The Trackers of Oxyrhynchus review " sing-along-a Sophocles
Finborough, LondonTony Harrison's collision of high and low art fashions a Greek satyr play into a barbed comment on the lack of imagination in contemporary cultureMy abiding memory of Tony Harrison's play at the National Theatre in 1990 is of a chorus of clog-dancing satyrs with toweringly erect phalluses. Even if the mock penises in this revival tend to dangle, there is nothing limp about Jimmy Walters' production,…
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