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Unscorched " review by Michael Billington

Finborough, LondonThis impressive play takes an unsensational approach to the stresses of having to work professionally with abusive imagesHow do human beings cope with being exposed, professionally, to a barrage of violent or abusive images? That is the question behind Luke Owen's disturbing 75-minute piece, winner of this year's Papatango New Writing Prize. The issue was raised in Anthony Neilson's The Censor, howe…

SOURCE: The Guardian at 10:10am on November 1, 2013

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