, 2024
New York City Ballet opened its fall season with classics by George Balanchine and Jerome Robbins, along with a company premiere by Lar Lubovitch.
SOURCE: The New York Times Subscription at 12:24PMThursday, September 19, 2024
The 10-day festival at City Center opened with a program of works by Alexei Ratmansky, Tiler Peck and Andrea Miller.
SOURCE: The New York Times Subscription at 11:47AMTuesday, September 3, 2024
In “Edges of Ailey,” a new exhibition at the Whitney Museum of American Art, the choreographer takes center stage. It’s another revelation.
SOURCE: The New York Times Subscription at 05:00AMThursday, August 15, 2024
Faye Driscoll uses the ocean as her collaborator in a sunset dance celebrating the 10th anniversary of Beach Sessions.
SOURCE: The New York Times Subscription at 11:00AMSunday, August 11, 2024
Breaking, the dance form created more than 50 years ago in the Bronx, has made its Olympic debut. It’s not a sport, but does that matter?
SOURCE: The New York Times Subscription at 05:00AMThursday, August 8, 2024
At the Palais Garnier, ballet met hip-hop and beyond in a glittering Cultural Olympiad presentation of Saïdo Lehlouh’s ever-evolving “Apaches.”
SOURCE: The New York Times Subscription at 05:02AMMonday, August 5, 2024
Rachid Ouramdane, who presented a major new dance as part of the Cultural Olympiad, directs the Théâtre National de Chaillot in Paris. How does he do it all?
SOURCE: The New York Times Subscription at 05:01AMWednesday, July 31, 2024
A program of arts events shown in conjunction with the 2024 Olympic and Paralympic Games looks at the relationship between art and sport.
SOURCE: The New York Times Subscription at 11:00AMThursday, July 4, 2024
After a tremendous “Swan Lake” performance, Chloe Misseldine was promoted onstage at the Metropolitan Opera House. The audience went nuts.
SOURCE: The New York Times Subscription at 09:01AMTuesday, July 2, 2024
The rise of the soloist Chloe Misseldine is part of the artistic director Susan Jaffe’s master plan: Start them young and give them time to grow.
SOURCE: The New York Times Subscription at 05:01AMWednesday, June 19, 2024
