Passion Play " review by Kate Kellaway

Duke of York's, LondonIf the break-up of a marriage tends to be chaotic, the problem with Peter Nichols's Passion Play (1982), I used to think, was that its contrivance created order, was too entertaining to be true and betrayed its own subject: betrayal. Safer to focus on Pinter or Stoppard, whose infidelity dramas (Betrayal and The Real Thing) were written at roughly the same time. But David Leveaux, who has direct…

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