Review: "Threepenny Opera" gets its freak on (and has lots of fun doing it)
It's been said that the most salient quality of an enduring classic isn't so much its adherence to some long-standing, eternal set of formal strictures — as we tend to imagine — but its strangeness. A classic is totally, completely, defiantly itself, and it knows how to get its freak on. For a case in...
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