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146 stories by "Andrew Alexander"

Review: Alliance's 'Covenant' builds a sinister tale with a stilted payoff  by Andrew Alexander

"Everybody's got secrets," says Ruthie (Alaysia Renay Duncan) in the opening line of the new ghost story Covenant, on stage at the Alliance through November 9. The warning proves heartbreaki…

SOURCE: ArtsATL at 12:00pm on October 20, 2025

The Art of Pride: ArtsATL's guide to Atlanta Pride 2025 by Andrew Alexander

Atlanta Pride returns this weekend, filling the city with music, drag, dance, film and art under the banner of this year's theme, "Rooted in Resilience." From the rainbow-hued bustle of Pied…

SOURCE: ArtsATL at 11:00am on October 6, 2025

Pride weekend marks a bittersweet goodbye for Adeem the Artist by Andrew Alexander

Atlanta Pride is usually a launchpad for parades and parties, not bittersweet goodbyes. But this year's festival will mark a significant farewell. On October 11, Adeem the Artist, the outspo…

SOURCE: ArtsATL at 10:00am on October 2, 2025

Photographer David Clifton-Strawn's new book brings Atlanta arts community into focus by Andrew Alexander

After more than two decades away from the lens, Atlanta photographer David Clifton-Strawn picked up a camera again " not to make art but to make sense of himself. He'd initially stopped phot…

SOURCE: ArtsATL at 3:00pm on September 8, 2025

Review: Authenticity Theater's 'Uncle Vanya' depicts tension between ideals and limitations by Andrew Alexander

Life doesn't always turn on what happens but on what doesn't happen: missed opportunities, unspoken feelings, the things we wished we'd said.  That sense of inertia, slow erosion and help…

SOURCE: ArtsATL at 1:00pm on June 16, 2025

10 Years of ArtsATL: John Clarence Stewart goes from Alliance to Marvel's "Luke Cage" by Andrew Alexander

Editor's note: In 2013, ArtsATL identified Stone Mountain native John Clarence Stewart... The post 10 Years of <em>ArtsATL</em>: John Clarence Stewart goes from Alliance to Marve…

SOURCE: ArtsATL at 10:33pm on November 15, 2019

Review: The political gets personal in stunning dance showcase "Citizen Lift" by Andrew Alexander

"The personal is political," or so we're told. Even so, all too often there can be a touch of something cold and impersonal about a great deal of "political" art. Not so with Citizen Lift, t…

SOURCE: ArtsATL at 10:00am on June 19, 2018

Review: Alliance's "Winnie-the-Pooh" makes a charming return to Hundred Acre Wood by Andrew Alexander

I couldn't tell you much about what Winnie-the-Pooh has been up to since the game of Poohsticks in The House at Pooh Corner, the second and last of British author A.A. Milne's collection …

SOURCE: ArtsATL at 2:01pm on June 13, 2018

Review: Lauren Gunderson's "The Taming" takes an irreverent (and decidedly witty) aim at our political divide by Andrew Alexander

When placing politics on the stage nowadays, absurdism and farce seem the best, if not the only possible, approach. It's the tack of playwright (and Decatur-native) Lauren Gunderson in her f…

SOURCE: ArtsATL at 10:01am on June 6, 2018

ArtsATL's top 10 things to do in Atlanta that aren't "Hamilton" by Andrew Alexander

The touring production of the Broadway blockbuster Hamilton arrives at Atlanta's Fox Theatre this week for a 14-day run of 22 beyond-sold-out performances. If you're smart, lucky or rich, yo…

SOURCE: ArtsATL at 10:00am on May 22, 2018

Review: Glamorous, inventive "Bach to Broadway" closes Atlanta Ballet season by Andrew Alexander

On Saturday night, dancers Jessica Assef and Moíses Martín, substituting for Emily Carrico and Jacob Bush, paired beautifully in the opening moments of Helgi Tomasson's 7 for Eight, th…

SOURCE: ArtsATL at 11:35am on May 15, 2018

Review: Synchronicity's "Ripe Frenzy" delves into school shootings with mixed results by Andrew Alexander

Maryland-based playwright Jennifer Barclay takes on the subject of school shootings in her interesting but faulty new play Ripe Frenzy, running at Synchronicity Theatre through May 6. The pl…

SOURCE: ArtsATL at 11:59am on April 18, 2018

Review: Cleage's "Hospice," "Moon" share stories that women only tell each other by Andrew Alexander

