BWW Review: ORESTE, Wilton's Music Hall, 8 November 2016
Glass panels, windows and boxes on stage should always be treated with mistrust. There can be no clearer indication of blood to come - a literal trigger warning, a physical spatter alert. Think of the gorgeous glass house of Benedict Andrews's 2011 The Return of Ulysses for ENO just waiting to be smeared and smudged, or of Gloucester restrained in his glass prison in the RSC's recent Lear just waiting for that moment…
Please log in or create an account to report a problem with this listing.