The set's the thing: how the stage helped The Secret River come alive by Miriam Cosic

Set designer Stephen Curtis says the best of his work supports the actors and solves problems, but warns in a new essay on his work that it's also easy to be glib and rely on old tricks rather than create an original 'visual signature' The stage is cavernous, shadowy, a proscenium arch suggested by eucalyptus branches. Folds of cloth, falling 13.5 metres, conjure the bark of an emblematically oversized gum tree, or c…

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