I almost never see a play twice before I review it, but the opportunity arose this week, and in this case, a return visit seemed warranted. The women in Pearl Cleage's Hospice + Pointing at …

SOURCE: ArtsATL at 11:01am on April 4, 2018

Review: Alliance's "Sheltered" a strongly executed, old-fashioned theater throwback by Andrew Alexander

If you could save a stranger's child by risking your own safety and security, would you? The moral intricacies and personal strain that an American Jewish couple face as they try to save not…

SOURCE: ArtsATL at 12:58pm on March 14, 2018

Review: August Wilson's "King Hedley II" at True Colors packs a powerful final punch by Andrew Alexander

August Wilson's grim tragedy King Hedley II is currently having a fine production at Atlanta's True Colors Theatre, on stage through March 11. It's a moving play that offers a slow, simme…

SOURCE: ArtsATL at 11:02am on February 21, 2018

Review: "The Followers" offers an engaging, edgy look at the spiritual versus the rational by Andrew Alexander

The Bacchae has always been something of a strange play, and it gets a little stranger in The Followers, an appealing and edgy new adaptation of the ancient tragedy at 7 Stages, running thro…

SOURCE: ArtsATL at 11:01am on February 7, 2018

News: Alliance Artistic Director Susan Booth wins $250,000 women's leadership grant by Andrew Alexander

The Alliance Theatre and its Artistic Director Susan V. Booth have been awarded a $250,000 grant as part of the inaugural BOLD Theater Women's Leadership Circle.  The program supports the…

SOURCE: ArtsATL at 3:37pm on February 1, 2018

Review: With Terry Burrell, "Lady Day" sings the blues sweet and low at Theatrical Outfit by Andrew Alexander

Lady Day at Emerson's Bar and Grill is a show that could work well in nearly any venue, but it seems to fit especially snugly into Theatrical Outfit's Balzer Theatre. The set, which is meant…

SOURCE: ArtsATL at 10:02am on January 17, 2018

Review: Serenbe's "The Snow Queen" is a refreshing blast of chilly Christmas air by Andrew Alexander

Disney animators riffed on Hans Christian Anderson's classic fairy tale The Snow Queen in their big-budget 3D computer-animated 2013 film Frozen, one of the highest-grossing kids' movies of …

SOURCE: ArtsATL at 9:59am on December 6, 2017

Review: Thoughtful and moving, "Cardboard Piano" is a play worth remembering by Andrew Alexander

The dawning of the year 2000 — Y2K, as it was ominously called — was not the apocalyptic disaster that some would have led us to believe. A lot of things may have turned to crap …

SOURCE: ArtsATL at 10:59am on November 15, 2017

Review: They may be empty calories, but Alliance's "Hand to God" has shock value humor by Andrew Alexander

There's technically only one actor on stage for many of the most memorable scenes in Hand to God, playwright Robert Askins' hit comedy currently having its Atlanta premiere through November …

SOURCE: ArtsATL at 11:02am on November 1, 2017

News: The Atlanta Opera's innovative Discoveries series receives $1.2 million Blank Foundation grant by Andrew Alexander

If you’re a fan of opera in unusual places, you’re in luck. More is coming your way. The Atlanta Opera announced today that it has received a $1.2 million, three-year grant from …

SOURCE: ArtsATL at 12:47pm on October 27, 2017

Review: Out Front Theatre hits a rocky road with uneven production of "Rocky Horror" by Andrew Alexander

The songs in any production of The Rocky Horror Show need to sound incredible or else all is lost. The story is certainly fun and weird, but no one's coming for that plot. Unfortunately, a n…

SOURCE: ArtsATL at 12:59pm on October 25, 2017

Review: The Weird Sisters bring out their ghoulish Halloween spook for "Dangerous Women" by Andrew Alexander

The Halloween season is as good a time as any to remind ourselves that women can be every bit as diabolical, bloody and violent as their male counterparts. Dangerous Women, a new show throug…

SOURCE: ArtsATL at 9:01am on October 25, 2017

Review: In "The Way We Get By," stand-out acting can't overcome a paltry premise by Andrew Alexander

It's been said that the war between the sexes is the only conflict in which both sides sleep with the enemy on a regular basis. If you can imagine that witticism as a play, you'll have somet…

SOURCE: ArtsATL at 8:59am on October 18, 2017
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