Something Rotten! Or how I created a Broadway musical
The best song had to go, as did a beloved (by the writer, anyway) song-and-dance number in the stocks. But finally, after four years of rewrites and cuts, a musical set in Tudor London is set to face the critics and audiences of New YorkI got involved with this project expressing extreme doubt that it would ever happen. The Americans just love our British can-do attitude. I first met my chief collaborator, screenwrit…
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