Royal Lyceum, EdinburghThe macaroons devoured by Nora Helmer in Ibsen's proto-feminist classic normally symbolise her infantilism. They are a childish indulgence, cute and frivolous, for a woman not expected to grow up. It's a different story in Zinnie Harris's version, first seen at the Donmar Warehouse in 2009, in which the biscuits are less a treat than an addict's escape route. "You're supposed to be my supplier,…
SOURCE: The Guardian at 01:07PM on April 22, 2013